During World War II, after the imprisonment of then partner, Max Ernst, Leonora Carrington fled France and sought asylum in Spain. There, she experienced a series of psychological crises. Her family placed her in a sanatorium against her will, where she was subjected to severe treatments. Carrington eventually moved to New York, where Andre Breton encouraged you to write about her experiences in the Surrealist journal VVV. Continue reading Modern Art Monday Presents: Leonora Carrington, Green Tea→
Long before luxury fashion houses were commissioning artists to redesign bottles and packaging, René Magritte was quietly turning an ordinary wine bottle into a work of Surrealist sculpture.
Created in 1955, Femme Bouteille (Woman Bottle) transforms the curved form of a glass bottle into the elongated figure of a nude woman. Rather than simply painting an image onto the surface, Magritte cleverly incorporated the shape of the bottle itself into the composition, allowing the object to become the body. The result is elegant, slightly strange, and unmistakably Magritte. Continue reading Modern Art Monday Presents: Rene Magritte, Femme Bouteille→
Painted in Sedona, Arizona in 1947, Witnesses originates in a pivotal moment of Dorothy Tanning’s career, when she turned inward, translating the psychological imperatives of Surrealism into interior worlds shaped by ambiguity and concealment. The painting presents a crowded, deliberately compressed interior populated by uncanny, quasi-human figures whose anatomy resist stable definition.
Marshall Thompson was proud of his toad hole and very comfortable with his favorite toad, Maxwell. Maxwell or “Maxie” as Marshall referred to him, enjoyed his time massaging his human’s brain with his feet and keeping his mind at ease with calm croaking vibrations. It was a tradition; part biological and part magical that skips a generation in the Thompson family line. Continue reading Thompson’s Toad Hole By Travis Louie→
There’s something undeniably arresting about encountering a giant, disembodied eye in the middle of the city —e specially one that seems to be watching from all directions at once. Installed near the iconic Flatiron Building in the Flatiron District, Charlotte Colbert’s Dreamland Sirens (2025) transforms a familiar urban crossroads into something far more surreal. Continue reading Charlotte Colbert’s Dreamland Sirens in the Flatiron District→
