During World War II, after the imprisonment of then partner, Max Ernst, Leonora Carrington fled France and sought asylum in Spain. There, she experienced a series of psychological crises. Her family placed her in a sanatorium against her will, where she was subjected to severe treatments. Carrington eventually moved to New York, where Andre Breton encouraged you to write about her experiences in the Surrealist journal VVV. Continue reading Modern Art Monday Presents: Leonora Carrington, Green Tea→
Some symbols can move the whole world. The Rainbow Flag, first unfurled at the San Francisco Gay and Lesbian Freedom Day Parade on June 25,1978, is a gleaming example. Led by Gilbert Baker (1951 – 2017), a political activist and designer, 30 volunteers hand-dyed and stitched rainbow flags for the event.
This week’s Pink Thing of the Day comes from an exhibit I saw way back in 2017 by photographer Stephen Shore and his quietly captivating image Room 509, Dnipro Hotel, Kiev, Ukraine, July 18, 2012. The photograph seems almost disarmingly simple: a hotel room washed in soft pink tones, a bed neatly made, and a doorway that reveals a second room beyond. But the longer you look, the more the image unfolds. The composition layers space through that open doorway, creating a subtle narrative — two rooms, two viewpoints, and the quiet suggestion of someone just out of frame. Continue reading Pink Thing of the Day: Room 509, Dnipro Hotel By Stephen Shore→
Let’s take a look at a painting that feels less like a traditional artwork and more like a window into a dream. Created by French Surrealist painter Yves Tanguy, Extinction of Useless Lights (1927) invites viewers into a mysterious landscape where logic takes a back seat and imagination takes the wheel.
Tanguy was a key figure in Surrealism, which explored dreams, the subconscious, and the strange imagery that exists beyond everyday reality. Interestingly, he was largely self-taught as an artist. After encountering the ideas of Surrealist leader André Breton in the 1920s, Tanguy quickly developed a visual style that would become unmistakably his own. Continue reading Modern Art Monday Presents: Extinction of Useless Lights By Yves Tanguy→
Completed in 1972 by architect Kisho Kurokawa, Tokyo’s Nakagin Capsule Tower was one of the most radical expressions of Japan’s Metabolist movement. Designed as a living, modular organism, the building consisted of prefabricated capsules meant to be replaced over time — an architecture of flexibility, impermanence, and futurist optimism. In reality, the capsules were never updated. Aging infrastructure, rising maintenance costs, and changing safety standards eventually led to the tower’s closure and demolition in 2022, transforming it from visionary landmark to architectural legend. Continue reading Eye On Design: Nakagin Capsule Tower Commemorative Lamp→
