Tag Archives: movie reviews

Fix: The Ministry Movie


“Just One Fix…”

I don’t imagine that many individuals would disagree with a statement made by Ministry front man Al Jourgensen close to the beginning of Fix – a profoundly gritty and utterly compelling documentary of which he is the primary focus – that the best job to have is one where you’re paid to be yourself.

Possibly the single most influential musician of the Industrial music genre and an undeniably notorious and outspoken character, Jourgensen has never “posed” nor compromised for the sake of his art. In fact, he’s pretty much always earned a pay check for the talents involved in just being Al Jourgensen. Fifteen years ago, while Ministry was touring the world in support of the Filth Pig album, Al was a relentless junkie who was equal parts devil and messiah to everyone who entered his orbit. Someone on that tour bus was a filmmaker with a camera. Fix: The Ministry Movie is the resultant documentation of the full immersion into Al’s world of someone who was, essentially, just along for the ride. Most of the journey isn’t very pretty.

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Russell Brand Charms in Arthur Remake


Russell Brand Stars in Arthur

The 1981 comedy Arthur, starring the late Dudley Moore and the even later Sir John Gielgud, is a movie that most people recall so fondly that it’s become a bit of a celluloid sacred cow. In this now 30 year-old film, Moore played the titular character; a lovable, billionaire playboy / drunk, against Gielgud’s role as Arthur’s staid butler, Hobson; an Oscar-winning performance that was memorable for Gielgud’s many droll one-liners that continually stole every scene he and Moore shared.
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Denny Tedesco Presents The Story of The Wrecking Crew

Using a phrase like “The soundtrack of your life” means different things to different people. While I can admit to being a fan of music practically since I was an egg, as far as the role music had in attaching itself to seminal memories, informing my current tastes and shaping the person that I am today, the soundtrack of my life would have to be the music I heard on AM radio stations while growing up in Southern California during the 60s and 70s.

The pop music of that era is unique in many ways, but one facet of its enduring sound is tied in to the fact that so much of that music was recorded by a select group of highly versatile and keenly skilled studio musicians that came to be known informally as The Wrecking Crew. These musicians were constantly brought in for session work by legendary producers, such as Phil Spector and Lou Adler, for their ability to turn in top quality, professional performances in a brief window of time, and their presence on recordings of the era is nearly ubiquitous. To peruse a comprehensive list of Wrecking Crew recordings would likely make your head explode with its vast scope, but a few of the songs you might be familiar with include:

Nancy Sinatra’s “Boots,” Ike & Tina Turner’s “River Deep Mountain High,” “Indian Reservation” by Paul Revere & The Raiders, “Windy” By the Association, The Mama’s & Papa’s “California Dreaming,” “You’ve Lost That Loving Feeling” by the Righteous Brothers, Glen Campbell’s “Wichita Lineman” (Note: Campbell was a staple Wrecking Crew guitarist before embarking on his own successful singing career) “The Beat Goes On” by Sonny & Cher”, “Mr. Tambourine Man” by The Byrds, anything by Herb Alpert’s Tijuana Brass as well as TV-series-based bands such as The Partridge Family and The Monkees, and The Beach Boys’ Pet Sounds album in its entirety. They were also responsible for creating Phil Spector’s signature “Wall of Sound.”

If you’ve just had to lift your jaw from the floor, please know that these songs barely scratch the surface of the extensive recorded catalog featuring members of The Wrecking Crew. You might think that setting out to create a documentary film about The Wrecking Crew would be a daunting task that no one could possibly be up for; but you would be incorrect. One highly prolific Wrecking Crew guitarist was a guy named Tommy Tedesco, who passed away in 1997. Before he died, however, Tommy’s son Denny began working on this documentary as an homage to his dad. After fifteen years of research, conducting interviews and going through film and photography archives, the film is now complete, though reams of footage remain for additional content. After doing well on the festival circuit, Tedesco has been screening The Wrecking Crew privately in select national markets in order to raise funds for a DVD release. I attended such a screening in Brooklyn on Sunday evening and I can’t even begin to tell you how much I love this film, and how appealing, worthwhile and valuable this movie is.

As much as the film was a labor of love and obviously a highly personal memoir of Tommy Tedesco and his fellow musicians, The Wrecking Crew is also a riveting piece of musical and cultural history, capturing a time in the music industry and the American lifestyle that will never, ever be duplicated. It is must-see viewing for any music fan. I am not exaggerating when I say that my mind was blown about every five minutes during this film. The movie is also extremely laugh-out-loud funny in parts, as well as being very deeply heartfelt. I had to dab tears away from my eyes more times than I care to admit because so much of it felt personal to me. I can’t imagine others will not have similar reactions. The Wrecking Crew is possibly the best music documentary I’ve ever seen.

While the Wrecking Crew consisted of approximately 20- 30 musicians, Tedesco focuses on a select few – with his dad being a key player, of course – to tell the stories behind the music, including drummers Hal Blaine (widely known as the World’s Most Recorded Drummer) and the late Earl Palmer, Bassist Carol Kaye, Saxophonist Plas Johnson (Think: Pink Panther Theme), Glen Campbell, Pre-stroke Dick Clark, Cher, Brian Wilson and Herb Alpert (known for both his stunning and iconic trumpet compositions as well as for having founded A&M Records) among others who may not be household names, but whose work you will know. I was thoroughly entertained from beginning to final credits. Wrecking Crew!

Denny Tedesco still needs approximately $250,000 in additional funding to pay for the licensing of all this awesome music. I’m sure that a mega-celeb such as Cher – who is interviewed several times in the film – could handle that size of a donation and not even miss the cash. But anyone who would like to see this important film brought to a wide audience can also support the film by attending a screening (suggested donations range from $12 to $30) or visiting the website and making a donation of any amount at This Link. To locate a screening in your area visit this list of upcoming screenings at Wrecking Crew Film Dot Com.

That’ll Be The Day

On This Date, October 23rd in 1972:  Filming began for the British film That’ll Be the Day, a coming-of-age story set in the late 50s / early 60s starring David Essex (of “Rock On” fame) and Ringo Starr, with Keith Moon in a memorable, drum-playing cameo. That’ll Be the Day is a fairly bleak look at life in post-war Britain and, more importantly, the central character, Jim (David Essex) isn’t a very nice guy.
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Must See Movie: The Social Network

Jesse Eisenberg Stars in The Social Network

One thing to keep in mind when going to see the fantastic new film, The Social Network is that this is not a movie about Facebook. The billion-dollar creation of Mark Zuckerberg could have been anything – an advice column or a shopping website – it really wouldn’t have mattered. The only thing that mattered in sealing the fate of this now 26-year-old computer nerd as the youngest billionaire in history was Zuckerberg’s ability to fine-tune an already existing idea (a phenomenon that is also known as ‘building a better mousetrap’). Not only do you not need to be user of FaceBook to enjoy The Social Network – a film that will surely be feted with many Academy Award nominations – you don’t even need to know what FaceBook is. The Social Network – which at its core tells a gripping tale of rampant personal ambition and the relationships sacrificed due to inadequate foresight – is an entertaining and highly engaging film that never loses sight of where it is going. Director David Fincher (Fight Club) and screenwriter Aaron Sorkin have created a taught drama with psychological undertones and many belly laugh-inducing moments evoked by some of the smartest, wittiest dialogue I’ve heard in a movie in ages. I can’t say enough positive things about this film.

Whoever cast The Social Network should get an Academy Award of his or her own for making such spot-on choices. On screen, Jesse Eisenberg, whom I’ve always considered to be the “straight man version of Michael Cera,” becomes Mark Zuckerberg – a brilliant but almost borderline-autistic social misfit seemingly obsessed with one-upping anyone he perceives as his intellectual competition. Eisenberg carries the movie on his performance alone, but there are so many other fantastic performances to revel in. Pop singer Justin Timberlake is excellent in the role of Napster founder Sean Parker, who plays devil’s advocate to a naïve Zuckerberg.  I’ve always found Timberlake’s music to be mainstream and mediocre at best, but he is obviously a naturally gifted actor. Maybe he should go the way of Mark Wahlberg, leave pop music behind and concentrate on acting? Just saying.

This was also my first exposure to actor Armie Hammer (the devastatingly handsome, great grandson of late tycoon/philanthropist, Armand Hammer), who plays a dual role of Zuckerberg’s chief nemesis, identical twins Tyler and Cameron Winklevoss; two financially privileged students who row for Harvard’s crew team, and who unknowingly set the wheels in motion when they hire Zuckerberg to write code for their start-up dating website. Hammer does a fascinating job of playing identical twins, and if you didn’t already know that a single actor played both roles you certainly would not guess. My very favorite use of an actor whom you rarely see anymore is David Selby’s appearance as the lawyer to Zuckerberg’s original partner in the creation of FaceBook. Fans of the 1970s-era Gothic soap opera, Dark Shadows may recognize Selby from his role as Quentin Collins in that legendary TV series. Selby, now in his late 60s and white-haired, still looks absolutely fantastic. What a treat to see him in this film!

Much has also been said about the film’s score, composed by Trent Reznor and his longtime cohort, Atticus Ross. It’s been ten years since Reznor produced anything that caught my attention or held my interest. But his and Ross’s contribution to The Social Network includes intense, propulsive and storyline-appropriate techno-flavored musical themes that serve the film beautifully. More than once, the score carried a scene without need for any additional dialogue by the characters – quite a noteworthy accomplishment! I’ve avoided giving too many details about the actual plot of The Social Network because, as is the case with so many films of high quality, I feel that less is definitely more as far as how much you need to know going in versus how much enjoyment you will get if you just let the film unfold for you.

The Worley Gig Gives The Social Network – now in nationwide release – Five out of Five Stars.