Kelly Akashi’s Triple Helix (2020) evokes relationships among bodies across time, history, and memory. Akashi imagines the biomorphic glass sculptures — inspired by the simple contours of figural, pre-Hispanic ceramics — as ancestral female bodies tethered by a snaking coil of rope.
When the quartz bell suspended overhead is chimed, it emits a low-pitched tone that Akashi intends “to be felt in the deepest part of your body.” The combinatin of sound, vibrations, and blown glass encourages a moment of reverent self-awareness.
François Arnal (1924 – 2012) was a multidisciplinary French artist who was primarily known as a painter and sculptor. In 1968 he set up Atelier A (Workshop A) to publicize the works of furniture designers. I recently popped into art furniture gallery Demisch Denant on West 12th Street and was thrilled to find that they had two of Arnal’s most iconic peices on display! Let’s take a closer look.
I spent an extended Pride Weekend relaxing at a friend’s vacation home in The Hamptons. Activities mostly involved us floating in the pool, eating, and then taking long walks to work off whatever we had just eaten or were about to eat. We also did some driving to nearby hamlets like East Hampton, West Hampton, and Sag Harbor, which is the location of the gift shop where I found this Pink Glass Elephant. I have no idea of the price, but I can guarantee you it was not cheap.
Richly-colored blown glass in the Bohemian taste, ornamented with cutting and engraving, attracted the American public beginning in the mid-nineteenth century. This whiskey decanter (from the Boston and Sandwich Glass Company), in a shape typical of the 1860s and 1870s, is distinguished by its brilliant faceting and detailed depiction of fruit, revealing the skill of the engraver, George Franklin Lapham . As a testament to its quality, Lapham signed and dated the work.
Photographed in the Metropolitan Museum of Art in NYC.
In 1970, Martin Lipofsky started a practice of traveling to glass factories around the world to learn from and collaborate with glass masters. He always sought to infuse the works he made with local culture, primarily through symbolic color.
Czech Flowers #6 (1991 – 92) is an example of this process. Lipofsky would conceive of the work, choose colors, mold-blow, and hot work the glass while abroad.
After he returned home, he would finish the piece (in this case: cut, sandblast and acid polish the glass) using various coldworking techniques. Czech Flowers #6 was created with help from Josef Rasocha.
Photographed in the Museum of Arts and Design in NYC.