Tag Archive | 1965

Eye On Design: Obi Kimono Style Wrap Dress By Norman Norell

Kimono Style Wrap Dress
Photos By Gail

Unlike many 20th-century fashion designers, Norman Norell rarely sought inspiration from non-western or exotic cultures. Norell’s Obi dresses (circa 1965) were a rare exception. Named after the wide belt used to secure and ornament a Japanese Kimono, the wrap-wtyle Obi Dresses were constructed with a built-in panel of fabric that encased the upper torso using a hook and eye closure.This interior garment allowed the outer wrap layer to glide smoothly over the body.

Kimono Style Wrap Dress

Photographed as Part of the Exhibit Norell: Dean of American Fashion, at the Museum at FIT.

Advertisements

Eye On Design: YSL Color Block Couture Dress Circa 1965

YSL Couture Color Block Dress
Photos By Gail

Yves Saint Laurent’s fall 1965 collection was inspired by the paintings of Piet Mondrian. While it became one of Saint Laurent’s most famous collections, other designers had introduced similar designs before him. The Montreal Gazette claimed that color-blocked dresses by Michele Roiser had inspired Saint Laurent to “add a few black lines” to his own creations. View some of the collections here: https://teranicouture.com/collection/evening-dresses-2016-and-2017

Installation View

YSL dress seen here with a color block design by Lousi Feraud (circa 1967) on the left.

Save

Save

Charlie Watts’ Ludwig Drumkit Circa 1965

Charlie Watts Drumkit Front
All Photos By Gail

If you’ve already been to the absolutely phenomenal Rolling Stones ‘ career retrospective, Exhibitionism (which, go!), you may recognize this drumkit belonging to drummer Charlie Watts, which is on display in the recording gallery. This 1965, 4-piece  Ludwig  kit in a Sky Blue Pearl shell finish with a keystone badge (indicating a drum made in the 1960s), was used from 1965 -to mid-1968 by Watts on most of the band’s studio recordings and live performances.

Charlie Watts Drumkit Side

Watts remembers that, “Everyone in the early ‘60s wanted Ludwig, so I got mine from the same place Ringo [Starr] got this, I think, which was Drum City, in Shaftesbury Avenue. Ringo’s was dark grey pearl and mine was sky blue – very camp.”

Exhibitionism continues through March 12th, 2017 at Industria, Located at West 12th and Washington Streets in the Meat Packing District. Visit This Link Tickets and More Information!

Charlie Watts Drumkit Read

Modern Art Monday Presents: Side View Mirror By Allan D’Arcangelo

Side-View Mirror 1
All Photos By Gail

Side View Mirror (1965) by Allan D’Arcangelo (19301998) consist of a color screenprint printed on Plexiglas, set into round chrome side-view mirror, and  mounted on a black Plexiglas base.

Side-View Mirror 3

As a readymade /sculpture, Side View Mirror  is part of a multiple artist collaboration, Seven Objects in a Box (Published 1965-66), which consisted of a stenciled wooden box, containing one artwork each by artists Tom Wesselmann, Andy Warhol, Claes Oldenburg, Roy Lichtenstein, Jim Dine, George Segal, and D’Arcangelo (see photo below). Part of the permanent collection at MOMA, all pieces are displayed as stand-alone works.

Seven Objects in a Box
Image Source

Photographed in the Museum of Modern Art in NYC.

Eye On Design: Stereo Cabinet By Achille Castiglioni

Castiglioni Stereo Cabinet
All Photos By Gail

In 1965, Achille Castiglioni (Italian, 1918 – 2002) created Model RR-126, a striking, modular stereo system that was based on pure geometry of a perfect cube, which could be combined in multiple configurations. The wheeled base provides an element of portability, while the graphic patterns of the speaker grilles and sound controls offer a bold, modern visual statement.

Achille Castiglioni Stereo Cabinet

Photographed in the Cooper Hewitt Design Museum in Manhattan.

Morrison Hotel Gallery Presents: D.A. Pennebaker – Bob Dylan Don’t Look Back

Don't Look Back Poster
All Event Photos By Gail

In 1965, Filmmaker D.A. Pennebaker released his enduring documentary, Don’t Look Back, which follows a young Bob Dylan emerging into worldwide prominence as the singer/songwriter of his generation. Maybe you weren’t born yet, but I was. In celebration of the 50-year anniversary of this now-legendary film – one which brings together an already iconic artist and a filmmaker who was in the process of revolutionizing the documentary, Morrison Hotel Gallery is currently hosting Don’t Look Back, a collection of photos taken of Dylan by Pennebaker during filming.

Bob Dylan

The show is thoughtfully curated and produced by industry vet Joseph Baldassare – in conjunction with MHG – and has the distinction of being the first gallery exhibit of Pennebaker’s work.

Dylan with Lyric Cards

The show features original movie posters and 18 choice image stills from the film, printed from the enhanced negative. Pennebaker, now 90 years of age, was at the opening reception and he looked great. To this day, he remains a vital cultural force. He recently screened his newest documentary, Unlocking The Cage, at The Sundance Film Festival, which will air on HBO later this year

Dylan with Donovan
Bob Dylan with Singer/Songwriter Donovan

Dylan Limo

Pennebaker and Gang
Pennebaker (Far Left) with Gallery Owners Peter Blachley (to his Right) and Henry Diltz (Center) and Fans

Says Baldassare about the show, “This exhibition at Morrison Hotel Gallery is a celebration of the artistry of both D.A Pennebaker and Bob Dylan – two pioneers that have shaped the way we see, hear and think.”

D.A. Pennebaker’s Photos from Bob Dylan, Don’t Look Back, will be on Exhibit Through June 14th, 2016 at Morrison Hotel Gallery, Located at 116 Prince Street in SoHo, NYC.

Bob Dylan Exhibit Signage

Modern Art Monday Presents: Christo, Package on Wheelbarrow

Package on Wheelbarrow
All Photos By Gail

In his early twenties, Christo (Born Christo Javacheff in 1935) escaped the oppressive Communist regime in his native country of Bulgaria and wandered in exile throughout Europe, supporting himself primarily by painting commissioned portraits.

He has related his early wrapped-package works to the isolation and sadness of his coming of age in Bulgaria; the wheelbarrow, in particular, suggests a stateless, nomadic life. The package’s contents are suggested in the forms bulging beneath their cloth wrapping, but never revealed, for opening it would destroy the work.

In 1964, shortly after making Package on Wheelbarrow (1963), Christo relocated to New York. Since then, in partnership with his wife Jeanne-Claude (1935 – 2009) he has created many large-scale, temporary installations, wrapping buildings, bridges, trees and islands in fabric.

Package on Wheelbarrow
Photographed in the Museum of Modern Art in NYC.