Eye On Design: Glass Armchair by Shiro Kuramata

Glass Armchair
Photographed By Gail in the Cooper Hewitt Design Museum

In the mid-to-late 20th century, an atmosphere of innovation and a desire to question the tenets of modernism led some designers to explore a variety of ways in which to shape space. American Architect and Designer Alexander Hayden Girard utilized color and pattern in textiles, particularly in this colorful abstract, or folk art-inspired work for Herman Miller.

Glass Armchair at Albertz Benda
Photographed at Albertz Benda Gallery with Robot Cabinet By Ettore Sottsass

By 1970, Japanese Architect and Interior Designer  Shiro Kuramata (1934 – 1991) was introducing alternative materials such as acrylic and industrial plate glass into his furniture. Utilizing a newly developed adhesive, Kuramata achieved material and visual minimalism with this Glass Armchair (1976). Flat planes of glass are bonded together along their edges, without mounts or screws, to create a functional chair that seems simultaneously visible and invisible. The transparent form invites users to question notions of materiality, utility and comfort.

Glass Armchair
Photographed in the Met Breuer (September 2017)

Save

Save

Advertisements

Please Leave a Comment!

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s