The Non-Violence Project Foundation (NVP) is a non-profit organization whose mission is to inspire, motivate and engage young people on how to peacefully resolve conflicts. It holds violence prevention and nonviolence education programs for schools and sports clubs around the world. NVP’s signature logo is the Non-Violence, also known as the Knotted Gun. It was created by the Swedish artist, Carl Fredrik Reuterswärd (1934 – 2016) as a memorial tribute to John Lennon after he was shot and killed on December 8, 1980, in New York City. Ambassadors of the Non-Violence Project include Sir Paul McCartney, Ringo Starr and Yoko Ono, among others. This Shell Pink Knotted Gun sculpture was spotted for sale in the Non-Violence Project’s booth at the Fall 2018 Affordable Art Fair in NYC.
It’s been 50 years since The Beatles released Sgt. Pepper’s Lonely Hearts Club Band, an album widely considered to be among the best rock albums of all time, and aside from a very cool documentary about the making of Sgt Pepper (which was released on Septembers 8th) some cool collectible memorabilia is also making its way to the market. In honor of this exciting anniversary, 3D design company Lovepop have released The Beatles Sgt. Pepper 3D Card! This gorgeous design was created in partnership with The Beatles and is one of three officially licensed designs that include a fabulous 3D rendering of the Yellow Submarine, and the iconic scene of The Beatles crossing Abbey Road.
I suspect you may feel the need to own these. The Beatles‘ cards sell for $15 each or $40 for a pack of all three designs, and can be purchased at This Link!
It was 1967 and photographer David Magnus stepped into the ultimate temple of musical genius and creativity known as Abbey Road Studios in London. There, he joined The Beatles and their invited guests, who would all participate in the first world-wide global satellite broadcast performance of a song John Lennon had written called “All You Need Is Love.” Little did David know at the time that he would be the only photographer there.
The Beatles sang “All You Need Is Love” for a global audience, and Magnus’s beautiful never-before-seen images, now on exhibit (and for sale) at the Morrison Hotel Gallery in SoHo, NYC take you on a journey inside what went on in front of the television cameras and behind the scenes on the day of that their global satellite broadcast, which happened fifty years ago. We attended the show’s opening reception at MHG back in June and had a groovy time. Please enjoy our photos from the show!
Here’s are a few more details of that day 50 years ago:
On June 25, 1967, performers representing 19 countries from around the world appeared on Our World, the first international television production broadcast by satellite.
An estimated 400 million viewers watched the two-and-a-half hour program, which featured talent including Pablo Picasso and Maria Callas and was closed out by a performance of “All You Need Is Love” by The Beatles.
Photographer David Magnus was a friend of and regular collaborator with the band, was on hand to take pictures of the historic gig. The majority of these photos have never been seen before by the public.
When I look at this photo of Ringo at his drumkit, I just see Barry Wom from The Rutles. Anyone else?
High res images from the All You Need is Love collection can be found at the Morrison Hotel Gallery Website (Click This Link), where you will also find information on how to purchase these fine art prints. The gallery is located at 116 Prince Street, 2nd Floor in SoHo, New York City.
What I like about this wheat-paste — by Brooklyn Street Artist SacSix — is that it’s actually a clever mash-up of the famous Bob Gruen photo of John Lennon in his New York City T-Shirt, with the head of comedian Jerry Seinfeld. The pigeon on Jerry/John’s shoulder utters a catch phrase from a memorable episode of Sienfeld, which makes this a quintessentially NYC bit of ephemera.
Above Image Photographed in Williamsburg, Brooklyn near the Bedford L Train Station. Image Below added March 14th 2020 as seen on East 2nd Street and 2nd Avenue, Manhattan.
99% of the time, Yoko Ono is a subject that just takes too long to talk about. Whether you love her or hate her, few would deny that Ono is one of the more polarizing Pop Culture figures of the past fifty years. Most people likely know her as John Lennon’s second wife, as well as his primary post-Beatles artistic/musical partner, and have probably based their opinion on the couple’s various collaborations — which are quite well known. But before Yoko Ono even met John Lennon, she was a groundbreaking visual artist whose extremely unique and original ideas about what constitutes a viable work of ‘Art’ were fucking with people’s heads. Just being serious.
I first visited Yoko Ono’s One Woman Show 1960 – 1971 at MOMA way back in May, and it’s taken me this long to write about it because I had no idea of how to distill the experience. While I am not at all a fan of Yoko Ono’s music (more about that later), I’ve been conflicted over my intense desire to make hilarious jokes about certain works that I saw in this exhibit, and an equally strong urge to find many aspects of her artistic output not only brilliant, but wildly thought-provoking. The exhibit is only up for another month at this point, so I’m going to post a selection of photos I took at MOMA of various works that caught my attention for whatever reasons, and make comments about them.
It looks like street artist Mr. OneTeas is at it again with his very fun Wack Donald’s Project, in which he paints the clown face of Ronald McDonald on various pop culture icons. I spotted John Lennon and Alfred E. Newman side by side on a traffic barrier at 26th Street and 11th Avenue in the Chelsea Gallery District.
For Beatles fans who crave an authentic performance experience of the group’s expansive catalog of music, there is certainly no shortage of grand scale productions, which range from Rain and Let it Be on Broadway to 1964 The Tribute – an act that regularly sells out Carnegie Hall. But for fans who maintain a keen interest in the life and post-Beatles career of John Lennon specifically, Lennon: Through a Glass Onion offers something completely different.
Now in evening and matinee performances at the Union Square Theater, Lennon: Through a Glass Onion, is an intimate, two-man show featuring esteemed actor and singer John R. Waters and accompanist Stewart D’Arrietta, which originally saw sell-out tours in the duo’s native Australia. While there are no dazzling lights, clever sets, informative backdrops or special effects to bolster this very stripped down production, what you get is a heartfelt acoustic performance (guitar and piano – and D’Arrietta’s piano playing is quite excellent) of a selection of over thirty of John Lennon’s best and most autobiographical songs – both written with Paul McCartney while in The Beatles, and written and recorded by Lennon as a solo artist.
Tying the musical numbers together is Water’s biographical narrative of John Lennon’s often traumatic youth and tumultuous adulthood, the ups and down of which are punctuated and fleshed out by songs he wrote at that time. Although Water’s speaking voice is appealingly similar to Lennon’s, his (often quite gravelly) singing voice is not, so don’t expect the “close your eyes and imagine it is really him” effect that you can get with so many tributes. Through a Glass Onion is really more like watching two hardcore John Lennon fans perform his songs and talk about his life in a pub setting. This may or may not be your thing, so just know what you are walking into ahead of time.
In order to fit thirty songs into a 90-minute run time, many of the songs are performed as excerpts of various lengths, but you get the idea. Likewise, some liberty is taken with traditional arrangements, which finds “Help!” – one of The Beatles‘ most exhilarating anthems – performed almost as a dirge. Sometimes the alternative arrangements work and other times not so much.
It’s also unclear how much of the biographical information is simply improvised or creatively extrapolated based on various facts but, again, it is easy to imagine that Waters is speaking as Lennon and the story all comes together. As an aside, fans seeking more information about John Lennon’s life as a child and teenager, including the not-very-happy story about his relationship with his mother Julia – which had such a profound influence on so many of his songs — might be better served by the 2009 film, Nowhere Boy. You can find it on Netflix.
An added note about the venue, for those who’ve not yet been to the Union Square Theater, is that you are in for treat in this pristinely maintained, old school theater where every very comfy seat offers optimal viewing, so you don’t have to stretch your ticket buying budget to get the best seat in the house. The theater is also conveniently located three blocks uptown from the Union Square subway hub and is within blocks of dozens of excellent restaurants — so you can plan a night of it!
Lennon: Through a Glass Onion will run through February 22nd, 2015 at the Union Square Theater, located at 100 East 17th Street (Between Park Ave South and Irving Place), New York, NY 10003. Visit Lennon Onstage Dot Com for more information about the show, to get show times and to purchase tickets!