After suffering a stroke in 2002 that left his right arm partially paralyzed, Robert Rauschenberg (1925 – 2008) was no longer able to take photographs, nor was he able to transfer and arrange them into new compositions, as he had been doing since the early 1950s. As Triathlon (Scenario) (2005) shows, these obstacles did not prevent him from making art. Relying on the sorts of collaborative processes that had fueled his work for decades, Rauschenberg invited his friends to take photographs with digital cameras that he provided. He then selected from the images they produced and instructed one of his studio assistants at the time, Kevin Pottorf , in the transfer and arrangements of these images onto two panels
Photographed in the Museum of Modern Art in NYC.