Photo By Gail

Audrey Flack (1931 – 2024) was the most prominent woman artist to gain recognition as a photorealist in the 1960s and 1970s. She approached the genre of still life, which for centuries had been considered unprestigious by European and North American standards, with irreverent pleasure. Leonardo’s Lady (1974) presents tokens of traditional femininity (a jeweled bubble, embroidered ribbon, pink rose, and pressed powder compact), frivolity (effervescent champagne and shiny objects), and sexuality (a ripe, dripping pear and a reproduction of Leonardo da Vinci‘s portrait of Francis I’s reputed mistress). Continue reading Modern Art Monday Presents: Audrey Flack Leonardo’s Lady →