Tag Archive | Cabinet

Eye On Design: Ore Streams Filing Cabinet By Formafantasma

All Photos By Gail

Seemingly random bits of e-waste make up the Ore Streams collection of office furniture, designed by Italian duo Formafantasma.

Cabinet (2017) is a clear glass-encased filling cabinet created from up-cycled aluminium computer cases embellished with a digital print of the surface of Mars, a reference to the extra-terrestrial origins of gold, which is widely thought to have arrived on earth via a meteorite shower.

Cabinet, Front Drawer Detail

Formafantasma’s Andrea Trimarchi and Simone Farresin created cabinet and accompanying furniture series as part of their Ore Streams project, a two-year study into the current state of electronic waste recycling that proposes new approaches for designers working on gadgets. The furniture is designed as a poetic response to the findings.

Cabinet, Side and Rear Detail

The pastel-hued metallic objects incorporate decontextualised bits of electronic waste, like the casings from iPhones and laptop keyboards. One cubicle features a pigeonhole formed from a microwave, while a rubbish bin is lined with gold scavenged from circuit boards.

The duo chose objects that were familiar within the office, but made them slightly odd and unfamiliar. In addition to the filing cabinet, the collection includes a table, rubbish bin, two cubicles, a desk, chair, lamp and shelf, all made primarily of dead stock.

Photographed in the Giustini / Stagetti Booth at the Salon Art and Design, at the NYC Armory in November of 2018.

Eye On Design: “Japanned” Bureau Cabinet Circa 1720

Sep5

All Photos By Gail

This spectacular bureau cabinet reflects the European fascination with Japanese and Chinese luxury goods in the early eighteenth century.The bright red surfaced imitated Asian lacquer, which was made from materials not available in Europe.

The motifs evoke the people and sights of the Far East, but they reflect the limited knowledge and stereotyped views that Europeans held of these distant countries. at the time the cabinet was made, this technique of using imitation lacquer was called “Japanning.” The original owner may have displayed small Asian porcelains in the upper niches of the cabinet.

Photographed in the Clark Institute in Williamstown, MA

Eye on Design: Ettore Sottsass, Yellow Furniture

Oct25

All Photos By Gail

Cross-shaped and studded with golden dots, Ettore Sottsass’ Yellow Furniture reads as an homage to Otto Wagner’s Steinhof Church, which is also cruciform in plan and features golden dots as the leitmotif. Both Yellow Furniture and the Steinhof Church transfer religious concepts into material form, specifically the spiritual association in Christian iconography of gold as a material and symbol of the heavens. Consistent with Christian ideals, Sottsass intended this piece for production by Indian craftsman as a way of addressing the poverty he witnessed during his travels.

Otto Wagner Steinhof Church Photos and Plan Drawings

Installation View

Photographed in the Met Breuer in NYC. as part of the Exhibit, Ettore Sottsass: Design Radical.

Eye On Design: The Tower Cabinet for Mario Tchou Residence, By Ettore Sottsass

Oct4

Tower Furniture for the House with the Little Chinese Girl, Mario Tchou Residence, Milan (All Photos By Gail)

Ettore Sottsass (1917 – 2007) designed the interiors of Mario Tchou’s Milan apartment and named the project for Tchou’s daughter, who captured his heart as she attempted to scale the Tower. The latticework, dowels and cubic proportions suggest the influence of the Arts and Crafts movement, the Wiener Werkstatte, and the Bauhaus.

These interests merge with eastern touches — the Chinese red and black lacquer, gold leaf and pagoda construction — into a hybrid table/desk/shelf/cabinet/chest of drawers, a catch-all for the needs of daily life.

Installation View

Sottsass wrote in the architecture and design magazine Domas, “The fact remains that a piece of furniture could be like architecture. with windows from which to looks outside . . .The piece of furniture can be looked at in many ways, always changing.”

The Tower, in short, is a kind of perception machine for the interior of the home.

Photographed as part of the exhibit Ettore Sottsass: Design Radical, at the Met Breuer (Through October 8th, 2017 )

Eye On Design: Engineering Temporality Cabinet (Series) By Tuomas Markunpoika

Nov16

Photos By Gail

Finnish desirer Tuomas Markunpoika explores memory and metaphysics in the design of all his objects. In honor of his grandmother, who suffered from Alzheimer’s disease, Markunpoika created Engineering Temporality (2012) by welding hand-cut rings of tubular steel over a traditional wooden cabinet. He then burned away the cabinet, leaving behind a shell of blackened metal rings; a ghost or shadow or the original form.

Engineering Temporality Cabinet, Detail

Eye On Design: Cabinet Inspired By The Art of Bridget Riley

Apr6

Photo By Gail

I had the most amazing time at the Architectural Digest Design Show a few weeks back, and photographed so many great pieces that will eventually end up in this blog. Here’s one of them: a liquor cabinet designed by Zelouf + Bell that was inspired by the fabulous Op Art of painter Bridget Riley — and you know how much we love her here at The Gig.

Here’s the reveal…wait for it…

OMG, so cool! Zelouf + Bells specializes in bespoke art furniture. Visit them online at Zelouf and Bell Dot Com.

Modern Art Monday Presents: George Brecht, Repository

Apr4

Repository, 1961: Wall Cabinet containing pocket watch, thermometer, plastic and rubber balls, baseball, plastic persimmon, “Liberty” statuette, wood puzzle, toothbrushes, bottle caps, house number, plastic worm, pocket mirror, light bulbs, keys, hardware, photographs (All Photos By Gail)

The objects in this cabinet beg to be activated and handled. A key member of the Fluxus movement, George Brecht (1926 – 2008) choreographed events; more specifically, he turned objects into events by inviting the visitor’s engagement. Repository’s power relies on the strong stimulative nature of the items, and it could never be truly finished because the viewer and the event were always changing. Now that the work has entered an institutional context, however, the need to preserve it overrides the call to participation. Thus, the concept of discovery is forestalled by museum practice, leaving the eventfulness of Repository unfulfilled.

Repository was Photographed in The Met Breuer (former home of The Whitney Museum), in Manhattan, where it is part of the Museum’s Inaugural Exhibit, Unfinished: Thoughts Left Visible. The piece is part of the permanent collection of the Museum of Modern Art, also in New York City.

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Tag Archive | Cabinet

Eye On Design: Ore Streams Filing Cabinet By Formafantasma

Eye On Design: “Japanned” Bureau Cabinet Circa 1720

Eye on Design: Ettore Sottsass, Yellow Furniture

Eye On Design: The Tower Cabinet for Mario Tchou Residence, By Ettore Sottsass

Eye On Design: Engineering Temporality Cabinet (Series) By Tuomas Markunpoika

Eye On Design: Cabinet Inspired By The Art of Bridget Riley

Modern Art Monday Presents: George Brecht, Repository

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