Artist Mary Sweeney’s Honeybees reflect her fascination with insects. These two meticulously rendered Mandalas produce a complex aura that alludes to the mystery surrounding the disappearance of beehives, and how their disease imperils all life on Earth. The lacelike rendering of the stilled bodies rekindles their steady droning, if only in the memory of the viewer.
With her compelling use of bright, fluorescent colors and her mix of both hard (steel, plexiglass) and soft (fabric, felt, pleather, elastic) materials, artist Susan Stainman creates minimalist sculptures that maintain an original feel while hinting at other influences. In her new exhibit, Color All The Way Through at A.I.R. Gallery in Brooklyn, Stainman reveals her work’s roots in late 20th Century American Art, Craft and Architecture along with her fondness for childlike creative impulses. It’s a fun show.
Existing in the realm that merges contemporary art with design (any of Stainman’s works would look great placed among the furnishings in a modern decor-filled home), pieces like Three Triangles, with its bright, reflective, angular surfaces recall the neon and glass works of Keith Sonnier.
Stainman’s incorporation of sewn fabric may or may not be an homage to Louise Bourgeois, but it’s pleasing to imagine that reference, intentional or otherwise. Her desire to explore the texture and tactility of fabrics is certainly exciting.
This cluster of ruched fabric “bowls” fitted with bright plexiglass windows is a centerpiece of the A.I.R. show and reminded me very much of the sculptures of Charles Clary from his show at Nancy Margolis in January of this year.
Circular Plexiglass Group #2, Close Up
Susan Stainman has participated in nearly a dozen group shows but Color All The Way Through is her first solo exhibit. It is worth the trip to DUMBO to check it out. Visit Susan’s website at This Link.
Susan Stainman’s Color All The Way Through will be on Exhibit Through June 22nd, 2014 at A.I.R. Gallery, 111 Front Street #228, DUMBO, Brooklyn.