One of many highlights from my fun-filled holiday trip to California was a visit to Pink Floyd: Their Mortal Remains; an immersive exhibit covering the complete history of the legendary progressive rock band that even a casual Pink Floyd fan will flip out over. Given my extreme fondness for costume design, you can only imagine my delight in finding that one of the galleries included replicas of the enigmatic Lightbulb Suits seen on the cover and related artwork for the band’s 1988 live album, Delicate Sound of Thunder. Talk about an “Oh, Wow” moment.
In a career spanning more than five decades — as guitarist, singer and songwriter of Pink Floyd, and in his solo recordings and collaborations with other artists — David Gilmour has created a body of work that cements his legacy as one of the most influential rock musicians of all time. If you’ve ever wondered what it might be like to play one of Gilmour’s guitars, wonder no longer. Christie’s is preparing to bring to auction highlights from David Gilmour’s personal guitar collection on June 20th, 2019 in New York. Comprising more than 120 guitars, Gilmour’s collection focuses on a selection of his preferred Fender models including Broadcasters, Esquires, Telecasters and Stratocasters, led by a guitar as iconic and recognizable as the historic performances for which it was used – the 1969 Black Stratocaster (estimate: $100,000-150,000). Continue reading David Gilmour’s Guitar Collection Going Up For Auction at Christie’s!
Pink Floyd Left to Right: Nick Mason, David Gilmour, Rick Wright and Roger Waters.
Art Decade adopted its name from a Brian Eno-produced David Bowie instrumental track, which gives the band a sort of built-in, arsty fartsy clout right off the gate. Their new video for the song “Breeze” — soothing, Sunday morning orchestrated pop taken from the band’s 2012 album Western Sunrise — was filmed on a beach with bunch of 3-D geometric effects tossed in during post production. The visual result is like Pink FLoyd’s Dark Side of the Moon…on the Beach.
Here’s what Ben Talmi, Art Decade’s vocalist/guitarist/arranger has to say about this clip: “With the animation skills of Whitney Alexander and Kipp Jarden, I saw the opportunity to combined the Impressionistic styles of painters like Degas, Renoir and Turner with the world of surrealists like Dali and Ernst in a setting of the beach, which was influenced by Ingmar Bergman’s The Seventh Seal and Federico Fellini’s 8 1/2. The animated subconscious dreamscapes Whit and Kipp created in the video are just like what I see when I close my eyes.”
Art Decade is putting the finishing touches on 11 songs that will make up their new self-titled album due in September of 2013. Enjoy!
Here’s another exhibit that we checked out on a whim during last Thursday’s very rewarding art crawl, only to have it end up as one of the highlights of the evening: Blue Jean Blues by Korean contemporary artist Kim Joon. For his newest series of digital prints, Kim uses porcelain as his digital medium, putting him at the forefront of the new-media movement.
In Blue Jean Blues Kim, who is based in Seoul, Korea, explores themes of desire, memory and youth. Using porcelain, Kim fabricates compositions out of tableware, fragments of idealized nudes and icons of Western pop culture; including musical instruments, cars and guns. Showcasing his fine skill with the computer software 3D Studio Max, Kim coats the white backgrounds and surfaces of objects with pop-culture imagery. He successfully juxtaposes old and new, traditional Asian motifs and new media.
Reality and fantasy collide as tiny sculptures of blue jeans take on a life of their own and inhabit their virtual surroundings – perching on an oversized guitar in Blue Jean Blues – Jimi Hendrix and a classic car in Blue Jean Blues – Rebel without a Cause – alluding to society’s desire for material objects as well as nostalgic obsessions and attachments. The cultural symbolism associated with jeans is also the artist’s lament for the fading memory of his social resistance – expressed in earlier work through a fascination with tattoos.
My favorite part of this exhibit is a series that the artist calls “Rockers” — each of which features a cast porcelain wrist and hand (sometimes backed by a plate or bowl) in the act of “throwing metal.” Each hand is decorated with a band’s name along with member likenesses or song titles made famous by that specific band. Unbelievably cool! Any one of the Rockers series would be a fabulous addition to a collection of contemporary works.
Kim Joon’s Blue Jean Blues will be on Exhibit Through October 6th, 2012 at Sundaram Tagore Gallery, Located at 547 West 27th Street, Street Level, New York City. Gallery Hours are Tuesday – Saturday 10:00 AM – 6:00 PM.
From The Sock Covers by Photographer Thom Moore, who recreates classic album covers using only his socks.
On This Date In 1973: Pink Floyd released their eighth studio album, The Dark Side Of The Moon in the US. It remained in the US charts for 741 discontinuous weeks from 1973 to 1988, longer than any other album in history. After moving to the Billboard Top Pop Catalog Chart, the album notched up a further 759 weeks, and had reached a total of over 1,500 weeks on the combined charts by May 2006. With an estimated 45 million copies sold, it is Pink Floyd’s most commercially successful album and one of the best-selling albums worldwide. Songs on the album were heavily inspired by former Pink Floyd vocalist/ guitarist and founding member, Syd Barrett, who left the band in 1968 (to be replaced by David Gilmour) due to his declining mental state.