Tag Archive | Apathy For The Devil

Gail’s 2011 Pop Culture Top Ten List!

Header for Top Ten List in Starburst

Now that we are just a couple of short weeks away from kicking off a spectacular New Year, full of art, music, pink things, bacon and free food, I would like to ask you, Dear Readers, how was your year? I hope it was awesome. As you can see from this Rad Blog you are now reading, I got to do some fun things in 2011, including going on my most fun vacation in many years when my sister and I took a 7 day Caribbean cruise, with three days in New Orleans on the front end. Holy cow, was that ever fun! Such adventuring! Such fine dining! Such ridiculous humidity! I’m still sweating.

What this all means is that it’s time again for the obligatory Year End Top Ten List, so, instead of going with the predictable, rote, yawnfest Top Ten CDs list I’ve decided to do more of a Pop Culture Mixed Bag, if you will. Because that is how I roll. Let’s get started.

PunkFunkRootsRock

Best Album: Manraze, PunkFunkRootsRock. Take guitarist Phil Collen from Def Leppard, team him up with drummer Paul Cook from The Sex Pistols and add Simon Laffy, the bassist from Phil’s former Glam band, Girl (because every power trio needs a bassist), and you’ve got a record that sounds, well, like a raunchier version of Def Leppard! We especially love Phil’s Lemmy impersonation on “Over My Dead Body.” Record of The Year! Read my interview with Paul Cook at This Link.

That’s Me in the Back Row: Third in from the Left

Best Game ShowThe Kostabi Show, where a panel of three Art critics and/or celebrities compete to title the works of modernist painter Mark Kostabi for cash awards, while a jury votes on which title suits the painting best. I had the opportunity to serve as a member of the jury for a taping this past summer and went home with $6 cash more than I had when I arrived, plus a Kostabi coffee table book signed by Mark. Bonus: free pizza! Kostabi, who is an accomplished pianist, also released a swell modern classical CD, The Spectre of Modernism, this year, which has been in heavy rotation on my iPod for ages now.

Dave Depper's Ram Project

Best Beatles Thing: Dave Depper’s Ram Project, an authentically covered version of Paul McCartney’s second solo album complete with off-key Linda-esque backing vocals! So good!

Nick Kent Book Cover

Best Rock Book: Nick Kent’s Apathy For The Devil, a memoir of the British rock critic’s life and career in the 1970s. Everyone knows that all of the best music happened the Seventies , so I will admit that, as both a writer and fan, I certainly would have loved to have lived that life myself, save for the messy heroin addiction part.

Metropolitan Museum Exhibit

Best Fashion-Related Museum Exhibit: Alexander McQueen’s Savage Beauty at the Metropolitan Museum of Art. Four words: Crown of Thorns Headdress. The Savage Beauty Exhibit set all kinds of ridiculous attendance records for the Met and was just insane. Insane!

Chris Connelly CD Cover Art

Best Homage to Eighties Alternative Goth: Chris Connelly’s Artificial Madness. David Bowie Meets Killing Joke plus Bauhaus sautéed lightly with Magazine and a little Ministry on the side. Homage!

Fix The Ministry Movie Poster

Best Rock Documentary: Fix, The Ministry Movie. Kids: Don’t Do Drugs. Or do a lot of them. One or the Other.

Best Seventies Southern Rock: The Sheepdogs, Five Easy Pieces EP. Bonus points to the band for their fan-winning appearance on the most recent season of Project Runway!

Reality TV (Competition): Top Chef, because Celebrity Chefs are the new Rock Stars!

Suckadelic Art Toy Universe

Pop Culture as Art: The Suckadelic Art Toy Universe Retrospective and Pop Up Store at Boo Hooray Gallery (NYC). The judges and critics on the second season of Bravo’s Work Of Art didn’t really dig the SuckLord’s artwork too much, but his parodies of Star Wars toys served up with a serious side of snark made for one of the most subversive, hilarious and memorable art shows of the year! Art!

Honorable Mention: Kasabian’s Velociraptor, MGMT Live at the Guggenheim, The Zombies at City Winery, Single Fare Please Swipe Again at Sloan Fine Art, Spiderman: Turn Off The Dark, Jeremy Dower’s Canis Mortuus Familiarus at Bold Hype Gallery, American Horror Story, Maurizio Catellan’s All Retrospective at The Guggenheim, Patti Smith at Webster Hall, The Wyld Olde Souls’ Ensoulment, Jeremy Fish Listen & Learn at Joshua Liner Gallery, Robot Chicken, Tosh.0.

Happy Holidaze and all the best for 2012!

This list previously appeared in a slightly abbreviated form on the East Portland Blog Dot Com.

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Must Read Book: Nick Kent’s Apathy For The Devil

It’s no secret to anyone born prior to 1980 that the best years – the truly Golden years – of Rock music are now decades behind us. By the “best” years, of course, I’m talking about the 1970s. Some of us were lucky enough to live through this truly magical decade that, when speaking of Rock music, came in like a lamb and went out like a lion. Think about it, the 70s embodied a sonic revolution like no other: ushered in softly by the final days of The Beatles – the band that invented everything – and ushered out by the glorious cacophony that was first wave British Punk Rock – a movement that’s influenced countless pop music genres that have arrived in its wake. From the Beatles to Punk Rock; there arguably is no decade that has had a greater impact than the 1970s, historically and influentially, on any modern music that is worth listening to.

The Seventies live on for music fans of a younger generation because so much of that music is archived and still available to anyone with an iTunes account. But just hearing the music isn’t the same as being privy to the rich and exotic history behind the people who made those songs come alive. That is why we must be grateful for rock journalists like Nick Kent, a rock critic and avid fan, who was at ground zero for almost everything noteworthy that happened musically between the years of 1970 and 1980,  for having captured his experiences living the rock and roll dream, and its nightmare flipside, in his recent memoir entitled Apathy For The Devil (Da Capo Press). I’ve read a ton of music bios and memoirs on the Seventies and, seriously, this is best book on the subject that I’ve come across.

Just how great is Apathy for The Devil? Well, I would venture that it’s an even more satisfying read than Bob Greene’s long-out-of-print gem Billion Dollar Baby, that writer’s inside account of going on the road with the original band called Alice Cooper – and that is lofty praise indeed, because that book is just insane. As a writer for England’s NME magazine, a first-hand participant in and keen observer of so much of rock’s from-the-gutter-to-the-good-life history, Kent’s memoir is both entertaining and edifying. I mean, the guy knew, met, interviewed and wrote about everyone: Led Zeppelin, Bowie, Pink Floyd, Roxy Music, The Whoeveryone. Certainly too many bands and artists to name and keep this review under 5,000 words. And the war stories he’s brought back from his close encounters will knock your socks off. I love this book!

Divided into nine chapters, one for each year, with 1978 and 1979 combined into one entry, Apathy For The Devil is quite a roller coaster ride, and at the end of the ride you may find many of your previously held opinions enriched or changed flat out. For example, the chapter entitled “1973”, in which he elucidates his understanding of the inner workings of The Rolling Stones and his assessment of just how Mick Jagger’s mind works, piqued my interest and enthusiasm for that band in a way that 40 years of their recorded music had been unable to do. Apathy For The Devil is, in Kent’s own words, about “surreal people living surreal, action-packed lives.” And although he was talking about rock stars when he wrote that, what you come to realize as you flip through page after page of vivid, fearless, darkly humorous and wickedly compelling prose, is that he is also talking about himself.

In the florid pages of Apathy For The Devil, we learn not only every gloriously gritty detail about Kent’s intimate personal history during ten years spent writing about every band that mattered, but also amazing details about the personal histories of dozens rock stars and music industry luminaries that are now household names; from the aforementioned legends like David Bowie and Mick Jagger to Chrissie Hynde (who was Kent’s girlfriend in her pre–Pretenders years) and the notorious, Punk Rock Svengali Malcolm McLaren, who had never even heard of Jimi Hendrix before he met Kent. As if the insider stories of Rock’s most decadent decade weren’t enough, the author also shares his decent into and recovery from heroin addiction in riveting detail. So, sex, drugs, rock ‘n’ roll, it’s all here in a book that’s amazingly well-written and so much fun you won’t be able to put it down.

For Rocking hard enough to Crack a Skull, The Worley Gig gives Apathy For The Devil Five out of Five Stars.