For more than sixty years, Alex Katz has created paintings distinguished by their bold colors, sharp outlines, and subjects taken from his daily life. By simplifying facial features and using flat, unmixed colors in works such as Edwin, Blue Series (1965), Katz emphasizes the form of the painting above its content. Here, he has cropped the left side of the body, asserting the figure as a subject of abstraction. The painting depicts Edwin Denby, a modernist poet and dance critic as well as a close friend of artists including Katz, Willem de Kooning, Arshile Gorky, and Franz Kline. Katz credits Denby for his appreciation of abstraction. Refusing to reveal his subjects’ personalities or interior life, Katz’s paintings focus instead on technique and visual invention.
Photographed in the Whitney Museum in Manhattan.