The You Can’t Lay Down Your Memory Chest of Drawers (designed 1991, manufactured 2005) by Dutch designer Tejo Remy (b. 1960) exemplifies the work of Droog, an informal confederation of Dutch designers founded by Gijs Bakker, a product designer, and Renny Ramakers, an art historian. The piece consists of recycled drawer fronts inserted in newly constructed wooden boxes held together by a commercial cinch strap.
Truly blending the worlds of furniture and art in a clear tribute to designer / architect Ettore Sottsass, the rule-breaking creative team at Malabar has designed this versatile piece of art furniture: the Sketch Chest of Drawers.
Sottsass was a member of the Italian design collective — inspired by the popular art movements at the time, Art Deco and Pop Art — known as The Memphis Group; a riotous rejection of sensible modernism whose debut collection caused a sensation at Milan’s 1981 Salone del Mobile. Known for its bright and bold furniture design style, The Memphis Group continues to inspire artists and create trends in interiors and furniture.
If you’re unsure whether it’s a shelving unit, a room divider, or art, well, that’s the point. With a rich palette and mix of Verde Guatemala and Rosso Levanto marbles, polished and brushed brass, and walnut, black stained ash wood, and Tanganyika wood leaves, this handcrafted chest of drawers is like a sketch infusion of Memphis’ DNA.
The Sketch chest of drawers will bring an abundance of joy into the design of your personal space.
Although Angelo Donghia, was the first designer to put his name on furniture in 1973, Pierre Cardin’s venture in the field was far more successful. Cardin opened a custom furniture shop in Paris in 1975, and in 1977, he licensed his name for furniture, lighting and rugs that translated his fashion aesthetic into designs for the mass market., who didn’t design the pieces himself, felt that furnishings were a logical extension of his brand: and deferred to the pieces as his couture furniture.
The red and black lacquer chest of drawers, titled Head of the Moon, was designed in 1978. While it was not designed alongside the looks on view behind it, Cardin’s tight visual language creates a natural link between the two.
Photographed as Part of the Exhibit Pierre Cardin: Future Fashion at The Brooklyn Museum.
I saw many, many breathtakingly beautiful things at The Salon Art and Design show at the Park Avenue Armory, and one of most unusual items, which I am sure I will never forget, was this three-drawer dresser by designer Kam Tin, which is covered on three sides in meticulously curated pieces of genuine Baltic Amber. Continue reading Eye On Design: Bespoke Amber Chest of Drawers By Kam Tin
This spectacular bureau cabinet reflects the European fascination with Japanese and Chinese luxury goods in the early eighteenth century. The bright red surfaced imitated Asian lacquer, which was made from materials not available in Europe.
The motifs evoke the people and sights of the Far East, but they reflect the limited knowledge and stereotyped views that Europeans held of these distant countries. at the time the cabinet was made, this technique of using imitation lacquer was called “Japanning.” The original owner may have displayed small Asian porcelains in the upper niches of the cabinet.