Tag Archives: movie

Eye On Design: Aries 1-B Spaceship Model from Kubrick’s 2001

aries 1b spaceship model photo by gail worley
All Photos By Gail

Most of the props, sets, costumes, and models from the film 2001: A Apace Odyssey (1968) were intentionally destroyed by Director Stanley Kubrick to prevent their reuse in other productions; this surviving Aries 1B Spaceship Model is a rarity.

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Eye On Design: May Queen Dress from Midsommar

may queen dress from midsomar photo by gail worley
All Photos By Gail

In the 2019 Folk Horror film Misommar,  the May Queen Dress is worn by lead character Dani (played by Florence Pugh) in the story’s intense concluding sequences. The elaborate gown features 10,000 silk flowers, including forget-me-nots, sweet peas, and butter cups, and weighs 30 pounds.

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Eye On Design: Winged Devil Costume from Rocketman

elton john winged devil costume photo by gail worley
All Photos By Gail

There is no doubt that the costume designer plays an essential role in cinematic storytelling. For the Elton John biopic Rocketman (2019), costume designer Julian Day’s guiding principle was: the louder, the better.

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Eye On Design: Portrait Marionette of Craig Schwartz From Being John Malkovich

craig schwartz marionette photo by gail worley
Photo By Gail Worley

The movie Being John Malkovich (1999) is an absurdist and comic existential tale which revolves around issues of identity and bodily autonomy. In the film, which develops in New York City, actor John Cusack’s character, Craig Schwartz, is a puppeteer, who is at times played by a puppet, as puppets are often at the center of the narrative. Continue reading Eye On Design: Portrait Marionette of Craig Schwartz From Being John Malkovich

Modern Art Monday Presents: Ivan Albright, Picture of Dorian Gray

picture of dorian gray by ivan albright photo by gail worley
Photo By Gail

Ivan Albright painted this lurid work for the 1945 movie adaptation of Oscar Wilde’s 1891 novel, The Picture of Dorian Gray. In Wilde’s tale, Dorian Gary commissions a portrait of himself as an attractive young man, and later trades his soul for an ever-youthful appearance.  As the still-handsome Gray leads an increasingly dissolute and evil life, his painted representation rots and decays, revealing the extent of his moral corruption. Albright’s renown as a painter of the macabre made him the ideal choice to paint the horrific image of Gray for the film. Although the movie was shot in black and white, director Albert Lewin filmed the painted portrait in color to emphasize Gray’s shocking transformation.

Photographed in the Art Institute, Chicago.