At Salon Art + Design in 2018, Galerie kreo presented a piece that quietly shimmered from its corner: Alessandro Mendini’s Poltrona White Gold. Unlike some of the louder, more colorful Mendini works, this chair relied on subtlety — and sparkle — to draw viewers in.
Covered entirely in tiny reflective mosaic tiles, the chair appears almost liquid in its surface treatment. The white-gold finish catches light gently rather than dramatically, giving the piece a soft glow that shifts as you move around it. From a distance, it reads as a single luminous form; up close, the meticulous craftsmanship of the miniature tiles becomes apparent. Continue reading Eye On Design: Poltrona White Gold By Alessandro Mendini→
Elizabeth Garouste’sNoa Noa Coffee Table is like a conversation in progress. Composed of two interlocking forms — one saturated orange, the other deep black — the table reads as both a single sculptural gesture and a pair of independent objects. The pieces fit together in soft, amorphous curves, like puzzle parts that have chosen each other rather than been engineered to comply. Continue reading Eye On Design: Noa Noa Coffee Table By Elizabeth Garouste→
I first encountered John Procario’s Sculpted Chaise last fall at Salon Art + Design, tucked into the Todd Merrill Studio booth, where it immediately stood apart — not by volume or flash, but by the quiet authority of its line. Seen in person, the piece read less like a sofa and more like a drawing pulled into three dimensions, its elongated curve unfolding slowly across the floor. Continue reading Eye On Design: John Procario, Sculpted Chaise→
The frame of André Dubreuil’s Spine Chair (1986) is constructed from five steel rods, each shaped by hand in a vice or jig and joined with visible welds. Lengths of flattened iron tubing — purchased flat and then formed in the workshop — are openly attached to the frame, with the marks of manufacture intentionally displayed rather than concealed. This emphasis on process reflects Dubreuil’s rejection of modernist ideals of seamless perfection in favor of material honesty and expressive construction. Continue reading Eye On Design: Spine Chair By Andre Dubreuil→
Different designer’s experiments with new materials have marked important, turning points in the history of design. Gaetano Pesce never stopped experimenting with them – in particular with residence. As one could infer fro its name, 1984’s Pratt Chair (3) is one of nine he produced as part of a project for the Pratt Institute, are renowned art, and design school in New York. Continue reading Eye On Design: Gaetano Pesce Pratt Chair (3)→
