Over six decades, Elaine Lustig Cohen (1927 – 2016) moved among diverse activities, including art, design, and rare-book dealing. She began her career as a graphic designer in the mid-1950s, extending the vocabulary of European Modernism — Constructivism, Dada, and the Bauhaus — into an American context for publishers, architects and cultural Institutions.
From 1962 to 1967, she helped shape the Jewish Museum’s intuitional identity, directing the design of catalogues, posters, booklets and other printed material for its progressive exhibition program. At the same time, Lustig Cohen developed a hard-edge style as a painter, with a formal language of solid colors, abstract geometric shapes, and minimally visible brushstrokes, her paintings directly relate to her design work and to the movement called Postpainterly Abstraction. Lustig Cohen’s artistic contributions demonstrate that the lineage of Postpainterly Abstraction should been expanded beyond the fine arts to include postwar graphic design.
One of Lustig Cohen’s key projects was the design of book jackets for Meridian Publishers. Drawing on her knowledge modern typography and avant-garde design principles, such as asymmetrical composition dramatic scale, and image montage, Lustig Cohen forged a distinctive graphic voice.
For book jackets, she described her process as one of distillation, in which she would identify the central ideas of the text and render then abstractly with bold lettering, expressive forms, and playfully collaged photographic elements.
Photographed in the Jewish Museum in Manhattan.