Designed by Rene Paul Chambellan (1893 – 1955) and fashioned from wrought iron and bronze, these gates from the entrance to the Chanin Building’s executive suite, are excellent examples of the important role that metalwork played in defining the art deco style of New York skyscrapers from about 1925 to 1940. The gates’ largely linear, radiating design created an industrially informed aesthetic that was part of the machine-age era.
Photographed in the Cooper Hewitt Design Museum in New York City.
These superb Wrought Iron Gates (circa 1900) by Emile Robert (French 1860 -1924) are rendered by hand in the curvilinear Art Nouveau style, which originated in northern Europe in the late 1890s and flourished until World War I. The revival of interest in wrought iron work in this period was inspired by the beautiful, ornate, Rococo gates and fences around the main square and garden of the French city of Nancy, an early center of the Art Nouveau style. The butterfly motif in these gates is indicative of the main influences of Art Nouveau design: observation of the natural world and motifs popular in Japanese art.