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Top Ten Reasons Why 20th Century Women is My Favorite Film of 2016

20th-century-women-cast
Billy Crudup, Elle Fanning, Annette Benning, Greta Gerwig and Lucas Jade Zumann Star in 20th Century Women

The Coming-of-Age Story can fall into one of two categories: Sublime when done well, but Worse than Anything when done poorly. 20th Century Women, a new film directed by Mike Mills (Beginners) flips this genre sideways by looking at a pivotal year in the life of a fifteen year old boy through his relationships with three strong and finely nuanced women. Set in Santa Barbara, California in 1979, 20th Century Women follows Dorothea Fields (Annette Bening), a dedicated single mom in her mid-50s, who is raising her teenage son, Jamie (Lucas Jade Zumann) during a time filled with cultural change and rebellion. Without a father figure in Jamie’s life, Dorothea enlists the help of two younger women to help her bring-up Jamie  to be a good man. Abbie (Greta Gerwig) is a free-spirited, 20-something punk artist and cancer survivor who is a boarder in their home, while 17-year-old Julie (Elle Fanning) is a troubled, promiscuous neighbor, who is also Jamie’s best friend. Billy Crudup also stars as William, a charming but aimless Handyman who also rents a room with the Fields home.

For anyone who lived through an important time of his or her life during 1979 (it was the year I graduated from high school, lost my virginity, and started college) 20th Century Women will feels like a unique, cliché-free set of life experiences that creates a pitch-perfect time capsule, dictated by a very specific time in pop culture history. Here are my Top Ten reasons why I love this film so much.

1. Even when she is horrible-piece-of-shit films like Greenburg, Greta Gerwig is the best thing in any movie she makes.  I love everything about her character, Abbie, who reminded me of my former Punk Rock self, only way cooler.

2. The cinematography and art direction make each frame of the film look like a William Eggleston photograph.

3. Its depiction of the California Punk Rock scene in 1979 (which I was deeply immersed in) also manages to includes songs from the NYC’s No Wave scene and of course British First Wave Punk. The soundtrack reflects the film’s time period with music from artists who helped define the era: Devo, Suicide, The Germs, The Raincoats, Siouxsie and the Banshees, David Bowie, Buzzcocks and Black Flag. Holy Cow! I felt like someone stole my vinyl collection from this era and put it in the film.

4. The soundtrack also features and original score by Roger Neill, which is utterly transportive.

5. I wouldn’t really call myself a fan of the Talking Heads’ music, but three of their songs – “Don’t Worry about the Government,” “Artists Only” and “The Big Country” — are far superior to any their popular hits, and arguably better than most other songs on the planet. Two of these three songs are included on the soundtrack. You will have to see the movie to find out which ones. BTW I predict that this film will provoke a surge in downloads of the Talking Heads’ catalog.

6. There’s a 3D acid flashback visual effect that the filmmakers use to elucidate the feeling of traveling in a fast car as being comparable to moving across time. I’ve never seen anything like that before and it is so trippy and profoundly emotionally effective.

7. 20th Century Women reminded me so much of three of my favorite films, ever: Dazed and Confused, Almost Famous,  and American Beauty. If you dig those films, then you will just love this one.

8. An old high school friend of mine makes a cameo appearance in the film, sort of by accident. Tony Reflex from the seminal Orange County punk band, Adolescents, can be seen in a photograph used in a montage that depicts the rise of the punk rock movement in the late 1970s. That was fun.

9. No meaningless violence or senseless tragedy. I hope that isn’t a spoiler for anyone.

10. It is just the best movie, and you should go see it!

Grade: A+

20th Century Women — which was just nominated for Best Motion Picture – Musical or Comedy for this year’s Golden Globes, opens in New York and Los Angeles on Christmas Day, and Nationwide on January 20th, 2017. Music From The Motion Picture: 20th Century Women will be released digitally on December 16th, while a CD version will be released on January 13th 2017, followed by an LP version on February 10th, 2017.

various artists 20th century women music from the motion picture

Recommended Viewing: The Stolen Lyric

Stolen Lyric Cast

If you’ve been around long enough, you might remember a genre of extremely clever novelty records — super popular during the ’70s  —   that parodied current events and news stories with fake man-on-the-street interviews made up of audio clips taken from charting pop songs. Those early mash-up records were lots of fun, and if you miss them, and wonder why somebody hasn’t picked up on that idea for a long-form project, then a new animated film called The Stolen Lyric is going to really turn you on. Continue reading Recommended Viewing: The Stolen Lyric

Recommended Viewing: We Are X, The Death and Life of X Japan

We Are X Movie Poster
Above Image Courtesy of We Are X Film Dot Com. All Other Photos By Gail

When the most popular heavy metal band in Japan came to New York in October of 2014 to play a show at Madison Square Garden, they managed to sell out the legendary arena, despite being virtually unknown in America. X (known stateside as X Japan), got their start in the 1980s as a glam metal band, doing their best to shock audiences with their outrageous stage show and equally over-the-top, gender-bending physical appearances that included flamboyant rock fashions, wildly theatrical hairstyles and Kabuki-esque make-up. But what critics who initially dismissed the band as all style and no substance didn’t realize was that these guys could play their asses off, and were selling the type of rebellious image that repressed Japanese audiences couldn’t wait to buy. Now, an award-winning documentary, We Are X,  aims to bring the myth and enigma that is X Japan into your consciousness.

X Japan Concert Ad

Critics say that the mark of a good documentary is when its story is accessible to, and can be fully enjoyed by, audiences who are completely unfamiliar with its subject matter. Using the career-milestone Madison Square Garden concert as a jumping off point, and circling back to that show (which I attended) at the film’s end, Director Stephen Kijak (Stones in Exile, Scott Walker: 30 Century Man) has succeeded wildly at crafting a career-spanning Rock & Roll fable that will surely hook those who’ve never even heard of X Japan right from its opening credits.

Yoshiki at MSG
Yoshiki on Stage at MSG

Told primarily from the viewpoint of founding member Yoshiki; X Japan’s drummer, composer and charismatic leader, We Are X is both the story of the band’s groundbreaking 30-year career, and also the life story of Yoshiki, who turned to music as a child as a means to cope with the suicide of his father. Forming X as a teenager with school friend Toshi, who became the band’s lead singer, Yoshiki was driven to succeed by existential questions that haunted him from his father’s death; namely “What is my purpose?” and “why am I here?”

Yoshiki and Stephen Kijak
Yoshiki and Stephen Kijak Discuss the Film at a Post-Screening Q&A Here in NYC

Embracing a ‘Do or Die’ sensibility, X Japan became not just an innovative and successful rock band, but a cultural force as powerfully influential as that created by The Beatles decades before them. Not only have they achieved phenomenal record sales and concert attendances, but band members’ personal brands are associated with products as diverse as credit cards, wine, comic book superhero alter egos, and dolls made in their own likenesses. X Japan is also credited with spearheading the uniquely Japanese Visual Kei movement.

X at MSG
X Japan on Stage at MSG

The band’s great successes, however, were tempered with equally great tragedies. As a counterpoint to the celebratory  moments, the film carefully explores the suicides of two seminal band members, Hide (in 1998) and Taiji (in 2011), which shattered the lives of both X Japan’s surviving members, and devastated their fans, one of whom was driven to suicide because of the news. We Are X is a true life Rock & Roll story that really has everything.

Yoshiki and Toshi
Yoshiki and Toshi Rocking It Back in the Day!

Despite the intense personal/personnel drama, career challenges and many heart-rending moments, We Are X is also good fun, and thoroughly entertaining. One of my favorite parts happens towards the film’s end, when Yoshiki and Toshi are reunited in 2007, ten years after the singer abandoned X Japan to join a mind-controlling cult. Yoshiki recalls hanging out at the Palladium in Hollywood, where the friends were approached by two guys looking to buy drugs. One of the men asked the duo if they knew where they could score some X (meaning the psychedelic drug, Ecstasy). Yoshiki, whose grasp of the English language is obviously much  better now than it was back then, laughs when he recalls replying to the guy, with complete sincerity, “We are X!” Hilarious.

We Are X opens in theaters nationwide on Friday October 21st, 2016.

Grade: A+

X at MSG
X Japan On Stage at Madison Square Garden, October 2014

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Movie Review: Weiner, A Documentary That Fully Satisfies

Weiner Movie Poster

Anyone living in (or anywhere near) NYC during the city’s 2013 Mayoral campaign should be familiar with Anthony Weiner; the former US Congressman who became a walking punch line in 2011, when a sexting scandal (Weiner sent pictures of his junk to several female followers on Twitter) forced him to resign his position. Weiner’s inability to keep it in his pants was not only personally humiliating for the married congressman, but ultimately a huge loss for the citizens he represented, as Weiner had been a passionate advocate for the people during his tenure in Congress; particularly with regard to supporting civil rights for an array of minority groups, and pleading the case for healthcare for 9/11 first responders. That he had no one but himself to blame for his situation made Weiner’s resignation a shame on all fronts. Continue reading Movie Review: Weiner, A Documentary That Fully Satisfies

Don Cheadle Becomes Miles Davis in Miles Ahead

Miles Ahead Poster
Don Cheadle is Miles Davis in Miles Ahead (All Images Courtesy of Sony Classics)

Movies about Trumpet Playing Jazz Legends are a thing right now. Just last week, IFC released Born to Be Blue, a surreal art film based loosely on the life and career of Chet Baker. This week, Miles Ahead — actor, and first-time director Don Cheadle’s much-anticipated love letter to another groundbreaking jazz innovator, Miles Davis  — comes to the big screen after garnering all kinds of awards on last year’s festival circuit. It was worth the wait, because Miles Ahead is a fantastic film. Continue reading Don Cheadle Becomes Miles Davis in Miles Ahead