Shiro Kuramata (1934 – 1991) a member of The Memphis Group and among the most innovative designers of the late twentieth century, was fascinated by the visual possibilities of acrylic. The artist stated that his ideal objective was to see objects floating in air. Named for the Wunderkammern owned by Renaissance princes that displayed natural and man-made curiosities, Cabinet De Curiosité (1988) offers the magical impression of suspending its contents in midair. Kuramata explored the phenomenological effects of acrylic — light and lightness, invisibility and reflectivity, weight and weightlessness – and the material has become the poetic signature of his work. Kuramata used the term Neiro, or “sound-color,” to describe the synesthetic effect that acrylic has it both its physical presence and the spectral color-shadows it casts as light passes through it. Its prismatic luminosity changes with light and viewpoint, exploiting the optical effects of the material. Shown here alongside Flower Vase #3 (1989).
Photographed in the Met Breuer in NYC.