Man, does this aural morsel of ’60s psychedelia spiked with a garage rock edge, courtesy of Athens, Greece-based Rock quintet My Drunken Haze, ever bring back some seriously fuzzy memories! This is the kind of music that never gets old for me despite its deep nostalgic pull. The video for “Carol Wait” follows a young girl’s “adventurous” evening spent at a house party that features “vintage aesthetics, sexual liberation, hallucinations, destruction and self-destruction.” You might know it as a night that you can’t quite remember, but will never forget. Face it; we’ve all hand them.
“Carol Wait” can be found on the group’s self-titled debut album (out now on the fantastic Inner Ear Records) which the band’s bio calls, “an album starring the character of a woman in search of love, longing, separation and redemption, set against a backdrop of daydreaming, drugs and the hot sand of a summer beach.” All good! Enjoy!
Geoffrey and I spent a few hours this afternoon uptown at the Whitney Museum of Contemporary Art blowing our minds at their current exhibit, Summer of Love, which is so amazing it will make your head explode. We were able to get in free with my ID card from work, but it’s totally worth the $15 admission. One of my favorite parts of the exhibit was the “Roomful of Mirrors,” while Geoffrey couldn’t stop talking about this one installation “Phantasy Landscape Visiona II,” by Verner Panton, which he repeatedly referred to as “The Vagina Room.”
If you can get to NYC you should visit this exhibit as many times as humanly possibly before it ends.
Summer of Loverevisits the unprecedented explosion of contemporary art and popular culture brought about by the civil unrest and pervasive social change of the 1960s and early ’70s, when a new psychedelic aesthetic emerged in art, music, film, architecture, graphic design, and fashion. The exhibition includes paintings, photographs and sculptures by Richard Avedon, Jimi Hendrix, and Andy Warhol, among others. As well as a rich selection of important posters, album covers and underground magazines. A special emphasis is placed on environments as well as on film, video and multimedia installations. The art in the exhibition is conceptualized through a wealth of documentary material highlighting events, people and places; from the 1967 Monterey International Pop Festival to Timothy Leary to the UFO nightclub in London.