Tag Archive | Sculpture

Modern Art Monday Presents: Boy By Charles Ray

Boy By Charles Ray
All Photos By Gail

Having been employed as a department store janitor during his freshman year of college, Charles Ray (b. 1953) understands the unease that a mannequin — an inanimate object that one might readily mistake for a live human — can inspire.  Ray’s work is also charged with purely sculptural tensions that exist between surface and interior, armature and appendage and / or size and scale. With Boy (1992), Ray created a particularly disquieting figure.

Boy With Guard
Museum Guard With Sense of Humor Poses With Boy

The sculpture stands just shy of six feet tall, the artist’s exact height, yet maintains the softness of youth in its rounded cheeks and limbs. The boy is clad in outdated garments, hovering ‘between baby and Hitler youth,” in the words of one critic. Additionally, the boy’s pose and gesture suggest a confrontational manner at odds with his neutral expression.Boy By Charles Ray

Photographed at the Art Institute of Chicago.

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Frieze 2019: A Photo Recap of The Fair’s Best Art!

Yayoi Kusama Narcissus Garden
Yayoi Kusama’s Narcissus Garden Sculpture/Installation Paired With Chris Ofili’s Painting To Take and To Give (All Photo By Gail)

On a very rainy Sunday in NYC, the ideal indoor activity turned out  be a ferry ride over to Randall’s Island for the Frieze Art Fair! Because what’s a little mud on your shoes compared to the joy of browsing for hours through thousands of prohibitively expensive artworks?

Yayoi Kusama Narcissus Garden
It Isn’t an Art Fair Without Yayoi Kusama!

Looking back through the digital archives, it appears that my previously most recent Frieze recap dates all the way back to 2015 — wow — for reasons that take too long to talk about. One thing that is abundantly clear though is that my skills as a photographer have improved greatly in the last four years! Let’s take look around this year’s Frieze Art Fair and check out a selection of my favorite art!

Carlotta

Carlotta (2017) is monumental 3D-effect stiles steel sculpture by Juame Pensa, found at Richard Grey Gallery. That’s an Alex Katz abstract painting at the left.

Colored Mirrored Circles

It didn’t take me long get distract by shiny things, because I neglected to note the artist of this installation of Colored Spherical Shaped Mirrors, which is just fantastic.

Metal Weed

It might look like a weed has sprouted up though a crack in the wall at the booth for the Marlborough Gallery, but that weed is actually a metal sculpture. Clever!

Quartz Eroded Newspaper Machine

Quartz Eroded Newspaper Machine (2019) by Daniel Arsham.

Quartz Eroded Newspaper Machine

Here’s the view of another side: Coffee Cup included! Spotted at Perrotin Gallery.

You Drive Me Crazy.

Two colorful, feathered bears wrestle playfully in this sculpture by Paola Pivi entitled You Drive Me Crazy, also at Perrotin Gallery.

Numbers

You know how it is when you have to wait so long for all of the people to clear out of the shot that your forget to make note of what you were photographing? This is one of those times.

Untitled After John Singleton Copley
Untitled (After John Singleton Copley) By Ewa Juszkiewicz

Mermaid Sculptures By Olivia Erlanger

Mermaid Sculptures by Olivia Erlanger at And Now Gallery sell for $8,000 each!

Back and Forth May Marilyn Lerner
Back and Forth (2016) By Marilyn Lerner at Kate Werble Gallery

Alyson Shotz at Derek Eller Gallery

Alyson Shotz created this iridescent suspended soft sculpture made from interlinked, dichroic-dyed aluminum discs, found at Derek Eller Gallery. Check out two detail views of this work, below.

Alyson Shotz at Derek Eller Gallery

Surface of Discs. Exterior.

Alyson Shotz at Derek Eller Gallery

Surface of Discs, Interior.

Gabriele Beveridge True Bone

Here’s a unique blown-glass work by Gabriele Beveridge called True Bone. It’s so lovely I am compelled to offer a side view from which you can see how the glass ‘weeps’ over the chromed Steele frame, or bone.

Gabriele Beveridge True Bone

Men Who Cannot Cry

Men Who Cannot Cry (2018) Neon Sculpture by Alfredo Jaar.

Mark Thomas Gibson The Snowman

Mark Thomas Gibson, The Snowman (2018) at Fredericks and Freiser.

Seung-Taek Lee
Stainless Steel and Urethane Vinyl Sculptures and Drawings by Seung-Taek Lee at Gallery Hyundai.

Alex Da Corte Orb Weaver Weft
Alex Da Corte, Orb Weaver Weft (2019) at Karma Gallery.

Indigo Illusions
Indigo Illusions (1991) By Betye Saar at Roberts Projects.

Empowered Women
Empowered Women (2019) By Andrea Bowers at Andrew Kreps Gallery

This neon sign switched up its timely message by having the “ed” in “Empowered” flicker off and on. Nice.

Metaphysical Leg Pull By Duggie Fields
Metaphysical Leg Pull (1976) By Duggie Fields, at The Modern Institute / Toby Webster Ltd.

You Should Be Dancing (2018)
You Should Be Dancing (2018) By Jim Lambie

This reflective wall sculpture made from the lenses of sunglasses was also spotted at the both for at The Modern Institute / Toby Webster Ltd.

Mirror Balloons By Jeppe Hein
Mirror Balloons By Jeppe Hein (2019) at 303 Gallery of New York.

Sculptures By Marta Chilindron

Colorful Acrylic Sculptures By Marta Chilindron (Above and Below).

Sculpture By Marta Chilindron

My Life As A Tree
My Life As A Tree By Edouard Duval-Carrie (2019) at Lyle OReitzel Gallery.

Shiatsu
Shiatsu (2019) By Max Hooper Schneider

Now here’s a modern sculpture that has everything! Max Hooper Schneider’s Shiatsu takes a custom acyclic vitrine  — that an observer might easily mistake for an ordinary household aquarium — and creates a surreal habitat filled with hand tools scattered among the lush terrarium plant life and accented with a vintage neon sign! Let’s take a closer look.

Shiatsu Detail

Spectacular! Hooper Schneider’s work is represented by Maureen Paley Gallery of London.

Gate By Tony Cragg

Avid readers of The ‘Gig might recognize this freeform abstract sculpture as the work of sculptor Tony Cragg from This Post, though the one above, entitled Gate (2017) is of a much, much smaller scale!

Sound Suit By Nick Cave

Look Up: It’s one of Nick Cave’s Sound Suits!

Raked Leaves (Apparition)

Raked Leaves (Apparition) (2019) by Patrick Jacobs is a tiny diorama that was embedded into the wall of the booth for Pierogi Gallery of New York.

February (2018) by Devan Shimoyama

Check out this fabulous silk flower and bead-embellished hoodie sculpture, February (2018) by Devan Shimoyama. I would wear it.

Well that about wraps up this year’s Frieze coverage. If you dig the photos in this post please share the love and share the link on your social media! Art!

Sergio Romagnolo’s Red Plastic Drumkit

Red Plastic Drum Kit Front View
All Photos By Gail

It’s been nearly ten years since my gig writing for Modern Drummer magazine came to an unceremonious end, but I still get nostalgic when I see a work of art that pays homage to the drums. Check out this crazy kit by Brazilian artist Sergio Romagnolo, which is made from hand-molded, headed plastic.

Red Plastic Drumkit Side View

Here’s the kit shot from an angle that let’s you see the finer sculpture details, as the plastic dripping down from the rack-mounted toms onto the bass drum.

Red Plastic Drumkit Rear View

The full sculpted kit is comprised of a kick, or bass, drum, two rack-mounted toms, one floor tom, one snare drum, what is either meant to be a ride or crash cymbal, and one hi-hat cymbal, both on stands. The only crucial thing he left out — besides the hi-hat and bass drum pedals —  is the drum stool. Perhaps that feature was omitted to keep would-be drummers from sitting down and trying to play it!

Sergio Romagnolo Red Plastic Drumkit Detail

If you look closely, you will notice that Sergio has added small Red Rose, which is visible between the two mounted toms! In fact that is no accident, as the official title of the piece is Drums With Flower (2019). This artist prefers to create sculptures that explore the urban and industrial universe, such as cars, buildings, airplanes, cameras, and trash cans.

Red Plastic Drumkit Installation View

In the above installation view, you can see works by two other Brazilian artists: a painting by Jose Leonilson on the wall, and a reflective sculpture by Vanderlei Lopes on the carpet, foreground.

Photographed at the Frieze Art Fair, 2019, in the Booth for Galeria Marilia Razuk of Sao Paolo, Brazil.

Red Drum Kit

 

Hashimoto Contemporary Gallery Presents Dan Lam’s Delicious Monster

Dan Lam Delicious Monster
All Photos By Gail

While my back was turned, Spoke Art Gallery suddenly became Hashimoto Contemporary Gallery. I understand that this involved a simple name change, and that the gallery is being run by the same people, which is a relief, because Spoke/Hashimoto is walking distance from my apartment, and it always has pretty cool art! Example: their latest exhibit is Delicious Monster, a solo exhibition by Dallas-based artist Dan Lam, who is a lady. Delicious Monster is Dan’s fist solo exhibition at the gallery.

Dan Lam Delicious Monster

Dan Lam is known for her biomorphic sculptures — which she often paints in vibrant, fluorescent colors — that appear to ooze and drip from the shelves on which they perch. These sculptures are made from quick-drying foam, and so they are deceptively light weight, despite appearing to be very heavy.

Dan Lam Delicious Monster

For Delicious Monster, the artist continues to explore opposing themes of the beautiful and repulsive,  and how often these two different sentiments can come from within the same source. With this in mind, the new sculptures explore color and form while experimenting with new materials and layering processes.

Dan Lam Delicious Monster

Dan Lam Delicious Monster Detail

To me, these layered sculptures recall exotic undersea coral, but Dan was actually inspired by the Monstera Deliciosa fruit, whose scientific name literally means ‘delicious monster.’ Resembling an ear of corn with a green exterior, this hexagon patterned fruit is sweet, delicious and tropical, yet it can cause severe throat and skin irritation if eaten before it has fully ripened.

Dan Lam Delicious Monster

Fascinated by the fruit’s tempting contradictions, the works in Delicious Monster explore this relatable concept: patience is often tested by temptation, and the excitement and desire to have an experience before the appropriate moment can often result in dangerous consequences. The sculptures above show examples of a series within the exhibit where these forms appear to be covered in beads or pearls. Dan creates the look by affixing “half beads” to the exterior of the form before paint is applied.

Dan Lam Delicious Monster

Dan Lam Delicious Monster

Exploring a variety of textures, from the shimmering iridescent to pointed spikes, Dan’s sculptures appear almost lifelike, as if they were living organisms from a psychedelic universe. Simultaneously alluring and unsettling, their textures, candy colored hues and organic shapes draw the viewer in, tempting you to touch them and enter their alternate universe.

Please enjoy a few more photos from the show:

Dan Lam Delicious Monster Installation View

Dan Lam Delicious Monster

The gallery installed a ‘Selfie-Wall,’ whose surface emulates the texture of one of Dan’s spiked forms. I was not present at the opening reception, but I can imagine that this wall was very popular!

Dan Lam Delicious Monster

She also created these miniature sculptures for the gallery’s reception desk Adorable.

Dan Lam Delicious Monster

Dan Lam Delicious Monster

Dan Lam’s  Delicious Monster Will be on Exhibit Through Saturday, May 25th, 2019 at Hashimoto Contemporary New York (Formerly Spoke Art), Located at 210 Rivington Street (between Pitt & Ridge). Hours are Tuesday through Saturday from 10:00 AM to 6:00 PM.

Dan Lam Delicious Monster Installation View

Dan Lam Delicious Monster Installation View

Dan Lam Delicious Monster

Dan Lam Delicious Monster

Mark Manders Tilted Head at Doris C. Freedman Plaza

Tilted Head Front View
All Photos By Gail

Mark Manders’ Tilted Head is a work of fiction. It has the appearance of unfired clay combined with everyday objects but in fact is made entirely of cast bronze. The cracks and fissures that cover its surface imply an organic process of drying and decay, yet its metal form is fixed.

Tilted Head 1

It might suggest an incomplete model, abandoned in the artist’s studio, if not for the fact that its colossal size and civic location lend it the air of a grand monument. Eyes shut, the androgynous figure’s mask-like features are at rest, undisturbed by an abrupt slice through a third of its face. The unfinished side of the head is held as if in a splint by wooden planks, one tied with rope.

Tilted Head Rear View

At the back, chairs and a suitcase, all slightly reduced in size, protrude from a mass of formless material. These shifts in scale, unexplained objects, and trompe l’oeil bronze effects alter our perception and spark the imagination.

Tilted Head Back Detail
Back of Sculpture, Detail

Mark Manders (b. 1968, The Netherlands) has been interested in the human figure throughout his career, and is particularly fascinated with the head, which he sometimes depicts detached from the body and juxtaposed with different elements. These heads are always stylized representations rather than individualized portraits.

Tilted Head Side View

His approach creates a paradoxical sense of both immediacy and timelessness, of something newly made with fresh clay yet belonging to the traditions of classical statuary. With Tilted Head, Manders has rendered a compelling fiction of human form that inhabits a poetic space between representation and abstraction, serenity and rupture, life and mortality.

Tilted Head Right Side View

Mark Manders’ Tilted Head is Curated by Public Art Fund Director & Chief Curator Nicholas Baume. It Will be on Display at the Doris C. Freedman Plaza, Fifth Avenue and 60th Street, Adjacent to Central Park, Through September 1st, 2019.

Update: I was near the Park over the Memorial Day weekend and got this new shot of the sculpture with Summer’s lush greenery in the background!

Tilted Head in Summer

 

Pink Thing Of The Day: Pink Mannequin Torso with Graffiti

Pink Graffiti Torso
Photo By Gail

If you haven’t yet discovered the coolest hotel in downtown NYC — also know as the citizenM Hotel located at 185 Bowery — then you need to head over there and have a cocktail or three in their immersive, in-house Museum of Street Art (MOSA). Intended as a tribute to the late, great 5 Pointz, 20 artists were commissioned to create the artworks that line the walls of  hotel’s lobby/cafe, extending across 21 stories of the 300-room hotel’s stairwell, and even out into the public plaza in the front of the building, which is where I spotted this Hot Pink Mannequin Torso covered with names of famous cosmopolitan cities. I don’t know whose work this is , but maybe he or she will see this post and claim credit for this fun and provocative piece!

Modern Art Monday Presents: Nam June Paik, Magnet TV

Magnet TV
Photos By Gail

Magnet TV (1965) is an early example of Nam June Paik’s “Prepared Televisions,” works in which he altered the television’s image or its physical casing. This work consists of a seventeen-inch, black and white set with an industrial-size magnet resting on top of it. The magnetic field interferes with the television’s reception of electronic signals, distorting the picture into an abstract form that changes when the magnet is moved.

Magnet TV

Paik’s radical action undermines the seemingly inviolable power of broadcast television by transforming the TV set into sculpture, one whose moving image is created by chance, and can be manipulated at will. Through his alteration of the television image, Paik challenged the notion of the art object as a self-contained entity and established a process of instant feedback, whereby the viewer’s actions have a direct effect on the form and meaning of the work.

Photographed in The Whitney Museum of American Art in NYC.