All Photos By Gail
One of my favorite things about exploring urban landscape is stumbling across unexpected works of art while just going about your day. While wandering through a grittier corner of downtown Los Angeles last December, my friend and I came across this wonderfully beat-up Honda Odyssey that has become a rolling canvas for street art.
Continue reading I Love You Graffiti Art Car in Downtown LA
Photo By Gail
At first glance, The Candy Store (1969) by Richard Estes looks like a photograph. But spend a moment with it, and the illusion begins to unfold into something far more complex.
Painted at the height of the emerging Photorealism movement, The Candy Store captures a New York City storefront window filled with jars of sweets, signage, and fluorescent lighting. Yet what makes the painting so compelling isn’t just the meticulous detail — it’s the layered reflections that transform a simple shop window into a study of perception. Continue reading Modern Art Monday Presents: The Candy Store By Richard Estes
Photos By Gail
At first glance, Happiness (1994–95) by Victor Estrada seems to promise exactly what its title suggests: something bright, buoyant, and easy to love. The sculpture greets viewers with a riot of color and a playful, almost cartoonish presence. But as is often the case with Estrada’s work, things get more complicated the longer you look. Continue reading Modern Art Monday Presents: Happiness by Victor Estrada
Photo By Gail
Kelly Akashi’s work often explores the impermanence of the natural world. In 2024‘s Monument (Regeneration), the artist draws inspiration from nature’s regenerative resilience. A delicately latticed borosilicate-glass sphere – balanced between fragility and strength – rests a top a weathered, steel plinth reminiscent of a tree trunk.
Continue reading Modern Art Monday Presents: Kelly Akashi, Monument (Regeneration)
Photo By Gail
At first glance, Disco Bomb (1989) looks like a joke you might spot after midnight: a mirrored disco ball topped with a synthetic orange wig. But in the hands of German artist Martin Kippenberger (1953 – 1997) , that punchline becomes a pointed meditation on surface, identity, and cultural excess.
Continue reading Modern Art Monday Presents: Martin Kippenberger, Disco Bomb