Alma W. Thomas derived her vibrant color palette and lyrical brush work from the shapes and movement of foliage, flowers, and other natural forms. The stripes of bright pigment in Wind, Sunshine and Flowers (1968) create an engrossing effect that recalls feelings of awe inspired by nature
For Thomas, the visual realm of natural phenomena offered a way to transcend the racial biases she experienced as a black painter and educator in the early to mid -20th century. In 1972 she wrote, “man’s highest aspirations come from nature. A world without color would seem dead. Color is life. Light is the mother of color. Light reveals to us the spirit and the living soul of the world through colors.”
Photographed in The Brooklyn Museum.