Welcome back, Earthlings. In this week’s Video Clip, The Shins draw on their finest influences of the ’80s British New Wave (see The Human League, Heaven 17, Gary Numan) with an enchanting stop-motion animated video for “Cherry Hearts.” The Stefano Bertelli-directed clip, made entirely out of folded paper here, takes place inside an amusement park, so enjoy the ride!
“Cherry Hearts” can be found on The Shins’ fifth album, Heartworms, which is available everywhere now via Aural Apothecary/Columbia Records. Check them out on tour (dates below) right now! Enjoy!
The Shins On Tour:
10/08 Portland, OR Roseland Theater
11/02 Washington, DC The Anthem
11/03 Brooklyn, NY Kings Theatre
11/04 Philadelphia, PA The Fillmore
11/05 Port Chester, NY Capitol Theatre
11/07 Detroit, MI The Fillmore Detroit
11/08 Columbus, OH Express Live! Indoor Pavilion
11/10 Dallas, TX House of Blues
11/11 Houston, TX House of Blues
11/12 McDade, TX Sound on Sound Music Festival
11/14 New Orleans, LA Civic Theatre
11/15 Nashville, TN Ryman Auditorium
11/16 Charlotte, NC The Fillmore Charlotte
11/17 Atlanta, GA Coca Cola Roxy Theatre
11/19 Ciudad de Mexico, MX Corona Capital
11/30 Auckland, NZ Powerstation
12/04 St. Kilda, AU Palais Theatre
12/05 Brisbane, AU QPAC Concert Hall
12/08 Newtown, AU Enmore Theatre
12/12 Honolulu, HI The Republik
Debbie Harry Photographed By Chris Stein (All Event Photos By Gail)
The Morrison Hotel Gallery, in conjunction with the Dream Downtown Hotel is currently presenting a collection of fine art photographs by legendary Blondie guitarist Chris Stein. A student of NYC’s School Of Visual Arts, Chris started taking photographs in 1968. In 1973, he met and began working with Debbie Harry and together they founded the band Blondie. Chris was always taking pictures in the environment that surrounded Blondie and, lucky to be on the inside, was able to mingle with many pioneers of the new wave and punk music scenes.
Well known on the NYC rock scene as the guitarist and primary songwriter behind retro garage-pop quartet The Friggs, Palmyra Delran is a bit of a local music icon. While The Friggs never broke commercially, they opened for legendary bands such as The Ramones and Cheap Trick, earning a devote regional following as well as solid professional props for being an “all-girl” band that could rock as hard as any group of guys. In her second solo venture, Delran stays close to the layered pop sound she helped to hone in The Friggs, while continuing to demonstrate innovation with regard to arrangements and intriguing personal storytelling in songs that draw the listener into her very relatable world.
If Palmyra Delran isn’t the coolest chick on the block, I don’t know who is. Seamlessly blending the guitar rock grit of Joan Jett with the pop sensibilities and subtle humor of Blondie, You Are What You Absorb will feel instantly familiar to fans of the classic Girl Groups, Sixties Psychedelia, Surf Rock and the very best of the early eighties New Wave movement. There’s not a lot of timeless music being made today, but the twelve memorable tracks on You Are What You Absorb certainly qualify as such, being packed with lyrical hooks sharp enough to draw blood and retro musical flourishes, such as sitar and organ, that establish Palmyra’s reverential connection to the past while bringing her music into the present.
A favorite track among many is the single “Shy Boy” – an endearing love song to a reluctant wallflower that will melt the coldest heart. I also dig the way that the propulsive drumbeat and furious guitar outtro of “Lies For You” dig deep to fondly recall the Nick Lowe-penned Elvis Costello classic, “(What’s So Funny About) Peace, Love & Understanding.” Bringing other unexpected influences the forefront, Delran’s expert guitar playing on “Never to Be Back Again,” especially, recalls Jeff Beck’s distinctive riffage on The Yardbird’s “Heart Full of Soul,” and I don’t think there is much higher praise to give than that. Palmyra also shows her stylistic versatility on “The Turtle,” which successfully flirts with sixties lounge jazz.
Although it’s still pretty chilly on the East coast, as New York fights hard to break into spring, you need to grab a copy of You Are What You Absorb right away, so you can get ready to take it to the beach with you, add it to Party Mixes and slap it on the car stereo for long drives with the car top down as these songs become the soundtrack to your Best Summer Ever.
Palmyra Delran’s You Are What You Absorb is out now and available for purchase on iTunes, Amazon.com and wherever quality rock is procured.
View the acclaimed video for “You’re My Brian Jones” Below:
On This Date, April 6th, in 1978: The Normal released its only single, “T.V.O.D.” backed by “Warm Leatherette” – which, at least in the circles I ran in back in the day, was as big a “hit” as the A side. The Normal was really just a solo project by London film student Daniel Miller, who went on to form Mute Records. Distinguished by Miller’s monotone vocals and minimal, electronic beats, both songs deal lyrically with fairly bizarre fetish behaviors. “T.V.O.D” tells of a person who inserts a Television aerial (antennae) into his veins, literally overdosing on TV signals. “Warm Leatherette” – like David Cronenberg’s 1996 film, Crash – is about a guy who gets off by having sex in the aftermath of a fatal car crash. If this post has piqued your curiosity at all, you can download a ringtone of “Warm Leatherette” at this link.
On This Date, February 1st in 1980: Orchestral Manoeuvres In The Dark (generally known simply as OMD) released the awkward dance single, “Red Frame/White Light” from the group’s self-titled debut album. The song’s title refers to old school UK based telephone booths.
Thanks to Your Prime Source For Eighties Music Knowledge, The P5 Blogspot for the Tip!