Tag Archive | Installation

Happy New Year 2018 From NYC!

New Years Eve Tile
Photos By Gail

Ceramic sculptor Toby Buonagurio, the studio coordinator and sculpture director of Stony Brook’s Department of Art, is known for her colorful ceramic sculptures and innovative designs. The New York New Year’s Eve tile above is part of  Times Square Times: 35 Times,  a permanent public artwork commissioned from Buonagurio by the MTA Arts for Transit. It is permanently installed in illuminated presentation windows embedded in the shiny new glass block station walls throughout the Times Square – 42nd Street Subway Station in the heart of New York City. The artworks are owned by the MTA New York City Transit.

Times Square Times: 35 Times is comprised of 35 unique, one of a kind sculptural ceramic reliefs created by the artist over five years. The work may be viewed in the Times Square – 42nd Street Subway Station along the 7th Avenue Passage, the 41st Street Corridor, the Broadway Mezzanine and the Subway Entrance at 42nd Street. The station is open to the public twenty-four hours a day, seven days a week. Times Square Times: 35 Times is routinely viewed by more than half a million subway riders daily.

Buonagurio’s project was conceived around three characteristic, conceptual themes emblematic of the energetic vibrancy of Times Square: Performing Arts, Fashion and Street Life – the people, the places, the things – readily recognizable to the average, everyday visitor, not matter where they are from.

Happy New Year, Everyone! Let’s Make 2018 the Best Year Ever!

New Years Eve Tile Installation Viiew
Installation Detail


Larry Bell’s Pacific Red II at the Whitney Museum

Pacific Red II

Larry Bell has exploited the transparency and reflectivity of glass to great effect since the beginning of his career, when he inserted a square piece of glass into a painting and titled it Ghost Box (1962).  Pacific Red II (2017)

Pacific Red II

Pacific Red II

Over the years, Bell has developed coating and laminating techniques in order to tint his sculptures or imbue them with metallic or smoky finishes.

Pacific Red II

Pacific Red II

Here on the Whitney Museum 5th floor outdoor terrace, Bell has installed Pacific Red II (2017), a work consisting of six laminated glass cubes, each measuring six-by-eight feet, and enclosing another six-by-four foot glass box.

Pacific Red II

Pacific Red II

The multiple surface interplay and respond to their urban surroundings, when glass towers abound.

Pacific Red II

Pacific Red II

Read more about the painstakingly brutal installation process of Pacific Red II, and see a video, at This Link.

Pacific Red II

95 Horatio Street By Do Ho Suh

95 Horatio Street Full Street
All Photos By Gail

If you stroll all the way to south end of the High Line to where the park terminates at Gansevoort Street in the meatpacking district, you may look across and consider that someone has blasted a passageway right through the building. But, that is an illusion.

95 Horatio Street

A new site-specific work by Korean artist Do Ho Suh (b. 1962) visually reconnects the building facade of 95 Horatio Street with the elevated railway that once occupied the neighborhood. Although today the High Line ends at Gansevoort Street, here Suh imagines what the vista might have looked like in the days when train tracks continued to run through buildings down into SoHo. 95 Horatio Street previously housed the Manhattan Refrigerator Company, which had a private siding for the railway, allowing direct access to St. John’s Terminal further downtown.

95 Horatio Street Close Up

The digitally rendered image, titled 95 Horatio Street, was just unveiled on June 26th, 2017, on the southwest corner of Gansevoort and Washington Streets. Suh is interested in the emotional and psychological significance of architectural space: its relation to personal memory and the collapse of time are themes he explores across media. His fabric recreations of former homes, meticulous rubbings of the interior of his New York apartment, and drawings of mobile and anthropomorphic architectural structures are evocative meditations on the definition of home, and how this definition is affected by displacement and context.

95 Horatio Street Detail

95 Horatio Street is the sixth work to be presented in this series of public art installations, organized by the Whitney Museum in partnership with TF Cornerstone and High Line Art.  This installation is organized by curatorial assistant Christie Mitchell.

Do Ho Suh: 95 Horatio Street will be on Exhibit For An As-Yet-Undetermined Period  of Time.

95 Horatio Street Perspective

Anish Kapoor’s Decension in Brooklyn Bridge Park

Whirlpool Detail
All Photos By Gail

Brooklyn Bridge Park is fun place to hang out on a sunny weekend day. Into early September, there’s another reason to make a destination of this small oasis that rests in the shadow on one of the city’s major landmarks: that being Anish Kapoor’s Descension whirlpool installation!

Decension Signage and Entrance

For more than 35 years, Anish Kapoor — an Indian artist who now lives in London — has been among the most creative artists of his generation. He has created compelling and poetic bodies of work using a range of materials that include raw pigment, stone, stainless steel, synthetic polymer, resin, and wax. He also has a longstanding interest in the sculptural potential of water.

Descension From a Distance

Descension Approach


Descension With Bridge

Decension, presented for the first time in the United States, represents a breakthrough with this inherently challenging, slippery substance. I visited the site on the (unfortunately overcast) Sunday of Memorial Day weekend, where I took a short video as I became hypnotized by the deep whooshing sound of the endless swirling water. Enjoy!

Like all of Kapoor’s works, Decension is the result of intensive research into material and process, exploring the potential of water to behave in surprising ways. The continuous swirling motion of this 26-foot-diameter liquid mass converges in a central vortex, as if rushing water is being sucked into the earth’s depths. We thus experience Kapoor’s abstract form on multiple levels. Its powerful physicality has a visceral and mesmerizing impact. Yet Descension also stimulates the imagination and suggests a social, cultural and even mythic dimension.


Descension is on view at Pier 1’s Bridge View Lawn until September 10th, 2017. Viewing times are 9:00 am-9:00 pm daily except during inclement weather.

Descension Close Up

Felix Gonzalez-Torres, Untitled (Water) at the Brooklyn Museum

All Photos By Gail

Felix Gonzales-Torres (1957 – 1996) ever-generous artworks invite viewers to participate in them — by eating candy from a gleaming pile of sweets making up one of his works, for example, or removing a poster from an endlessly replaceable stack of paper. Yet despite their decisive ephemerality, these works are imbued with both personal and political undertones. While invoking the allegedly content-free vocabulary of minimalism, Gonzalez-Torres nonetheless subtly hints at possible meanings through parenthetical subtitles he assigned to each untitled work.


The luminous, blue-beaded curtain Untitled (Water) evokes images of an aquatic landscape but also dreams of travel and escape. The strings of faceted, blue plastic beads have as their source the humble curtains often found in bodegas, but when stretched across the expanse of the entranceway, the shimmering strands resemble a waterfall. Installed in the lobby of the Brooklyn Museum, Untitled (Water), 1995, serves as a threshold, a place of passage, marking off the activity of the street from the theater of the exhibition.

Water Detail
Water, Detail


Beauties Sculpture Installation By John Monti in The Grace Building Lobby

Sculptures By John Monti
All Photos By Gail

I love a happy accident, which is what I have to call my discovery of this fun new exhibit by artist John Monti, which I spotted in the 42nd Street Lobby of The Grace Building as I walked past on the way to the F Train.

Sculptures By John Monti

Sculptures By John Monti Signage

The installation, which is made up of seven amorphous-shaped bright Red and Lime Green sculptures,  is called Beauties and it actually opens with a reception on Thursday, September 15th from 6 – 8 PM, which means there will probably be free wine!

Sculptures By John Monti

Sculptures By John Monti

Red Surface

Up close, you can see that the sculptures’ surfaces are covered with fine, sparkly glitter!

Green Surface

Sculptures By John Monti

I enjoyed looking at them.

Sculptures By John Monti

I know that if Geoffrey sees this photo he will say that they look like Sex Toys. Because they do.

Beauties will be on Exhibit through November 11th, 2016, at The Grace Building Lobby, Located at 1114 Avenue of the Americas (AKA Sixth Avenue), But the Main Entrance is on 42nd Street, between 5th and 6th Avenues, just across the street from Bryant Park and New York Public Library. This exhibit is sponsored by Arts Brookfield.

Modern Art Monday Presents: Isamu Noguchi’s Red Cube Sculpture

Red Cube
All Photos By Gail

The Financial District in Lower Manhattan is a playground for monumental public art installations, including Isamu Noguchi’s Red Cube, which was installed on the plaza at 140 Broadway Between Cedar and Liberty Streets in 1968.

Red Cube 2

The diagonal lines of red painted steel stand in contrast to the stark horizontal and vertical lines of the adjacent front of the HSBC Building (formerly the Marine Midland Bank) by architect Gordon Bunshaft. Despite its title, the sculpture is not actually a cube, but instead seems as though it has been stretched along its vertical axis.

Red Cube 3

Aside from it’s striking color, Red Cube also stands out from the surrounding architecture in that all of its lines are diagonals, whereas the buildings are made up of horizontal and vertical lines. Additionally, the sculpture is balanced somewhat precariously on one corner, while the buildings, by contrast, and solidly placed.
Red Cube 4

Through the center of the cube there is a cylindrical hole, revealing an inner surface of gray with evenly-spaced lines moving from one opening of the hole to the other. Looking through this hole, the viewer’s gaze is directed skyward, towards the building behind, tying the sculpture and the architecture together.

Red Cube Hole

Red Cube is Located at 140 Broadway (at Liberty Street) New York, N.Y.10005. By Subway, Take the 4 or 5  to Wall Street Station.