Worleygig,.com is happy to share Singer/songwriter/multi-instrumentalist Cameron Avery new video today for the song “Wasted on Fidelity” from his solo album Ripe Dreams, Pipe Dreams. Known for his work as the touring bassist for Tame Impala, Avery offers an ornate yet gritty sound driven by his soulful wit and sweeping arrangements. With his deep, husky baritone, Avery harnesses the dark power and humor of artists like Nick Cave, Scott Walker, and Tindersticks. On Ripe Dreams, Pipe Dreams, Avery channels train-wreck romanticism into timeless music for the modern age.
Avery explains, “I’m in my mid 20’s, I play in a band, I’m ripe to dream. But the pipe dream, the underlying theme of the album, if you really listen, is that all I really want is to have someone in my life and to be in love.”
Based in New York City and originally from Western Australia, Avery had a longtime stint as the drummer for psych-rock band Pond. After joining Tame Impala in 2013, he continued shaping his singular identity as an artist and recorded solo material whenever and wherever he found the time. Ripe Dreams, Pipe Dreams will be released on March 10th, 2017. Enjoy!
Ripe Dreams, Pipe Dreams Track List:
1. A Time and Place
2. Do You Know Me By Heart?
3. Dance With Me
4. Wasted On Fidelity
5. Big Town Girl
7. The Cry Of Captain Hollywood
8. Watch Me Take It Away
9. An Ever Jarring Moment
10. C’est Toi (extended)
L’Oiseau (The Bird) Tableau Photo By Sean Yseult (All Photos By Gail, Click on Any Image to Enlarge for Detail)
Musician Sean Yseult hasn’t exactly been sitting around idle since she hung up her bass with White Zombie. Splitting her time between homes in New Orleans and Manhattan, Yseult not only stays involved in music but she is also a successful fashion designer and multi-media artist with a wide ranging expertise in photography. Three of Yseult photographic projects are on display now in a retrospective hosted by Sacred Gallery.
Sean’s most recent works are part of the series Soiree D’Evolution: Tableau Vivants et Nature Mortes, in which she presents a series of Living Pictures documenting the soiree of a historically inspired secret society set in a lavish Garden District mansion, circa 1873. Each print is a storyboard for a narrative of murder, mayhem, and excess in which The Omniscient Oracles of the Occult revel in the decay and decadence of celebration for the Greek philosopher and Deteriorationist, Hesiod.
Each four by six foot print exhibits an intimate knowledge of New Orleans’ history and flirtations with the romantic occult. Though inspired by a mix of the large scale, black backgrounds, and grisly depictions of the 17th century Dutch Masters and the high society culture of 19th century New Orleans, Soiree D’Evolution is firmly rooted in the present through its use of macabre humor and vibrant colors.
The King is Dead, Long Live The King
Mississippi Mermaids, Installation View
The 2013 photographic series, Mississippi Mermaids was inspired by the artist’s childhood memories of collecting treasures from the remote coastal islands of North Carolina with her father. The most valued treasure were the blue, barnacle-covered glass bottles that washed ashore.
The standard message cast adrift in a bottle has been here replaced by lovely ladies, some resting, some daydreaming, some slightly troubled or even annoyed, but all of whom have themselves become the treasure, the message, the story sent floating through waves.
Yseult shot each photograph in black and white before toning each image in cyan – this transformation itself inspired by her time studying photography at Parsons when she would spend many hours toning photographs as cyanotypes. Each image of this series is printed on silver paper which further accentuates the imagery of water that carries each bottle.
Finally, Sex & Death & Rock N Roll (2012) showcases what Yseult described as “loose women, unkempt graveyards, and musicians in various states of cognizance” – subject matters to which she admits being constantly drawn to for the beauty of these people and places. Shot in black in white, Yseult’s fascination with women from eras past can be seen in her earlier work of 2004 as well.
Here, light boxes were built with black and white ethereal Polaroids, complete with tasseled pull switches and velvet curtains. Commenting on the inspiration for these pieces, Yseult has said: “sometimes I just have a vision in my head and have to execute it.”
She also experiments with metal prints, a finish which lends these moody photos extra character.
The Cock and General Blue
Rounding out the retrospective are a selection of her gorgeous Black & White prints of local New Orleans scenery, including a post-Katrina flooded cemetery.
Sean Posses in front of one of her Mississippi Mermaid Photos
Thanks also to Sacred Gallery owner Kevin Wilson and his wife Liz Henderson for throwing a great opening night party! I ran into so many old friends and acquaintances, some of whom I had not seem in ten years, including publicist Howard Wuelfing, Comedian and writer Dave Hill, Musician Acey Slade and Sean’s husband Chris Lee, formerly of the band Supagroup, who is a great guy!
Also, one fan brought along this little guy, a wildly adorable, four-week old Chihuahua/Maltese mix named Diego, who stole my heart away.
Sean Yseult Retrospective will be on Exhibit Through December 31st, 2015 at Scared Gallery, Located at 424 Broadway (just North of Canal Street), 2nd Floor, in Soho, NYC.
Ultimate Classic Rock reports that Chris Squire, legendary Bass player for the progressive rock band Yes has died (June 28th) after a battle with Leukemia. He was 67 years old. This kills me, as Squire was one of my rock heroes and my favorite bass player ever, followed by John Entwistle and Dennis Dunaway of Alice Cooper. Not only was Squire a phenomenally innovative bass player, but he was also one of the first bassists to release a solo album (1975’s Fish Out of Water) on which the bass is played as a lead instrument with no other guitars appearing on the record.
All you have to do is listen to the lead track on that album, “Hold Out Your Hand” — a song that I would put up against the best of Yes’s entire catalog — to have your mind completely blown. Chris Squire was a true Rock God. Both his contributions, as well as the loss of his talent, to the world of Rock music, is immeasurable.
Some of you who have been fans for a while may know that, back in the day before I wrote about Rad Art and Delicious Food, I used to interview famous Rock Stars at a pretty steady clip and then publish those interviews across the globe. Those days are long gone, of course, but sometimes traces of my previous life live on!
A former Rock Journalist colleague of mine, Hank Bordowitz, has recently published a book of more than fifty collected interviews (from 1957 to 2012) with all four members of Led Zeppelin, appropriately entitled Led Zeppelin on Led Zeppelin, and it is just a fantastic read. The best thing about this book, however, it that my rad interview with Led Zeppelin bassist John Paul Jones, conducted in his NYC Hotel Room in Spring of 2002 has made its way into this fine Rock Tome.
Hank was kind enough to send me a copy of the published book and I was so excited to see my interview in there that I read it right away, and then I made a little squee. Let me tell you, it is a really terrific interview — and if mine is that great, imagine how excellent some of the others must be that were conducted by people who were fortunate enough to be able to make a living writing about music and didn’t have to get a day job working for the man. Led Zeppelin!
Neal Smith, drummer for the original Band called Alice Cooper sent me the link to this video a couple of days ago and told me it was a clip he had never even seen before. Knowing how many fans of that awesome band I have as readers, I knew I had to post this as soon as I could get it together. This clip is especially great because you get to hear Neal and guitarist Michael Bruce have a very candid conversation about whether Neal or bassist Dennis Dunaway will provide the voice of the little girl in the song’s introduction. Neal twirls his sticks a lot and Kachina the snake also makes an appearance! Enjoy!
Bauhaus Bassist David J (Born David John Haskins) was born on this date, April 24th, in 1957. Haskins (who is the older brother of Kevin Haskins, the group’s drummer) wrote the lyrics to “Bela Lugosi’s Dead,” Bauhaus’s first single, most famous, and most-licensed song. “Bela Lugosi’s Dead,” is over nine minutes long and was recorded “live in the studio” in a single take. Happy Birthday, David!