Portland-based street artist MC Monster travelled all the way to NYC to put up this epic fantasy mural depicting the mysterious yet peaceful confrontation between a Wizard in a Moon-shaped boat and what is either a Dinosaur, or the Loch Ness Monster. To say that this tranquil scene encourages imaginative extrapolation is an understatement. The mural went up in November of 2018 at the First Street Green Art Park (located at 33 East 1st Street, NYC), and those murals tend to change every three or four months, so don’t wait too long to go check it out!
Update: As of Match 16, 2019 this mural has been painted over.
While you can’t really help but notice this colorful wall at the entrance to the F Subway Line at Second Avenue and Houston Street, it takes a keen eye to spot the many street artist and taggers represented in this confined space. Aside from the large Skull and Demon Mural (not sure who the artist is, clues left in the comments are appreciated) displayed on the southern exposure of the Avalon Chemists building, we noticed the following:
Black and white tile portrait of David Bowie by Zimad.
I walked by today and the mural has recently been changed to this vibrant abstract by JPO ART, which I like much better than the previous design. As you can see, the Hektad, Suckdelic and Zimad pieces are still intact.
From the twisted mind of The Sucklord himself comes Suckadelic Toys‘ latest Star Wars-themed bootleg collectible: The Vinny Tony’s Suck Pizza! Measuring 5-inches in diameter, this hand painted likeness of Han Solo embedded in a Pizza has been released in a limited edition of just 38 pieces that sell for $125 each. Get ’em while they’re hot at This Link!
Now that we are just a couple of short weeks away from kicking off a spectacular New Year, full of art, music, pink things, bacon and free food, I would like to ask you, Dear Readers, how was your year? I hope it was awesome. As you can see from this Rad Blog you are now reading, I got to do some fun things in 2011, including going on my most fun vacation in many years when my sister and I took a 7 day Caribbean cruise, with three days in New Orleans on the front end. Holy cow, was that ever fun! Such adventuring! Such fine dining! Such ridiculous humidity! I’m still sweating.
What this all means is that it’s time again for the obligatory Year End Top Ten List, so, instead of going with the predictable, rote, yawnfest Top Ten CDs list I’ve decided to do more of a Pop Culture Mixed Bag, if you will. Because that is how I roll. Let’s get started.
Best Album: Manraze, PunkFunkRootsRock. Take guitarist Phil Collen from Def Leppard, team him up with drummer Paul Cook from The Sex Pistols and add Simon Laffy, the bassist from Phil’s former Glam band, Girl (because every power trio needs a bassist), and you’ve got a record that sounds, well, like a raunchier version of Def Leppard! We especially love Phil’sLemmy impersonation on “Over My Dead Body.” Record of The Year! Read my interview with Paul Cook at This Link.
That’s Me in the Back Row: Third in from the Left
Best Game Show: The Kostabi Show, where a panel of three Art critics and/or celebrities compete to title the works of modernist painter Mark Kostabi for cash awards, while a jury votes on which title suits the painting best. I had the opportunity to serve as a member of the jury for a taping this past summer and went home with $6 cash more than I had when I arrived, plus a Kostabi coffee table book signed by Mark. Bonus: free pizza! Kostabi, who is an accomplished pianist, also released a swell modern classical CD, The Spectre of Modernism, this year, which has been in heavy rotation on my iPod for ages now.
Best Beatles Thing: Dave Depper’s Ram Project, an authentically-covered version of Paul McCartney’s second solo album, complete with off-key Linda-esque backing vocals! So good!
Best Rock Book: Nick Kent’s Apathy For The Devil, a memoir of the British rock critic’s life and career in the 1970s. Everyone knows that all of the best music happened the Seventies, so I will admit that, as both a writer and fan, I certainly would have loved to have lived that life myself, save for the messy heroin addiction part.
Best Fashion-Related Museum Exhibit: Alexander McQueen’s Savage Beauty at the Metropolitan Museum of Art. Four words: Crown of Thorns Headdress. The Savage Beauty Exhibit set all kinds of ridiculous attendance records for the Met and was just insane. Insane!
Best Homage to Eighties Alternative Goth: Chris Connelly’s Artificial Madness. David Bowie Meets Killing Joke plus Bauhaus sautéed lightly with Magazine and a little Ministry on the side. Homage!
Best Rock Documentary:Fix, The Ministry Movie. Kids: Don’t Do Drugs. Or do a lot of them. One or the Other.
Best Seventies Southern Rock: The Sheepdogs, Five Easy Pieces EP. Bonus points to the band for their fan-winning appearance on the most recent season of Project Runway!
Reality TV (Competition): Top Chef, because Celebrity Chefs are the new Rock Stars!
Pop Culture as Art: The Suckadelic Art Toy Universe Retrospective and Pop Up Store at Boo Hooray Gallery (NYC). The judges and critics on the second season of Bravo’sWork Of Art didn’t really dig the SuckLord’s artwork too much, but his parodies of Star Wars toys served up with a serious side of snark made for one of the most subversive, hilarious and memorable art shows of the year! Art!
Honorable Mention: Kasabian’s Velociraptor, MGMT Live at the Guggenheim, The Zombies at City Winery, Single Fare Please Swipe Again at Sloan Fine Art, Spiderman: Turn Off The Dark, Jeremy Dower’s Canis Mortuus Familiarus at Bold Hype Gallery, American Horror Story, Maurizio Catellan’s All Retrospective at The Guggenheim, Patti Smith at Webster Hall, The Wyld Olde Souls’ Ensoulment, Jeremy Fish Listen & Learn at Joshua Liner Gallery, Robot Chicken, Tosh.0.
NYC’s Boo-Hooray Gallery announces the first retrospective gallery exhibition by subversive toy-making geniuses, SUCKADELIC. Intentionally confusing, misleading, disappointing and really funny, SUCKADELIC’s limited edition parodies of action figures reverberate with a vicious wit and are oddly eyeball-pleasing in the manner of all kinds of toothsome 20th/21st century collage and montage art. The toys and their aggressively situationist piss-take packaging comment on pop culture commodification and the consumer habits of compulsively shopping kidults: The very process that made KAWS, Takashi Murakami and Michael Lau art-stars on the Art Basel Miami/Armory Show/Venice Biennale tip.