Musical references permeate Cubist painting and sculpture. The guitar, which Picasso depicted often, is one of the movement’s most recognizable motifs. Like a Cubist painting, Henri Laurens‘ painted terracotta sculpture, The Guitar (1919), blurs, even inverts, the relationship between solids and voids; solids appear to recede, while voids assume physical presence. This effect is particularly apparent in the depiction of the sound hole and strings on the face of the guitar.
Photographed in the Metropolitan Museum of Art in NYC.