Jeff Koons’ Woman in Tub (1988) combines a cartoon-like rendering of a nude woman startled by a submerged snorkeler with the exquisite, hard-paste porcelain finish of typical 18th-century Rococo figurines. Part of Koons‘ Banality series, which is characterized by oddly eroticized, comic and kitsch images, this work takes personal taste — good and bad — as its primary subject.
Koons has explained the work’s biographical origin:
When I was a kid, my grandparents had an ashtray on a table in their television room. It was a small porcelain of a girl in a bathtub. It was white, with pink and blue details, and the legs went back and forth. As a kid, I was mesmerized. My Woman in Tub comes from that, though it references [the toiletry scenes painted by] Manet and Degas. I had such as experience of awe looking at that object.
Art Decade adopted its name from a Brian Eno-produced David Bowie instrumental track, which gives the band a sort of built-in, arsty fartsy clout right off the gate. Their new video for the song “Breeze” — soothing, Sunday morning orchestrated pop taken from the band’s 2012 album Western Sunrise — was filmed on a beach with bunch of 3-D geometric effects tossed in during post production. The visual result is like Pink FLoyd’s Dark Side of the Moon…on the Beach.
Here’s what Ben Talmi, Art Decade’s vocalist/guitarist/arranger has to say about this clip: “With the animation skills of Whitney Alexander and Kipp Jarden, I saw the opportunity to combined the Impressionistic styles of painters like Degas, Renoir and Turner with the world of surrealists like Dali and Ernst in a setting of the beach, which was influenced by Ingmar Bergman’s The Seventh Seal and Federico Fellini’s 8 1/2. The animated subconscious dreamscapes Whit and Kipp created in the video are just like what I see when I close my eyes.”
Art Decade is putting the finishing touches on 11 songs that will make up their new self-titled album due in September of 2013. Enjoy!