From The Sock Covers by Photographer Thom Moore, who recreates classic album covers using only his socks.
NME reports today that a rare photograph showing The Beatles walking across Abbey Road in the opposite direction to which they are depicted walking on the cover of the legendary 1969 album of the same name will go on the auction block in the UK later this month.
Taken by late photographer Iain Macmillan, notable differences between the two shots include the fact that Paul McCartney is wearing sandals rather than walking barefoot, and the cigarette he’s shown holding on the album version is missing. The print is among a set of 25 being sold by a private collector. Viewings start this Friday, May 18th, 2012, with bids expected to go as high as £9,000 (Approximately $14,300) at auction.
It’s no secret to anyone born prior to 1980 that the best years – the truly Golden years – of Rock music are now decades behind us. By the “best” years, of course, I’m talking about the 1970s. Some of us were lucky enough to live through this truly magical decade that, when speaking of Rock music, came in like a lamb and went out like a lion. Think about it, the 70s embodied a sonic revolution like no other: ushered in softly by the final days of The Beatles – the band that invented everything – and ushered out by the glorious cacophony that was first wave British Punk Rock – a movement that’s influenced countless pop music genres that have arrived in its wake. From the Beatles to Punk Rock; there arguably is no decade that has had a greater impact than the 1970s, historically and influentially, on any modern music that is worth listening to.
The Seventies live on for music fans of a younger generation because so much of that music is archived and still available to anyone with an iTunes account. But just hearing the music isn’t the same as being privy to the rich and exotic history behind the people who made those songs come alive. That is why we must be grateful for rock journalists like Nick Kent, a rock critic and avid fan, who was at ground zero for almost everything noteworthy that happened musically between the years of 1970 and 1980, for having captured his experiences living the rock and roll dream, and its nightmare flipside, in his recent memoir entitled Apathy For The Devil (Da Capo Press). I’ve read a ton of music bios and memoirs on the Seventies and, seriously, this is best book on the subject that I’ve come across.
Just how great is Apathy for The Devil? Well, I would venture that it’s an even more satisfying read than Bob Greene’s long-out-of-print gem Billion Dollar Baby, that writer’s inside account of going on the road with the original band called Alice Cooper – and that is lofty praise indeed, because that book is just insane. As a writer for England’s NME magazine, a first-hand participant in and keen observer of so much of rock’s from-the-gutter-to-the-good-life history, Kent’s memoir is both entertaining and edifying. I mean, the guy knew, met, interviewed and wrote about everyone: Led Zeppelin, Bowie, Pink Floyd, Roxy Music, The Who – everyone. Certainly too many bands and artists to name and keep this review under 5,000 words. And the war stories he’s brought back from his close encounters will knock your socks off. I love this book!
Divided into nine chapters, one for each year, with 1978 and 1979 combined into one entry, Apathy For The Devil is quite a roller coaster ride, and at the end of the ride you may find many of your previously held opinions enriched or changed flat out. For example, the chapter entitled “1973”, in which he elucidates his understanding of the inner workings of The Rolling Stones and his assessment of just how Mick Jagger’s mind works, piqued my interest and enthusiasm for that band in a way that 40 years of their recorded music had been unable to do. Apathy For The Devil is, in Kent’s own words, about “surreal people living surreal, action-packed lives.” And although he was talking about rock stars when he wrote that, what you come to realize as you flip through page after page of vivid, fearless, darkly humorous and wickedly compelling prose, is that he is also talking about himself.
In the florid pages of Apathy For The Devil, we learn not only every gloriously gritty detail about Kent’s intimate personal history during ten years spent writing about every band that mattered, but also amazing details about the personal histories of dozens rock stars and music industry luminaries that are now household names; from the aforementioned legends like David Bowie and Mick Jagger to Chrissie Hynde (who was Kent’s girlfriend in her pre–Pretenders years) and the notorious, Punk Rock Svengali Malcolm McLaren, who had never even heard of Jimi Hendrix before he met Kent. As if the insider stories of Rock’s most decadent decade weren’t enough, the author also shares his decent into and recovery from heroin addiction in riveting detail. So, sex, drugs, rock ‘n’ roll, it’s all here in a book that’s amazingly well-written and so much fun you won’t be able to put it down.
For Rocking hard enough to Crack a Skull, The Worley Gig gives Apathy For The Devil Five out of Five Stars.