Tag Archives: Brian Eno

Video Clip of The Week: Steelism, “Eno Nothing”


It’s always an extra-special treat when I can find an animated clip for the weekly Sunday Jam, because it brings the whole concept that much closer to a ‘Weekend Morning Cartoon’ vibe, which I secretly live for. You’re Welcome.

Today we have an instrumental clip with the enigmatic title “Eno Nothing,” from Nashville’s Steelism — a group comprised of core-members Jeremy Fetzer (guitar) and Spencer Cullum (pedal steel player). “Eno Nothing” kicks off with our fearless duo leaving the house, embarking on an existential journey, and getting beamed aboard a drone-like craft. After stopping at an inter-galactic gas station to fuel-up, they visit many, many strange planets where they encounter such creatures as a gigantic purple tortoise, a Cthulhu and one of the benevolent aliens from Star Trek (I think). Later, they drop in on avant-garde composer and bonafide music legend Brian Eno, before ending up back where they started. Musically, “Eno Nothing” is The Toadies meets Steely Dan. Trust me on this one. It’s like Flight of The Conchords are writing the soundtrack to an imaginary sci-fi/fantasy flick!

“Eno Nothing” can be found on Steelism’s sophomore album, Ism, released in June via the band’s own imprint, Intoxicating Sounds (distributed by Thirty Tigers). Ism marks the first time the band brings featured vocalists into their instrumental canon, with guest appearances from Tristen, Ruby Amanfu, Andrew Combs and Jessie Baylin. Enjoy!

Steelism Album Cover

Video Clip of The Week: Telegram,”Taffy Come Home”



Hey what’s up. Happy Easter, if you celebrate, and Happy Spring if not! While I could not find an Egg, Bunny, or Jesus-themed video for this holiday posting, I did find one that repeatedly mentions a type of candy, so, somewhat appropriate! This fun and super engaging video for the song “Taffy Come Home” by the Brit-Pop quartet Telegram feels wildly retro on a couple of levels. First of all, there’s the use of the rotary-dial telephone motif as the video’s primary image — an anachronism that many people under 20 will  be entirely unfamiliar with, but one which takes me right back to my youth. Also, lead singer Matt Saunders‘ voice encourages a deeply-nostalgic feeling  for  The Undertones and their vocalist Feargal Sharkey. What a great band they were.

The press release that accompanied this video clip calls Telegram‘s new album “… a series of frenzied meditations on Time and Speed, steeped in the sensitivity and strangeness of Kurt Vonnegut and approached through the erstwhile themes of love and intoxication. Melding post industrialist kraut rock with garage rock and the best bits of Eno and Bolan, the record offers twelve luminescent tracks, rooted in solid grooves but anti-gravitational in your mind’s eye.” Wow, high praise indeed. I would tend to agree with the Brian Eno comparison, specifically because “Taffy Come Home” reminds me of Eno’s glam rock masterpiece, “Needle in the Camel’s Eye,” which is a work of genius.

Saunders‘ band mates in Telegram are bassist Oli Paget-Moon, lead guitarist Matt Wood,  and drummer Jordan Cook. The groups’ eagerly awaited debut album, Operator, was released last week via Red Eye. Enjoy!

Telegram Band
And Don’t They Have a Good “Rock Star” Look, as Well?

Video Clip of the Week: Art Decade, “Breeze”

Art Decade adopted its name from a Brian Eno-produced David Bowie instrumental track, which gives the band a sort of built-in, arsty fartsy clout right off the gate. Their new video for the song “Breeze” — soothing, Sunday morning orchestrated pop taken from the band’s 2012 album Western Sunrise — was filmed on a beach with bunch of 3-D geometric effects tossed in during post production. The visual result is like Pink FLoyd’s Dark Side of the Moon…on the Beach.

Here’s what Ben Talmi, Art Decade’s vocalist/guitarist/arranger has to say about this clip: “With the animation skills of Whitney Alexander and Kipp Jarden, I saw the opportunity to combined the Impressionistic styles of painters like Degas, Renoir and Turner with the world of surrealists like Dali and Ernst in a setting of the beach, which was influenced by Ingmar Bergman’s The Seventh Seal and Federico Fellini’s 8 1/2. The animated subconscious dreamscapes Whit and Kipp created in the video are just like what I see when I close my eyes.”

Art Decade is putting the finishing touches on 11 songs that will make up their new self-titled album due in September of 2013. Enjoy!

Yes, It Exists: Brian Eno Purina Cat Food Ad

Eno Purina Cat Food Ad

As previously reported on Boing Boing, above you will find a ’70s-era print ad for Purina tinned Cat food featuring electronic music pioneer and glam rocker Brian Eno, and his cat, Eric.

Thanks to Evelyn Chote for the Image!

Update April 2, 2017: Apparently this Ad is Fake. Oh well, it’s still Hilarious!

Warp Records Previews New Eno CD, Lux, In Midtown Church

Lux Brian Eno Cover Art

The Church for All Nations on West 57th Street was the super secret location for  today’s premiere US listening event for Brian Eno’s upcoming new album, entitled Lux. Lux is Eno’s first solo album on Warp Records and his first solo album since 2005’s Another Day On Earth. If you are familiar with Eno’s classic ambient works, such as Music For Films, Music For Airports and Apollo: Atmospheres and Soundtracks then the themes and sonic textures of Lux will sound very familiar to you. It certainly reminded me a lot of Music for Airports crossed with a denser ambient work such as Jeff Pierce’s The Hidden Rift, which is one of my favorite atmospheric albums.

According to Warp Record’s website, Eno sees the album as a continuation of his Music for Thinking project that includes Discreet Music (1975) and Neroli (1993).

The album is broken down into four sections as follows:

Track Listing
1. LUX 1 (19:22)
2. LUX 2 (18:14)
3. LUX 3 (19:19)
4. LUX 4 (18:28)

Lux will be released in the US on CD and as a Download on November 13th, 2012, and on Vinyl LP on December 10th, 2012.

Eno Lux NYC Listening