Ergonomic seating has been a hot ticket item for decades now; but the ways in which designs continue to evolve keeps the field exciting and on trend! At ICFF 2017 we fell in love with the ergoErgo office seating, not only for its funky and functional modern design, but for its availability in a spectrum of vibrant colors to please a range of personal tastes!
Sit On It
The ergoErgo chair invites you to sit dynamically. Evolution designed us to walk and run, to chase prey across the plans, to stalk in the forest, to crouch around a campfire. But to sit rigidly in a chair for extended periods of time? Not so much. Our bodies were made to move! Traditional chairs make our muscles passive and weak by locking the body into a rigid position. Today’s worldwide epidemic of aching backs, sore shoulders, and stiff necks is caused in great part by poor by sitting. People slump and slouch on rigid chairs in offices and classrooms. Many think that they have to live with a ‘bad back,’ but often they just need to sit correctly.
When you in on an ergoErgo chair, you shift through a whole range of large and small movements. Your breathing deepens. Your blood circulates freely. Your spine twists gently, bringing fluid to the inter-vertebral discs. The abdominal muscles keep the body upright and supple.
Replacing even your considered-to-be ergonomic office chair with ergoErgo not only strengthen your core, but it will also awaken your mind. ErgoErgo is intelligent design that every body can benefit from.
Available in three sizes to fit both kids and adults, ergoErgo has won both the Edison Award and the Good Design award! And best of all, it retails for around $100! Find out more about ergoErgo at This Link!
Spotted at ICFF 2017: What could be more perfectly predestined for this blog than a Pink Skull Chair! Swoon! What makes this design even more special is that it is the second appearance on The Gig of a Flocked Skull! Manufactured by Polart, the company uses a special technique to electrostatically adhere the flock to its products, resulting in a texture that is soft like velvet to the touch. Appropriately, the collection (which includes other designs) is known as Flockart.
The Calavera Chair is the first piece of a collection inspired by Mexico’s heritage and its most recognized holiday, Dia de los Muertos, the holiday to honor the dead. Calavera, which translates in English as a human skull, is a the ideal name for the chair depicted as a giant skull and decorated with ornate details — such as the crown which serves as the chair’s back support — to represent Dia de los Muertos. Calavera is constructed of polyurethane, steel and a choice of fabric.
A Soft Cush for Your Tush
The Calavera Chair design is the first collaboration with a furniture company for designer Dirk Vermeire, whose background as an artist is rooted in his Flemish culture. His works have been presented at high profile art shows across the globe, including Art Basel. Vermeire currently resides between Ghent, Belgium, and Marbella, Spain, where his Plexiglas studio is located.
The Flockart collection will be produced in both indoor and outdoor options and will be available in the brand’s 20 signature bold colors and durable materials. The Calavera Chair is priced to retail at $719 for the outdoor version and $599 for interior designs.
Annie Evelyn is a furniture maker who creates alternatively upholstered chairs. Joy, laughter and the unexpected are at the heart of her work. Using furniture’s inherent interactive qualities and relationships to the human body, Evelyn sets out to invent new tactile experiences.
Oshibana Chair, Upholstery Detail
The Oshibana chair is covered with handmade paper flowers and silk flowers on a wood and foam base. See more of Evelyn’s work at her Website.
Toiletpaper Paradise Installation View (All Photos By Gail)
Toiletpaper Paradise was an amazing, interactive art exhibit that was installed in the gallery at Cadillac House in Soho, NYC from February 9th to April 12th, 2017. The brains behind this fab happening are artist Maurizio Cattelan (whom you have read about previously on this rad blog) and his photographer partner Pierpaolo Ferrari. The exhibit, which was a surrealist wet dream of an apartment comprised of four rooms, was sponsored by creative media agency Visionaire and based on the duo’s image-heavy art publication, Toiletpaper Magazine.
Because the exhibit — which was dubbed as being comparable to “Mad Men on Acid” — was so insanely Instagramable, it was always packed with Asian Millennials and, thus, virtually impossible to get any photos that didn’t include people literally crawling all over the various design items. Annoying!
Through endless patience, I did manage to get decent shots of the crazy cool Midcentury sofa and armchair, both upholstered in fabric covered in lifelike images of many different writhing and colorful snakes. Fun!
The Spaghetti-patterned floors and wallpapers definitely detracted from the upholstery design, but that was obviously intentional.
Really beautiful and comfortable as well!
See photos of the full Toiletpaper Paradise Installation at Cadillac House at This Link!
In this design, partly inspired by an office swivel chair, Charlotte Perriand softened the rigidity of the tubular, chrome-plated frame with a stuff cushion resting on coil springs. Because the frame and the upholstery required considerable handwork, the chair was relatively expensive and manufactured in limited numbers. Perriand used such chairs in her own Paris apartment.
This View More Closely Shows the Chair’s Curved Back Detailing
Photographed in the Museum of Modern Art in New York City.
Photographed By Gail in the Cooper Hewitt Design Museum
In the mid-to-late 20th century, an atmosphere of innovation and a desire to question the tenets of modernism led some designers to explore a variety of ways in which to shape space. American Architect and Designer Alexander Hayden Girard utilized color and pattern in textiles, particularly in this colorful abstract, or folk art-inspired work for Herman Miller.
Photographed at Albertz Benda Gallery
By 1970, Japanese Architect and Interior Designer Shiro Kuramata (1934 – 1991) was introducing alternative materials such as acrylic and industrial plate glass into his furniture. Utilizing a newly developed adhesive, Kuramata achieved material and visual minimalism with this Glass Armchair (1976). Flat planes of glass are bonded together along their edges, without mounts or screws, to create a functional chair that seems simultaneously visible and invisible. The transparent form invites users to question notions of materiality, utility and comfort.
Utility meets design is this Stylaire Kitchen Stepladder (circa 1950) designed and manufactured by Cosco Home and Office Products. I photographed this piece in the visible storage rooms at the Brooklyn Museum because t reminded me of one just like this that we had in our house when I was growing up (60s – 70s). Nostalgia! Part chair, part step stool, this design was inspired midcentury by the traditional library step-chair, and is still manufactured by Cosco today.