The swooping teardrop shape of this classic roadster contributes to its aerodynamic efficiency. Capable of reaching sixty-two miles per hour in just over fifteen seconds, the E-Type (known in the United States as the XK-E) was the fastest large-production passenger car in the world when it was introduced in 1961.
Designed by Ferdinand Alexander ‘Butzi’ Porsche (1935 – 2012), grandson of the Volkswagen Beetle’s creator, the 911 (this model circa 1965) rivals its forebear as an icon of German automotive engineering.
A close examination reveals traits inherited from previous Porsche cars, including the raised round headlights and rear-mounted, air-cooled engine. Larger and specifically faster than its immediate predecessor, the Porsche 365, and the Beetle, the 911 in the most successful competition car ever mass produced.
OK, so the vanity plate on the front of this Toyota truck could be translated a couple different ways, I suppose. “DRV PNK” could also be “Drive Punk,” but I think that the pinkish-hued Delicate Arch that you see on the Utah State license plates indicates that this message is meant to read as “Drive Pink.” As in, Drive Pink, Bitches!
Photographed During Another Beautiful Day in May, During My Visit to Moab, Utah.
With elements of both figuration and abstraction, Walter Price’s paintings shift between everyday realities and invented worlds. Couches and cars float and merge into landscapes as space expands and contracts. Price’s subjects are drawn from his own experiences as well as familiar cultural symbols. The artist’s fluency with color, texture, and form gives physical weight to these liminal, dreamlike spaces. In making each new series of works, Price also sets limits. Sometimes he challenges himself to create a big impact on a small scale; in other paintings, as with The Things That Horse Ourselves for Uncertainty (2018), he reduces his palette to only a few colors. Mixing fragments of memory, recurring signs and symbols, and abstract figures engaged in unclear, ambiguous interactions, the paintings refuse the viewer’s efforts to find a fixed perspective or narrative.
Photographed in the Whitney Museum in NYC.
Oh, what fun it is to spot treasures in the trash. I can’t help but wonder what decided the sad fate of this very fun-looking pink toy car, whose official name is the Disney Minnie Mouse Hot Rod Coupe Ride-On Toy by Kid Trax. While this polka dot marvel does not look terribly Hot Rod-like to me, it sure is a sweet ride. Let’s check it out!
This car features a Reclining Passenger Seat, and the dual side mirror appears to be in good working condition.
Drive in luxurious comfort with the spacious Minnie Mouse-Shaped Driver’s side Headrest! Also note: Vanity License Plates!
Hello Kitty fans surely will appreciate the Bow detail on the windshield. Factory-fresh models sell for $267.00 (plus shipping) on sale now at Walmart!
Spotted On Avenue C Between 5th and 6th Streets, East Village, NYC.
This linoleum cut print, Speed Trial (1932), was inspired by Bluebird, a race car that reached a velocity of 246 miles per hour at Daytona Beach, Florida in 1932, breaking the land-speed record. Artist Cyril Edward Power (1872 – 1951) used rhythmic, repetitive curves to conjure the rushing motion of the aerodynamic vehicle. He printed the image using three layers of color: light blue, dark blue, and green. He stipulated that the dark blue should be printed “dark on bonnet, paling to tail” — a graded passage that emphasizes the engine, at the front of the car, as the source of its power.
Photographed in the Museum of Modern Art in NYC.