Tag Archive | March 4th

Video Clip of The Week: Xu Xu Fang, “I Crave”



Ah, sweet nostalgia. This week’s Video Clip, “I Crave” by Mar Vista, California’s Xu Xu Fang, takes me right back to my glory days as a recovering goth, and many, many blissful Saturday night’s spent in the vault-like confines of the late, great NYC dance club The Bank. There, I danced until dawn to classic, spooky tunes by Bauhaus, Ministry, NIN, The Cure and others, while my eyeballs were nearly seared shut by thick clouds of acrid cigarette smoke, and boys in makeup up were just everywhere. Good times. “I Crave, with its chugging industrial guitar, insistent, electronic drum beats and ethereal, siren-like vocals is exactly the kind of song that would have packed The Bank’s tiny dance floor. God, I miss that place.

Visually, it’s the dry-ice fest that allows me to easily imagine Xu Xu Fang right on The Bank’s stage as well, in a live performance that seduces both aurally and visually, while compelling you to wonder just why in the hell the band members are wearing those…rubber masks? Who else reading this sees rubber masks and automatically thinks of  the Keanu Reeves / Patric Swayze Bank Robbing Surfer adventure classic, Point Break? It can’t be just me.

“I Crave” comes from Xu Xu Fang’s wildly anticipated debut full-length album, Daylong Secret, which will be released on March 4th, 2016 via The Sound Ranch. Trivia: Michael Shuman of Queens of the Stone Age joined the band in the studio, recording bass and duet lead vocals on several new songs! Enjoy!

Xu Xu Fang Band
Xu Xu Fang Band Photograph By Piper Ferguson

Video Clip of The Week: Weeknight, “Dark Light”



“Dark Light” by the brooding, soulful, electronic duo called Weeknight is like watching a complete film by David Lynch in under four minutes. Weeknight are Holly and Andy from NYC and they pull off the rare combination of pretty faces and real musical talent even when wearing glow-in-the-dark Day of The Dead/Corpse Paint. Weeknight will digitally release their debut album, Post-Everything on Artificial Records on March 4th, vinyl release date TBA. Pre-order the album at This Link Enjoy!

Weeknight Post Everything Cover Art

Video Clip of the Week: Eagulls, “Tough Luck”



Hello and welcome to the first entry in a full year of Worleygig.com’s Video Clip of the Week. It’s good to be back! This week we have a hard-to-top clip from Leeds UK-based Eagulls for the amazing song, “Tough Luck” — which I am am already in love with. Visually, we have live performance footage of the band diffused with a mix of black and white animation that includes images of biological cell division! Intriguing! Full of chiming guitars, driving drums and completely unintelligible lyrical delivery, “Tough Luck” manages to be both dark and exhilarating at the same time; not unlike Killing Joke crossed with Echo and The Bunnymen (comparisons to The Cure and Joy Division have been made elsewhere, so I know I’m not offtrack with that observation. Certainly, The Cure’s “Jumping Someone Else’s Train” springs immediately to mind). Without giving away the “surprise,” Eagulls‘ frontman, George Mitchell reveals that the song portrays “the gamble of trusting in something without knowing the true consequences.” This band is fucking awesome. Eagull’s self-titled debut album is due for release on March 4th, 2014 via Partisan Records, so watch out for that. In the meantime, Enjoy!

Eagulls Album Cover

Happy Birthday to Yes’ Bassist Chris Squire

Chris Squire was born on this day, March 4th, in 1948. Happy Birthday, Chris!

Happy Birthday, Chris Squire!


Chris Squire Circa 1978; What a Badass.

Yes’ bassist Chris Squire was born on this day, March 4th, in 1948. Squire was always one of my favorite bass players, along with the late John Entwistle, and Dennis Dunaway from the original Alice Cooper band, whose innovation on the bass is just insane. Happy Birthday, Chris!

On This Day in Pop Culture History: The Beatles Cause a Commotion

“More Popular Than Rod”

More Popular than Rod

On This Date,  March 4th in 1966: Despite ample album sales to support his argument, John Lennon’s assertion that The Beatles “are more popular than Jesus” sparks widespread outrage. Lennon later apologized.