Monday morning, with zero warning or valid cause, Facebook deleted 99% of the posted content on the two fan pages I’d been maintaining on that platform (one for more than a decade) in order to promote this blog’s content to my fans and friends. To add insult to injury, they also deleted every post on my personal page that linked to content on Worleygig.com, thus completely obliterating my creative presence on Facebook. The reason given: these posts suddenly violate FB’s Terms of Service for Spam. Spam? Really? I call bullshit, but I have no method of recourse, because Facebook is not run by reasonable humans. So, I will be investigating more interesting (and likely way more effective) ways to promote Worleygig.com to those who wish to read it. Please feel free to follow me on Instagram @gailpink61 for more information going forward. Thanks, and Fuck Facebook.
I’ve said it before and I’ll say it again right now: I would rather listen than any ’80s Metal band for one hundred million billion years than listen to any artist currently on the pop charts for five minutes. Just being serious. For that reason, this week’s high energy clip from New Jersey-based rockers Kodiak is like a breath of fresh air in a vacuum. The no-frills clip for their single “Goodbye,” featuring footage from the studio and the band’s stage show, is a great introduction to this talented band, which includes brothers Pete (Drums) and Chris (Guitar) Biggiani, with Bassist TJ Haefner, and lead singer Eric Dalton. Plus, the group is co-managed by Warren Wyatt and drum legend Carmine Appice. So, props for that.
While “Goodbye” is a classic metal scorcher (comparisons to Van Halen are not unwarranted) Kodiak remind me most of bands like Winger and Dokken: groups with handsome, charismatic frontmen who achieved a crossover appeal by infusing their glam metal repertoire with a few well-placed “power ballads.” I can’t guess whether that will also be Kodiak’s approach, but the potential to stretch out is certainly there. In the mean time, Kodiak guarantee that feel-good, edgy hard rock is officially back in acton. Like them on the FaceBook at This Link. Enjoy!
As we continue to creep as slowly as possible towards the day when Americans will either vote to dodge the world’s biggest bullet and move forward with progress, or just blow up the fucking world, it’s almost comforting to indulge the feelings of impending doom with the seductive, atmospheric dirge that is Deaf Radio’s “Anytime” — a song so good, it almost hurts.
Hailing from Athens, Greece, Deaf Radio (seriously, what a great name) serve up four all-killer-no-filler minutes of lush, woozy minor chord gloom with a tune that’s favorably reminiscent of Bauhaus — all menacing and alluring simultaneously — as well as one of my absolute favorite obscure bands from California, Starflyer 59 (if you are as fond of that band’s 1999 album, Everybody Makes Mistakes as I am, you probably have little stiffy right now). Visually, “Anytime” is a hallucinatory fever dream of enigmatic and captivating random images that tease and taunt. Personally, I want to know what is up with that sink full of Goldfish. “Anytime” is the first single from Deaf Radio’s upcoming album Alarm, which is due this winter, so keep your ears open for that action, because I bet it’s just insane. Like Deaf Radio on the FaceBook at This Link. Enjoy!
What I love about this first-ever music video clip by LA-based, psychedelic pop band Talk in Tongues is that “Still Don’t Seem To Care” sounds to me very much (i.e. exactly) like a Tame Impala tune. And you know how I feel about Tame Impala. In this clip, we see a nuclear family experience a paranormal phenomenon as they are frozen and scanned by what we can only assume is our soon-to-be alien overlords, or possibly amplified sun rays. And then every thing catches fire. FIRE!
Talk In Tongues will release their debut LP, Alone With a Friend, on May 19th, and if you Pre-order it digitally now, you’ll get “Still Don’t Seem To Care” and another single release, “While Everyone Was Waiting” instantly! Like them on the Facebook at This Link. Enjoy!
A friend on FaceBook sent me the above image and it looked like something I’d want to blog about. Because, Pink Moon. But it turns out that this image may be a bit misleading, as far as what the moon will actually look like on April 4th. When I hit the Google to get more information for the post, the first item that came up was from Snopes.com, the famous urban legend debunking website. Check it out.
Origins: March 2014 saw the introduction of this social media posting promoting the upcoming occurrence of a “full pink moon” on April 15th, 2014. It is true in an obscure, specific sense that April 2014 will bring us a “pink moon,” but that phenomenon is not the least bit unusual, nor will the moon literally appear to be pink (or any other non-standard color) to viewers on Earth.
As noted in the Farmer’s Almanac, some Native American tribes assigned unique names to full moons based upon the time of year in which they took place as a method of tracking the passage of seasons:
Native Americans full Moon names were created to help different tribes track the seasons. Think of it as a “nickname” for the Moon!
The early Native Americans did not record time by using the months of the Julian or Gregorian calendar. Many tribes kept track of time by observing the seasons and lunar months, although there was much variability. For some tribes, the year contained 4 seasons and started at a certain season, such as spring or fall. Others counted 5 seasons to a year. Some tribes defined a year as 12 Moons, while others assigned it 13. Certain tribes that used the lunar calendar added an extra Moon every few years, to keep it in sync with the seasons.
Each tribe that did name the full Moons (and/or lunar months) had its own naming preferences. Some would use 12 names for the year while others might use 5, 6, or 7; also, certain names might change the next year. A full Moon name used by one tribe might differ from one used by another tribe for the same time period, or be the same name but represent a different time period. The name itself was often a description relating to a particular activity/event that usually occurred during that time in their location.
Colonial Americans adopted some of the Native American full Moon names and applied them to their own calendar system (primarily Julian, and later, Gregorian).
As noted above, the nomenclature used for various full moons was not standardized and varied from tribe to tribe, but the Algonquin tribes (who lived in regions from New England to Lake Superior) identified a full moon occurring in April as a “Pink Moon” not because of its color, but due to its coinciding with the first appearance of the moss pink flowering plant (Phlox subulata, also known as creeping phlox, moss phlox, wild ground phlox, or mountain phlox), a harbinger of Spring:
This full Moon heralded the appearance of the moss pink, or wild ground phlox — one of the first spring flowers. It is also known as the Sprouting Grass Moon, the Egg Moon, and the Fish Moon.
Technically the term “Pink Moon” refers to the full moon that will be visible throughout most of the week of April 13-19, but the April 15 date coincides with the occurrence of a total lunar eclipse, during which the moon could take on “a dramatically colorful appearance, ranging from bright orange to blood red.” April’s “Pink Moon” is also the Paschal Full Moon that determines the date of Easter.
Thanks to Dick Christian for the Tip!
Caution: Heavy Rock Action Ahead! While I was initially drawn in by this video’s surreal, cut out animation, which reminds me so much of the mind blowing collage art of Fred Tomaselli, it’s the song’s relentless aural ass-kicking that keeps me clicking on the repeat button. With a solid ’70s vibe that cannot be denied, “Nine Lives” from British Rock Powerhouse Turbowolf also adheres to what I’d call “Classic Contemporary” Rock influences to sound something like Monster Magnet meets the original band called Alice Cooper with a T Rex chaser. Eeeexcellent.
According to vocalist Chris Georgiadis.”‘Nine Lives’ is a song about making the most of our limited time; about living with no regrets; about changing our attitudes towards death and about life. It’s a celebration of the known, unknown and everything in between.” The band’s new album, Two Hands, is out on April 6th, 2015 on Spinefarm Records. Like them on the FaceBook at This Link. Enjoy!
All Photos Courtesy of Mark Melaccio
New Dad Mark Melaccio posted these photos on FaceBook and of his two-month-old son Michael Joseph Melaccio sleeping in a Jaws-Themed Crib created by the child’s uncle, Joseph Reginella, with his creation, Joseph almost won a contest he entered at The Sleep Judge convention. Here’s a close up of the empty crib:
It is so excellent!
I love how the baby’s crying face gives the impression that he is really being eaten by a shark.
And yet here he is, sleeping soundly (with the fishes)!