Sculptor Duane Hanson (1925 – 1996) often identified the figures in his artworks by their occupation or social roles, rather than their names. His photorealistic sculptural portraits — cast from life, painted and dressed in clothes corresponding to their roles — are thus transformed into ethnographic types. Their positions subtly critique their social realities as well as the context of their display. Hanson’s typically lower-and-middle class characters are empathetically portrayed in private or mundane moments, and their appearance is at once startlingly present, yet distinctly at odds in a gallery setting, where they are encountered almost voyeuristically, thus amplifying their isolation.
Photographed as Part of the Exhibit Like Life: Sculpture, Color and The Body, at The Met Breuer, NYC.
Marilyn Minter’s sensual paintings, photographs, and videos vividly explore complex and contradictory emotions around beauty and the feminine body in American culture. She trains a critical eye on the power of desire, questioning the fashion industry’s commercialization of sex and the body. Marilyn Minter: Pretty/Dirty, now on view at the Brooklyn Museum, is the first retrospective of her work.
Little Girls #1
Spanning more than four decades, the exhibition begins with the artist’s earliest artworks, from 1969 through 1986, including rarely exhibited photographs as well as paintings incorporating photorealist and Pop art techniques.
The show continues with works from the late 1980s and 1990s that examine visual pleasure in visceral depictions of food and sex. I didn’t take any photos of the “Junk Shots,” as I like to call them, because that doesn’t really do much for me: I find it boring and it detracts from the other works, in my opinion. But if pictures of penises are your thing, them come on down!
The exhibition culminates in Minter’s ongoing investigation of how the beauty industry expertly creates and manipulates desire through images.
These fashion / beauty shots, which are all so elegantly manipulated and transformed, were my favorite pieces in the show.
This one is so beautiful. For some reason, it reminds me of an old photo I’ve seen of Peter Gabriel,when he was still fronting Genesis. It’s surprising to me that more Rock Stars don’t commission Minter to shoot their portraits and album covers. Maybe that is because there are no real Rock Stars anymore. Sad.
The exhibit also features a short, silent film called Smash, which I liked very much. In Smash, a pair of metallic-toned manicured feet wearing bejeweled high-heeled sandals kick and shatter glass, in the middle of a rain storm, or something. Smashreminded me of when I used to go clubbing back in the late eighties and early nineties. Good times.
Marilyn Minter: Pretty/Dirty will be on Exhibit Through April 2nd, 2017 in the Morris A. and Meyer Schapiro Wing, 5th Floor at the Brooklyn Museum.
Here’s a Must See Art exhibit that features new works by two New York-based artists — Logan Hicks and Beau Stanton — who should be Art World Superstars any second now. Curated by Lori Zimmer and Natalie Kates, Calm Before the Storm, the two person show which opened this past Saturday at the Highline Loft, takes inspiration from nautical superstition, flood myths, classical paintings, life changing events and the modern issue of rising seas.
Stanton and Hicks have created new paintings, multiples, and a site-specific installations for this fantastic show. A special print release party with 1xRun will take over the space on October 22nd and, in honor of Halloween, the show will conclude with a costume party, Sailors, Sirens and Sea Hags, in honor of maritime folklore, on October 28th.
Art By Logan Hicks
Logan Hicks‘ interpretation of Calm Before the Storm fuses the photorealistic stencil artist’s interest in nautical traditions with the implications surrounding the serenity felt before major life changing events. With a foot planted in acceptance of fate, Hicks‘ new works reflect both traditional imagery and modernity, such as the role of and reliance upon technology as our means of communication — which has created an impersonal barrier when receiving news both good and bad. For Hicks, the works in the exhibition examine the driving force of fate, and the inability to alter momentum, via paintings, aerosol on canvas, aerosol on panel and editions of aerosol on paper.
Captain’s Study By Beau Stanton
Through oil painting, sculptural works and multiples, Beau Stanton’s take on the exhibit’s theme meshes the artist’s long-time interest in nautical lore, relating the storied takes of deluge myths and divine retribution to the current concerns with global climate change and rising waters. Like Hicks, Stanton takes influence from classical painting and sculpture, weaving ancient superstitions with modern environmental realities.
Here are some of our favorite pieces from the show!
Beau Stanton, Captain’s Study (Detail). The exhibition and installation is set to an original score by Luv Jonez.
This piece is huge, and I left a bit of the floor in the shot so you can see the scale. Beau Stanton’s work — which I have been following for about five years — is just crazy great, and not only is he a phenomenally talented artist, but he is also a genuinely nice and gracious person. Stanton is supportive of the work of other artists, as I see him all the time at other gallery openings, and he remembers my name and is always friendly and nice when we run into each other. Considering how few people I write about can even be bothered to retweet a link, Beau’s appreciation of the importance of press is invaluable to bloggers like me. His work will always be welcome for coverage at The Gig.
These pieces are all priced-to-own, and all collectors should be snatching them up immediately.
Stanton also built a ship inside the gallery.
Each side of the ship has a porthole with a Steam Punk-esque animated video playing inside it. Check that out in the video below:
Art By Logan Hicks
Logan Hicks is an artist whose work I was first encountered through shows at the late Opera Gallery on Spring Street.
His work is very beautiful dark, and romantic. It always sets a mood.
This grid of paintings on canvas, which are being sold as individual works, includes many multiples and variations of the same image. However, it seems a shame to break up the set.
(Click on Image to Enlarge for Detail)
This piece by Hicks is just insanely great. I recognized the location immediately as the platform at the Chambers Street stop on the J and Z trains. I have long referred to this station the “Jacob’s Ladder Subway Station” (for reasons that will be obvious to anyone familiar with the film) and the fact the Hicks chose to use this ultra-creepy, real life location as the setting for a gaggle of identical Harpies from Hell encircling a woman who is, seemingly obliviously, using her smart phone, lets me know that we are of the same mind. Well played.
I watch a lot of horror moves and this painting reminds me of the excellent vampire film, Only Lovers Left Alive. I recommend you see it.
Calm Before The Storm, Featuring the Artwork of Logan Hicks and Beau Stanton, will run through October 28th, 2015 at the Highline Loft, Located at 508 W 28th St, 5th floor, in the Chelsea Gallery District.