Tag Archive | chair

Eye on Design: Puff and Stuff Chair By Chris Schanck

puff and stuff chair by chris chance photo by gail worley
All Photos By Gail

What caught my eye immediately on flyers for the 2019 edition of The Salon Art + Design show was the included image of a vibrant Pink version of Chris Schanck’s Puff and Stuff Chair (2019). With it its quilted, glossy velvet upholstery and biomorphic sculptural base comprised of steel, aluminum, polystyrene, polyuria, aluminum foil and resin, the chair manages to look both organic and highly stylized simultaneously. The Pink Puff and Stuff Chair became my number-one-must-see item at the fair, but sadly my dream was not fully realized.

firedman benda booth photo by fail worley
Puff and Stuff Chair Installation View

Friedman Benda, who represent the designer, chose to display Puff and Stuff only in a Sage Green. I was disappointed, sure; but that didn’t mean I wasn’t going to write about the chair. Because, look at how awesome it is.

puff and stuff chair side detail photo by gail worley

It looks like the walls of a futuristic space cave — and please note that no two are alike. These chairs and the accompanying peach-hued pedestal table are inspired by Schanck’s 2018 solo exhibit at Friedman Benda entitled Unhomely, which focused on the designer’s acclaimed sculptural approach.

orange pedestal table detail photo by gail worley

Unhomely featured 15 works with independent, stand-alone narratives woven into an otherworldly landscape. Synthesizing premeditation and spontaneity, Schanck’s highly individualized, low-tech, idiosyncratic technique, Alufoil (in which industrial and discarded materials are sculpted, covered in aluminum foil and then sealed with resin) was conceived in 2011 during his MFA studies. The process begins with Schanck’s imaginative drawings and models, which are then executed by a team of artists and collaborators apprenticed in his Alufoil method.

Installation view photo by gail worley

Hybrids of sculpture and furniture, Schanck’s bold constructions blend biomorphic forms with elaborately crafted symbolism. These assemblages draw from a wide range of influences ranging from Brutalist and Art Deco architecture to ancient Egyptian, Anatolian and Aztec iconography. Skirting the line between refinement and camp, Schanck’s figurative, at times anatomical, creations reference science fiction films and conjure up visions of ancient aliens, hidden cavernous chambers, and monolithic space operas.

2 puff and stuff chairs photo by gail worley

Despite overt references to fantasy and meta-fiction, Schanck’s assemblages are grounded in the reality of humanity’s relentless  inventiveness. “In my work,” the Detroit native admits, “I take inspiration from the people and forms around me and dip them into a futuristic skin.”

Photographed in the booth for Friedman Benda at the Salon Art + Design 2019 in NYC.

Eye On Design: Upholstered Chair Hat By Karl Lagerfeld

upholstered chair hat by karl lagerfeld photo by gail worley
Photos by Gail

Karl Lagerfeld (19382019), an avid collector of rare books, art and antiques, conceived of a series of accessories inspired by eighteenth-century French decorative arts for his autumn/winter 1985-86 collection. The fashion designer worked closely with milliner Kirsten Woodward to arrive at this Upholstered Chair Hat, and other witty translations of miniaturized furniture based on Lagerfeld’s sketched interpretations of original objects from reference photos.

upholstered chair hat by karl lagerfeld photo by gail worley

The resulting hats were a playful pastiche of historical references, infused with elements of Surrealism and executed with vivid opulence that was often characteristic of 1980s fashion.

Photographed as part of the exhibit In Pursuit of Fashion: The Sandy Schreier Collection, on view through May 17th, 2020 at The Metropolitan Museum of Art in NYC.

Shark Attack Lounge Pillow!

Shark Lounge Pillow By Gail Worley
Photo By Gail

Ah, the cuteness. This super comfy smiling Shark Lounge Pillow was spotted at the recent NY Now Winter Market and we find it irresistible! A lounge pillow lets you effectively make a chair out of your bed, so you can read, watch TV, or mess around your electronic devices all day long! Made of soft, easy-care fleece with polyfiber fill, this pillow sells for $71.00 and is from I Scream products. You can purchase one for your shark-loving self on their website at This Link!

Eye On Design: Cozy Chair By Hannes Grebin

Cozy Chair Installation View
Cozy Chair Installation View in the Todd Merrill Studio Booth at The Salon New York (All Photos By Gail)

An annual favorite NYC design event is now behind us for the year, but you can bet I’ll be featuring many of the most spectacular pieces of art furniture from The Salon Art + Design in these pages in the coming weeks. Let’s kick off with a unique chair from Berlin-based, Bauhaus educated, multi-disciplinary designer Hannes Grebin, who has created upholstered seating inspired by questioning traditional domestic decor. Applying the principals of Cubism to design, Grebin masterfully deconstructs the traditional shapes and detailing of a ‘Dad’s Chair’ into simplified geometric shapes and interlocking planes. Presenting The Cozy Chair!

Cozy Chair By Hannes Grebin

Grebin describes the chair as a ‘living sculpture,’ which puts the traditional views about comfort and taste into question. The Cozy Chair is a wing-back style that dates back centuries, but has here been re-analyzed, broken down and reassembled into something quite new and different.

Cozy Chair By Hannes Grebin

It is both fractured and asymmetric, but perfectly meets the demands of ergonomics. Angular and yet cozy, sculptural and yet functional, Grebin has struck a unique balance that makes The Cozy Chair an alluring work of design. The faceted planes meet elegantly giving the chair changing perspectives with each glance. His design is both a deconstruction and commentary on the mechanization of modern life.

Cozy Chair By Hannes Grebin

Working with a master upholster in Berlin, the resulting seating is hand-crafted with the highest possible level of materials and workmanship. Grebin, the son of two architects notes, “Ultimately, I didn’t want to make just furniture. It was much more important for me that although all objects function, the design objects should become objects for discussion, in order to lead the theoretical design discourse to new ways and approaches.”

Available by commission from the designer; visit Todd Merrill Studio with all inquiries.

Eye On Design: David Bowie Aladdin Sane Chair

David Bowie Chair Installation View
Story and All Photos By Gail Worley

A definite “Oh, Wow!” moment at the recent BDNY show — (boutique design for the hospitality industry) at Javits Center — occurred when I walked into the booth for Century Industries. Because: David Bowie Chair.

David Bowie Chair Seat Detail
David Bowie Chair, Seat Detail

This gorgeous side chair, upholstered in vinyl imprinted with images of David Bowie from the Aladdin Sane era, is a show-stopper for sure.  The chair was designed by Century designer Lenny Levine in collaboration with Heloise Godin, another talented designer in the firm’s Connecticut office. Lenny was happy to fill me in on the chair’s origin story.

David Bowie Chair Back Detail
David Bowie Chair Back Support Detail

Heloise and I tried a few different mock-ups before deciding on the model you saw at BDNY,” Lenny told me. “Only two chairs of the Bowie print have been made so far. There’s another, slightly different version in our Connecticut showroom, with a black frame instead of chrome, where the artwork has darker tones, and there are no images of Bowie around the sides of the cushions. We have made this style of chair with different prints and metal finishes for shows such as HD (Hospitality Design) Expo in Las Vegas and HCD (Healthcare Design Conference & Expo) in New Orleans, which were both earlier this year. These design shows are all part of the launchpad for introducing the printed chair line.

Lenny enthusiastically admits to being a Bowie fan. “The image of David Bowie as Aladdin Sane was chosen because Bowie is synonymous with great art and high fashion. He is a seminal artist and his body of work is timeless; his sense of style beyond influential. David Bowie took risks, he pushed art and life to its fullest and, although he was British, he certainly invaded New York.”

Booth View
Installation View

Lenny explained that the chair was given a ‘Warhol‘ vibe, which then inspired Century to go with a Pop Art  / Deco style for its booth at BDNY. “The lightening bolt on the face was over sized and colored  a deep red and blue, giving it a bit of that Superhero feel. Although the vinyl appears to be distressed, that is a printing effect, making the faux leather appear to have texture.”

Bowie Chair Detail

Aladdin Sane Image Detail

“The additional images used are from the same contact sheets from the original album and promotional photo shoot, but they have been treated graphically to evoke motion. The steel frame of the chair was also fabricated on our Montreal factory and finished in a smoked chrome. This finish and the chair’s unique filigree backing gives it an automotive spirit!”

David Bowie Chair

This David Bowie chair is fit for a Rock Star, but priced at just $2500 (a steal), and Century will produce it on-demand for designers, hospitality, restaurants, etc. “We’re also getting requests from retailers to showcase the chair, based on our launch at BDNY,” Lenny added. Exciting! Visit Century on the web to inquire about the Bowie Chair at This Link!

Eye On Design: Steer Horn Chair By Wenzel Friedrich

Steer Horn Chair
All Photos By Gail

Trained as a cabinet maker, Wenzel Friedrich immigrated to the US in 1853, settling in San Antonio, Texas. In 1880, he realized the potential of the Texas stockyards’ plentiful supply of steer horns for use in the making of furniture. It is likely that Friedrich was inspired by furniture he had seen in Europe, where antlers and other emblems of the hunt were used as décor as early as the 15th century. Friedrich’s horned furniture fulfilled the Victorian fancy for the unusual, as well as symbolizing the Wild West. Heating the horn made the material pliable, allowing Friedrich to create exaggerated curves for his pieces. If you happen to live in San Antonio, you can see examples of his work in the historic Oge House, which is now a Bed & Breakfast.

You can read more about Friedrich Wenzel’s horn furniture designs at This Link.

Steer Horn Chair

Photographed in the Cooper Hewitt Design Museum in Manhattan.

Eye On Design: YOMI Inflatable Chair By Mojow

YOMI Chair
All Photos By Gail

Don’t think that I didn’t struggle with the decision of whether or not I should make the awesome YOMI chair a Pink Thing of The Day, because I did. But, ultimatlely, the design aspect won out. Because who doesn’t want to sit on an Inflatable Pink Chair? Plus it comes another colors.

YOMI Chair Front View

I’m a total sucker for inflatable furniture, because it reminds me of the sixties/pop aesthetic that I grew up loving and coveting, but which I was never able to embrace in my own home, because I was a a child and my parents were super square.  The inflatable home goods of that era were not so sturdy and maybe not as comfortable as they could be, but all that has changed thanks to the smart design approach of Mojow Furniture, makers of the YOMI chair.

YOMI Chair Cushion Detail

Check out the cushion detail above and you can see that the YOMI is compartmentalized so that each section inflates separately and fully, and thus creates a more secure and comfortable sitting experience. And unlike inflatables of the past, the YOMI rests on a sturdy frame.

YOMI Chair Top View

The Mojow YOMI chairs come in super trendy transparent or opaque colors, with a choice of black aluminum or wooden frame. Mojow furniture can be assembled and disassembled in a few minutes, then moved or stored easily. An electric pump is included with each chair. Mojow products are made of UV-treated PVC (thicker than a pool liner) and even have a rating for fire resistance!

YOMI Chair Box

Another cool aspect of the transparent YOMI is that you can personalize it by filling it with any solid objects you like, before inflating the cushions all the way. Feathers, glitter, branded items, little toys — you can totally create your own look! Make this chair a statement piece and design a room around it, or find the color that accents your existing decor.

Features
-Simple and fast assembly and disassembly with an electric pump
-Easy to clean
-Easy transportation and storage
-UV protection
-Manufacturing warranty 1 year

YOMI Chair Rear Side View

Priced at just $465, with Free Shipping available, you can find out more about the YOMI Chair, and order one for yourself, at Mojow USA Dot Com!

YOMI Chair

Eye On Design: Cane Side Chair By Marcel Breuer

Breuer Chair Installation View
Installation View with Eames Shelving Unit (All Photo By Gail)

This side char was the product of a team research project led by Marcel Breuer (19021981), a celebrated architect and émigré known for his tubular metal furniture, and designer of the original Whitney Museum Building on Madison Avenue in NYC. Collaborating with the US Forest Products Laboratory, he applied knowledge accumulated over fifteen years of experimentation, as well as new developments in high-frequency gluing, to plywood construction.

Breuer Chair

The team’s report boasted of the chair’s ability to carry a load of five hundred pounds, and the jury of MoMA’s International Competition for Low-Cost Furniture described the design ad “ingeniously articulated.”

Breuer Cane Chair

Photographed as Part of The Exhibit The Value of Good Design, on Through June 15th, 2019 at The Museum of Modern Art in NYC.

Breuer Cane Chair

Eye On Design: Landi Chair By Hans Corey

Landi Chair
All Photos By Gail

The Landi Chair (1938) was among the examples of international design in the exhibition Die Gute Form (Good Form), which the designer Max Bill curated  on behalf of the Swiss Werkbund — an organization established in 1913 to promote good design — and which travelled to venues in Switzerland, Austria, Germany and The Netherlands from 194151.

Landi Chair

Landi Chair was designed by Hans Corey and manufacured from bent and pressed aluminum.

Landi Chair Installation View
Landi Chair Installation View With Kitchen Clock (1953) and Sun Lamp By Max Bill (1951)

Landi Chair

“We’ve tried in this exhibition to dispense as much as possible with ‘appearance’ and focus instead on what is modest, true [and] even good,” Bill wrote in the exhibition catalogue.

Photographed as Part of the Exhibit, The Value of Good Design, on View at The Museum of Modern Art Through June 15th, 2019.

Eye On Design: Inflatable Chair By William H. Miller Jr.

Inflatable Chair
All Photos By Gail

Composed of Vinylite and manufactured by a chemical company (Gallowhur Chemical Corp. of Windsor, VT) this Inflatable Chair (1944) typifies the application of innovative materials and production techniques — heightened during wartime — to domestic products. Designer William H. Miller was an employee of Gallowhur Chemical.

Inflatable Chair

During World War II, Miller collaborated with a cousin of Franklin D. Roosevelt to design a pocket-sized water-desalination device that became standard equipment for Army and Navy Fliers.

Photographed as Part of the Exhibit The Value of Good Design, On View Through June 15th, 2019 at the Museum of Modern Art in NYC.

Inflatable Chair Installation View
Installation View