Why is it that when artists depict lady astronauts they are always wearing a full face of make up, I ask yez. Is it to let the viewer know that the character is merely a work of fiction and could never exist in real life? Am I thinking about this too hard? Probably.
What’s most interesting about this Hot Pink bust of a lovely African American lady, is that it’s not in use as your standard display mannequin, despite the fact that it is clearly in the middle of a clothing section of a department store. In this instance, it is really more like a sculpture; more like a work of art meant to enhance the consumer’s shopping experience, I think. In my case, it was highly effective.
Photographed at Saks Fifth Avenue, The Gardens on El Paseo, Palm Desert, California.
In the 1940s, Willem de Kooning (1904 – 1997), with his artist friend Arshile Gorky, frequented the Metropolitan Museum to study portraits by 19th-century French artist Jean-Auguste-Dominique Ingres. this seated figure, which belongs to de Kooning’s first series of Women paintings, demonstrates his interest in the human form. Awkwardly posed, the woman’s arms, legs and breasts exist as abstract shapes in a flattened space. Like other Abstract Expressionists, de Kooning was interested in portraying nature as simultaneously creative and destructive. Although the figure is recognizable as a woman, de Kooning arrangements of form, line, and color gives the effect of a body coming together and falling apart.
Photographed in the Metropolitan Museum of Art in New York City.
This is what I feel like at end of long and grueling week at the day gig. Here, we see that feeling manifested in bronze sculpture by artist Tom Otterness, as part of his urban fantasy sculpture series, Life Underground, found throughout the 8th Avenue and 14th Street Subway station in downtown Manhattan.