George Segal (1924 – 2000) was an innovator in sculpture known for his installations of white plaster figures with ghostly appearances. He depicted the dignity in everyday life, showing people poised at a bus stop, paused before a Traffic Intersection, or conversing on a park bench. Segal’s work also took on political themes such as the Holocaust and gay pride. At the time the Girl On a Chair (1970) sculpture was created, the artist discussed its art historical references:
“The chair is like a ladder with steps, the box is like a house, the girl is like a Greek caryatid holding up the roof…I’ve always liked the hardness and softness combined, this wedding of organic and geometric.”
Photographed in the Brooklyn Museum.