We were just arriving for a fun press event at The Pennsy Food Hall in Penn Plaza, just out front of Madison Square Garden, when I spotted this fantastic, towering public art work by Jonathan Borofsky. Entitled Human Structures, the sculpture sits where Roy Lichtenstein’s Brushstroke Group sculpture previously stood. Human Structures closely resembles a tower of colorful, interlocking paper dolls. I like it. Continue reading Jonathan Borofsky’s Human Structures at Plaza 33, Penn Station
This bright Pink Wig, which I stopped to snap while walking south on 8th Avenue near Madison Square Garden, reminded me immediately of the crazy, disheveled fright wig that Andy Warhol famously sported in his later years. I’m picturing it on Andy’s head even as I type this.
Spotted in the window of Mane Beautify Supply, located at 412 8th Avenue between 30th & 31st Streeta, New York, NY 10001.
Above Image Courtesy of We Are X Film Dot Com. All Other Photos By Gail
When the most popular heavy metal band in Japan came to New York in October of 2014 to play a show at Madison Square Garden, they managed to sell out the legendary arena, despite being virtually unknown in America. X (known stateside as X Japan), got their start in the 1980s as a glam metal band, doing their best to shock audiences with their outrageous stage show and equally over-the-top, gender-bending physical appearances that included flamboyant rock fashions, wildly theatrical hairstyles and Kabuki-esque make-up. But what critics who initially dismissed the band as all style and no substance didn’t realize was that these guys could play their asses off, and were selling the type of rebellious image that repressed Japanese audiences couldn’t wait to buy. Now, an award-winning documentary, We Are X, aims to bring the myth and enigma that is X Japan into your consciousness.
Critics say that the mark of a good documentary is when its story is accessible to, and can be fully enjoyed by, audiences who are completely unfamiliar with its subject matter. Using the career-milestone Madison Square Garden concert as a jumping off point, and circling back to that show (which I attended) at the film’s end, Director Stephen Kijak (Stones in Exile, Scott Walker: 30 Century Man) has succeeded wildly at crafting a career-spanning Rock & Roll fable that will surely hook those who’ve never even heard of X Japan right from its opening credits.
Told primarily from the viewpoint of founding member Yoshiki; X Japan’s drummer, composer and charismatic leader, We Are X is both the story of the band’s groundbreaking 30-year career, and also the life story of Yoshiki, who turned to music as a child as a means to cope with the suicide of his father. Forming X as a teenager with school friend Toshi, who became the band’s lead singer, Yoshiki was driven to succeed by existential questions that haunted him from his father’s death; namely “What is my purpose?” and “why am I here?”
Embracing a ‘Do or Die’ sensibility, X Japan became not just an innovative and successful rock band, but a cultural force as powerfully influential as that created by The Beatles decades before them. Not only have they achieved phenomenal record sales and concert attendances, but band members’ personal brands are associated with products as diverse as credit cards, wine, comic book superhero alter egos, and dolls made in their own likenesses. X Japan is also credited with spearheading the uniquely Japanese Visual Kei movement.
The band’s great successes, however, were tempered with equally great tragedies. As a counterpoint to the celebratory moments, the film carefully explores the suicides of two seminal band members, Hide (in 1998) and Taiji (in 2011), which shattered the lives of both X Japan’s surviving members, and devastated their fans, one of whom was driven to suicide because of the news. We Are X is a true life Rock & Roll story that really has everything.
Despite the intense personal/personnel drama, career challenges and many heart-rending moments, We Are X is also good fun, and thoroughly entertaining. One of my favorite parts happens towards the film’s end, when Yoshiki and Toshi are reunited in 2007, ten years after the singer abandoned X Japan to join a mind-controlling cult. Yoshiki recalls hanging out at the Palladium in Hollywood, where the friends were approached by two guys looking to buy drugs. One of the men asked the duo if they knew where they could score some X (meaning the psychedelic drug, Ecstasy). Yoshiki, whose grasp of the English language is obviously much better now than it was back then, laughs when he recalls replying to the guy, with complete sincerity, “We are X!” Hilarious.
We Are X opens in theaters nationwide on Friday October 21st, 2016.
Brushstroke Group is a public sculpture by pop arist Roy Liechtenstein that you can hardly miss if you are walking on Seventh Avenue between Madison Square Garden /Penn Station and Macys. The problem is: it’s nearly impossible to get photos that don’t have a ton of people them. Because, Midtown.
Lichtenstein liked the idea of making brushstrokes that were not brushstrokes so much, he finally arrived at the idea of making a brushstroke that is actually a sculpture. His sculpture on 7th Avenue and 33rd Street is a 3D version of his brushstroke paintings — and only one of many other, different Brushstroke Group sculptures located in other US cities.
This same sculpture was previously displayed at Navy Pier in Chicago in 2012. At some point, it will surely move along to a new home.
Photographed at 7th Avenue and 33rd Street, Adjacent to Madison Square Garden!