Photo By Gail
Best known as one of Mexico’s great muralists, José Clemente Orozco spent much of the early 1930s working in the United States, where he absorbed the industrial dynamism and contradictions of modern life. Painted in 1930, World’s Highest Structure reflects his fascination with progress and its perils during an era when skyscrapers were reaching unprecedented heights and symbolizing the ambitions of the modern age.
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Photo By Gail
On his second stay in New York, Jose Clemente Orozco (1883 – 1959) made many works reflecting the city’s urban expansion and social dimension. The Subway (1928) presents several commuters on New York’s emblematic public transportation system, which first opened in 1904. The shadowy, stone-faced passengers impart a sense of melancholy to the scene, contrasting with the shiny train poles. A highly regarded artist in Mexico, Orozco struggled to find recognition in New York despite showing at several local galleries and completing a five-panel mural cycle at the New School in 1931.
Photographed in the Museum of Modern Art in NYC.
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