Beginning in the 1960s, Keith Sonnier (1941 – 2020) was one of the few artists experimenting with neon tubing as a sculptural medium. His pursuit was part of a larger interest in using everyday and industrial materials, foregoing the illusory space of painting in favor of a more literal and direct, artistic approach.
School’s Out Bitches, and the Mike Weiss Gallery has a new group exhibition that captures summer’s sense of freedom – of playfully breaking from the ordinary and letting the imagination run wild. The show, which is, fittingly, also called School’s Out, includes works by gallery favorites like Deborah Brown, Thrush Holmes, Jerry Kearns, and Liao Yibai. We saw it on opening night, which ended up being the most crowded Thursday night in the Chelsea Gallery District that we have yet seen! It was just a crazy night, and lots of fun.
Continue reading School’s Out Summer Group Exhibit at Mike Weiss Gallery
Maccarone Gallery is currently hosting Portals, 14 new wall-mounted neon sculptures by artist Keith Sonnier. Sonnier’s by-now iconic work is emblematic of a generation of artists who sought to liberate the artistic encounter from the formal constraints of Modernism to produce a sensory and emotional experience that also extended beyond the Spartan affect of Minimalism. The category of post-Minimalism, however, does not adequately describe both the unique wit and visceral impact that Sonnier’s work displays. Continue reading Keith Sonnier, Portals at Maccarone Gallery
Do you enjoy the artwork of painter/sculptor Thrush Holmes? I sure do. His giant canvases combine techniques that range from ‘no rules’ street art to bold, classic expressionism, occasionally being embellished with bright squiggles of neon light that remind me of Keith Sonnier. The result is always something fun and fresh, and instantly recognizable as his. Continue reading Thrush Holmes, Heavy Painting at Mike Weiss Gallery
With her compelling use of bright, fluorescent colors and her mix of both hard (steel, plexiglass) and soft (fabric, felt, pleather, elastic) materials, artist Susan Stainman creates minimalist sculptures that maintain an original feel while hinting at other influences. In her new exhibit, Color All The Way Through at A.I.R. Gallery in Brooklyn, Stainman reveals her work’s roots in late 20th Century American Art, Craft and Architecture along with her fondness for childlike creative impulses. It’s a fun show. Continue reading Susan Stainman’s Color All The Way Through at A.I.R. Gallery