Let’s play a game: would you rather be poked incessantly with sharp objects, or be forced to relive the eighth grade? You might need a minute to think it over. No one wants to be tortured, but eighth grade is a special kind of hell. It only lasts for one year; but what a socially awkward, puberty-riddled, emotionally agonizing year it is. Eighth grade blows, but now you can vicariously cringe your way through the gauntlet that is the last week of middle school for an earnest, 13-year old wallflower in director / writer Bo Burnham’s fantastic debut feature, Eighth Grade. He went back to eight grade, so you don’t have to.
“America, they want someone to love; but they want someone to hate, too.” These words, concisely distilling the public’s obsession with celebrity scandal, are spoken by Tonya Harding, former Olympic figure skater and one-time champion competitor, in director Craig Gillespie’s outstanding new biopic, I, Tonya. For those who are late to the game; back in 1994, Harding found herself at the center of one of the most sensational scandals in sports history after being linked to a physical attack on her teammate Nancy Kerrigan shortly before the Winter Olympics in Lillehammer, Norway. In the seemingly endless media circus that surrounded ‘the incident’ (as it is referred to in the film) and its far-reaching consequences, Tonya Harding became a walking punch line and arguably the most-hated woman in America. In the aftermath, she was sentenced by the court to probation, community service, ordered to pay a large fine, and forced to resign from the United States Figure Skating Association, effectively ending her career. Twenty three years later, I, Tonya gives Harding a compelling confessional with which to tell the whole sordid story, and it is a tale based on true events that’s as crazy as any absurdist, darkly comic fiction you could make up.
With a tight script based on dialogue from recent interviews by the director with both Harding and her ex-husband Jeff Gillooly, plus archived interviews, You Tube videos and meticulous research, I, Tonya traces Harding’s life and career from age 4 to 44. Growing up in a broken home (her mother’s fifth child from her fourth marriage) Harding’s focused passion for skating took her out of her reality of incessant beratement by her stage-mother-from-hell, LaVona Golden (an astounding performance by Allison Janney) and transformed her into a disciplined athlete who didn’t take any shit from anybody. Performing in homemade costumes because she couldn’t afford to buy them, and constantly standing up for her right to compete and be judged on her ability despite not fitting the mold of a squeaky clean all-American girl, it’s exhilarating to watch her come up in the sport (Harding was the first American woman to complete a triple axel in competition) while gaining a voyeuristic perspective on the circumstances that shaped her complicated character.
As Harding hones her craft and becomes an increasingly successful, award-winning competitor, her already volatile relationship with Gilooly becomes even more physically abusive, and the film’s depiction of domestic violence is very realistic, harrowing and difficult to watch. By the time Gilooly and his half-witted friend Shawn Eckardt (Paul Walter Hauser) begin brainstorming a plan that will ‘intimidate’ Olympic teammate Nancy Kerrigan, who is perceived as Harding’s stiffest competition for Olympic Gold, it is already too late to stop the downward spiral.
Despite the violence and serious subject matter, I Tonya is a wildly enjoyable ride, filled with many hilarious moments thanks to the absurdist situations and excellent comic timing from the top-shelf group of actors cast in this strange-but-true story. A well-curated film soundtrack can always advance the action and evoke keen emotions in ways that dialogue alone cannot, so it’s worth noting that, along with a terrific original score by Peter Nashel, I, Tonya makes brilliant use of popular radio hits of the era such as Cliff Richard’s “Devil Woman,” Hot Chocolate’s “Everyone’s a Winner,” Laura Branigan’s “Gloria” and Siouxsie and the Banshees’ cover of Iggy Pop’s “The Passenger” sound tracking the film’s closing credits as they scroll over archival footage of Tonya Harding skating in competition, which is unexpectedly quite moving.
Expect I, Tonya to garner a considerable number of Oscar nominations, including Best Picture, Best Actress for Robbie and Best Supporting Actress for Janney (at the very least), and Best Director.
Opening Nationally on Friday December 8th, 2017, The Worley Gig Gives I, Tonya Five out of Five Stars. Watch the Trailer Below:
People don’t normally equate childhood with a kind of battlefield, where the very process of growing up is an act of unqualified heroism, but then again not everyone has seen the Asia Argento film Misunderstood, where the lone soldier/hero is a nine-year-old girl named Aria. Set in Rome in the mid-1980s, Misunderstood is an exceptionally well-crafted (though not always easy to watch) film which focuses on a pivotal year in the life of Aria (played by Giulia Salerno), who has the misfortune to be the child of self-centered parents who are just on the verge of divorcing when our story begins. Aria lives with her parents (played by Charlotte Gainsbourg and Gabriel Garko), a famous concert pianist, and a Screen-Idol actor respectively, and two half sisters; the oldest being the spoiled child of her father’s previous marriage, and the middle daughter belonging to her mother from a former relationship. What is evident from the beginning is that Aria, a beautiful, bright and talented little girl, is part of a family where she has virtually no one is on her side. Fortunately, she does have a tight and affectionate relationship with her best friend, Angelica (Alice Pea) and a beloved pet cat, Dac, which she dotes on throughout the film.
At school, Aria excels in composition, and is more of a wallflower than a victim of bullying. Aria and Angelica have a sweet and fiercely close friendship, and the two call each other by the same pet name, and get into quite a bit of harmless mischief together. As the story progresses, however, Aria’s relationship to her peers spirals downward and draws parallels to the plight of the character Dawn Wiener from Todd Solondz‘ merciless black comedy, Welcome to The Dollhouse (1995). Eventually, the cumulative affects of casual abandonment, neglect, and betrayal seemingly squash Aria’s indomitable spirit, and she takes unexpected actions in the face of her bleak circumstances.
Misunderstood is being billed as a comedy, but most of the comedic moments stem from feelings of absurd discomfort, in which her bickering and oftentimes cruel mother and father treat their shared child as if she were a bargaining chip or a mere inconvenience to be pushed off on the other as a form of revenge. We’ve seen this parental cruelty and indifference in films like What Maisie Knew (2013), and Fish Tank (2009), and it is never easy to watch, especially since Aria is such a charming and gentle child, who only wants what she deserves; her parent’s unconditional love and acceptance.
The acting in Misunderstood is excellent all around, featuring possibly one of the best performances I’ve seen from Gainsbourg (who is no stranger to playing unsympathetic characters) and a fantastic, finely nuanced performance from Giulia Salerno, (whose resume already includes half a dozen films). Gabriel Garko (best known for roles on Italian television) is also well-cast as Aria’s almost cartoonish and completely clueless, egomaniacal father. The film also features an exceptional soundtrack that mixes period appropriate, deep-cut pop songs with classical pieces and original compositions, all of which were obviously chosen with a great deal of insight and care.
A few write ups on the film reveal that Misunderstood is highly autobiographical, based on the director’s early life as the daughter of actress Daria Nicolodi and Gialo/horror film director Dario Argento – and it’s easy enough to find out that Argento’s given name at birth was Aria – but the filmmaker claims this is not the case. I don’t think it really matters if Asia Argento suffered through a childhood similar to Aria’s or not, all that matters is that she’s managed to tell a story that successfully touches the viewer emotionally, and feels very real, even when at its most surreal.
In Italian, English and French, with English subtitles, this film is unrated and has a runt ime of 103 minutes. Misunderstood is released to theaters and On-Demand September 25th, 2015. In Manhattan, you can see it at the IFC Center, located at 323 Sixth Avenue at West Third Street. Click Here for Showtimes
The Worley Gig Gives Misundertood Five out of Five Stars.
Watch the Trailer Below:
Tron (1982) is one of my favorite sci-fi fantasy films, ever. The long-awaited sequel, Tron: Legacy – which from the looks of this trailer should be totally amazing – will be released in mid-December of 2010. Can’t wait!
I really hope this movie doesn’t totally suck. At least actor Michael Shannon playing the role of Kim Fowley looks appropriately creepy.
In light of Heath Ledger’s untimely passing, much has been said about his upcoming final film Is it just me, or does this look like it might not completely suck? And look, Tom Waits is in it!