Installation View With Maria Pergay’s DeerLamp (All Photos By Gail)
Christian Germanaz is a French industrial designer and maker of furniture who studied, and still works, in Paris. Created in 1982, his Comedia Chair is comprised of foam over a metal frame construction, with a seasonal/interchangeable slipcover in bright red. The chair’s dimensions are 29 inches tall by 35 inches deep by 40 inches wide.
We understand that it sits as comfortably as you would expect by the look of the sumptuous, multitudes of pleats and folds in the chair’s slipcover. Comparisons to the appearance of the wrinkly puppy known as the Shar Pei are not unwarranted.
Perfect for curling up with a good book, or your iPad!
Photographed at Demisch Danant, Located at 30 West 12th Street in the West Village, NYC.
We honestly felt like we had stumbled upon a real life version Pee-Wee’s Playhouse when we entered design store / art gallery Leroy’s Place, and immediately encountered this monumentally enchanting (and Pink) Lazy Throne by artist Jacques Duffourc. A New Orleans native whose specialties include set design and puppeteering, Duffourc works primarily in recycled and found materials, and has a signature skill of transforming everyday materials into extraordinary works of art.
The chair has a wood structure, and is then sculpted using a unique method of building with contact cement and cardboard.
The American film actress Jayne Mansfield, one of the leading blonde sex symbols of the 50s and 60s, starred in several popular Hollywood movies that emphasized her platinum-blonde hair, hourglass figure and cleavage-revealing costumes. Although her film career was short-lived, Jayne had several box-office successes and won one of two golden globe awards nominations for the The Girl Can’t Help It.
Ottiu designers translated Mansfield’s sexiness and beauty into modern furniture design, creating the Jayne Curved Armchair. Upholstered in cotton velvet with a pinewood structured supported by a brushed brass base, this mid-century modern armchair blends comfort with elegant curved lines. The Jayne Curved Armchair will be the ultimate eye-catching piece of your décor.
The Jayne armchair retails for 2790€ (approximately $3325).
An iconic and dramatic lounge chair created by Hans Wegner in 1950, the Flag Halyard Armchair has a sculptural and engineered stainless steel frame with a seat and back made of plaited flag halyard. Comfort is added with a longhaired sheepskin throw and an adjustable leather headrest.
The story goes that Wegner conceived this design while on the beach towards the end of the 1940s. He supposedly modeled the grid-like seat in a sand dune, presumably with some old rope that lay close by (a halyard is a line that hoists or covers a sail). The chair went into production in the 1950s and its unlikely combination of rope, painted and chrome-plated steel, sheepskin and linen are still unprecedented in furniture manufacture. Wegner’s motivation in using such contrasting materials was apparently not to exploit their textural interplay but more simply to demonstrate his ability to design innovative, practical and comfortable furniture – in any material.
As Hans Wegner conceived the idea for this chair while at the beach, the wide-set and low frame is naturally perfect for an afternoon rest, especially when matched with the cozy comfort of a sheepskin throw and down feather filled headrest. Reproductions of this chair, perfectly balanced and built with a solid stainless steel frame and 240 meters of textured flag line, create a modern industrial beauty that upholds the iconic style of the original Danish design, and can be found for as little as $1,650. An original will set you back about $14,000.
British designer Faye Toogood believes that, whatever your domain of design expertise, the materials you can get your hands on are essential, “because you are always looking for a new way to interpret your designs and to explain your story.” This approach also pertains to her recent venture from designing signature interior spaces and environments (for high-profile clients), to furniture design.
Part of the exhibit What Would Have Been on view at Freidman Benda, her Maquette 259 seating (2020) realized in a rusty-peach-painted canvas over upholstery foam aligns with this aesthetic. Toogood’s products are designed with “honesty to the rawness and irregularity of the chosen material,” and are sculptural in form. Like her interior spaces, her furniture is considerate of both the two-dimensional design as well as three-dimensional space.
I love how it looks like a group of boulders just rolled together! Maquette 259 was manufactured in an limited edition of 8 pieces. Contact Friedman Benda Gallery in NYC for purchase information.
The Metropolitan Museum of Art does not often invite visitors to sit directly on the art, but they have made an exception for these Washington Skeleton Side Chairs (2013), designed by Ghanaian-British architect David Adjaye, which can be found in the gallery where the 2020 Holiday Tree is on display.
These delicately balanced, precisely engineered chairs emerged from the design process for the façade of the National Museum of African-American History and Culture, which opened in Washington DC in 2016. David Adjaye developed an intricate lattice form that was an investigation of the geometry, materiality, light and shadow.
Both functional in its shading role, and poetic in its abstract visual qualities, this screen borrowed from African design patterns but also paid homage to the history of enslaved blacksmiths and their ironwork for ornamental gates in southern cities such as New Orleans and Charleston.
Utilizing the smaller scale of furniture as an agile testing ground for these architectural ideas, Adjaye produced what he describes as a “narrative about skin, form and structure.“ Here, he shapes the skeletal, ribbed surfaces to mimic the form of a seated person, resulting in a cantilevered, ergonomic silhouette that almost disappears when in use. Made of die-cast aluminum, then powder coated and copper plated, the chairs are manufactured by Knoll International.
Photographed in the Metropolitan Museum of Art in New York City.
The classic Thonet Chair design gets a super artsy, post-modern treatment with Melting Thonet, from European design firm OrtaMiklos (which includes partners Leo Orta and Victor Miklos Andersen).
Generally informed by natural habitats and processes, the creative duo’s experimental approach activates their design works from the existing norms. Here, Michael Thonet’s innovative chair frame — created by bending wood with hot steam and forming it into curved, graceful shapes — is fabricated from a powder-coated steel, to create a frame that exaggerates the original’s bends and twists into an entirely different domain.