Photo By Gail
Decades after completing his most famous painting — a depiction of a pipe inscribed This is Not a Pipe — Rene Magritte here revisits this iconography with The Shadows (1966). The same masculine- identified object covers ominously behind a tree, inspired by a Surrealist play with arbitrary scale, and what the artist would term the “logic“ of dreams.
Photographed in the San Diego Museum of Art.
Photo By Gail
Diego Rivera (1886 – 1957) created numerous portraits, capturing unnamed subjects alongside close friends and renowned figures in the arts. Mandrake (1939) depicts Maya Guarina, whose lace dress and headpiece contrast with a skull in her hands and a spiderweb in the upper left corner. A small mandrake root emerges in the upper right area of the portrait. Known for its hallucinogenic properties and magical associations, it contributes to an enigmatic portrait with surrealist qualities.
Photographed in the San Diego Museum of Art.
Photo By Gail
Best known as one of Mexico’s great muralists, José Clemente Orozco spent much of the early 1930s working in the United States, where he absorbed the industrial dynamism and contradictions of modern life. Painted in 1930, World’s Highest Structure reflects his fascination with progress and its perils during an era when skyscrapers were reaching unprecedented heights and symbolizing the ambitions of the modern age.
Continue reading Modern Art Monday Presents: Jose Clemente Orozco, Worlds Highest Structure