Tag Archive | Sit On It

Eye On Design: Cozy Chair By Hannes Grebin

Cozy Chair Installation View
Cozy Chair Installation View in the Todd Merrill Studio Booth at The Salon New York (All Photos By Gail)

An annual favorite NYC design event is now behind us for the year, but you can bet I’ll be featuring many of the most spectacular pieces of art furniture from The Salon Art + Design in these pages in the coming weeks. Let’s kick off with a unique chair from Berlin-based, Bauhaus educated, multi-disciplinary designer Hannes Grebin, who has created upholstered seating inspired by questioning traditional domestic decor. Applying the principals of Cubism to design, Grebin masterfully deconstructs the traditional shapes and detailing of a ‘Dad’s Chair’ into simplified geometric shapes and interlocking planes. Presenting The Cozy Chair!

Cozy Chair By Hannes Grebin

Grebin describes the chair as a ‘living sculpture,’ which puts the traditional views about comfort and taste into question. The Cozy Chair is a wing-back style that dates back centuries, but has here been re-analyzed, broken down and reassembled into something quite new and different.

Cozy Chair By Hannes Grebin

It is both fractured and asymmetric, but perfectly meets the demands of ergonomics. Angular and yet cozy, sculptural and yet functional, Grebin has struck a unique balance that makes The Cozy Chair an alluring work of design. The faceted planes meet elegantly giving the chair changing perspectives with each glance. His design is both a deconstruction and commentary on the mechanization of modern life.

Cozy Chair By Hannes Grebin

Working with a master upholster in Berlin, the resulting seating is hand-crafted with the highest possible level of materials and workmanship. Grebin, the son of two architects notes, “Ultimately, I didn’t want to make just furniture. It was much more important for me that although all objects function, the design objects should become objects for discussion, in order to lead the theoretical design discourse to new ways and approaches.”

Available by commission from the designer; visit Todd Merrill Studio with all inquiries.

Eye On Design: David Bowie Aladdin Sane Chair

David Bowie Chair Installation View
Story and All Photos By Gail Worley

A definite “Oh, Wow!” moment at the recent BDNY show — (boutique design for the hospitality industry) at Javits Center — occurred when I walked into the booth for Century Industries. Because: David Bowie Chair.

David Bowie Chair Seat Detail
David Bowie Chair, Seat Detail

This gorgeous side chair, upholstered in vinyl imprinted with images of David Bowie from the Aladdin Sane era, is a show-stopper for sure.  The chair was designed by Century designer Lenny Levine in collaboration with Heloise Godin, another talented designer in the firm’s Connecticut office. Lenny was happy to fill me in on the chair’s origin story.

David Bowie Chair Back Detail
David Bowie Chair Back Support Detail

Heloise and I tried a few different mock-ups before deciding on the model you saw at BDNY,” Lenny told me. “Only two chairs of the Bowie print have been made so far. There’s another, slightly different version in our Connecticut showroom, with a black frame instead of chrome, where the artwork has darker tones, and there are no images of Bowie around the sides of the cushions. We have made this style of chair with different prints and metal finishes for shows such as HD (Hospitality Design) Expo in Las Vegas and HCD (Healthcare Design Conference & Expo) in New Orleans, which were both earlier this year. These design shows are all part of the launchpad for introducing the printed chair line.

Lenny enthusiastically admits to being a Bowie fan. “The image of David Bowie as Aladdin Sane was chosen because Bowie is synonymous with great art and high fashion. He is a seminal artist and his body of work is timeless; his sense of style beyond influential. David Bowie took risks, he pushed art and life to its fullest and, although he was British, he certainly invaded New York.”

Booth View
Installation View

Lenny explained that the chair was given a ‘Warhol‘ vibe, which then inspired Century to go with a Pop Art  / Deco style for its booth at BDNY. “The lightening bolt on the face was over sized and colored  a deep red and blue, giving it a bit of that Superhero feel. Although the vinyl appears to be distressed, that is a printing effect, making the faux leather appear to have texture.”

Bowie Chair Detail

Aladdin Sane Image Detail

“The additional images used are from the same contact sheets from the original album and promotional photo shoot, but they have been treated graphically to evoke motion. The steel frame of the chair was also fabricated on our Montreal factory and finished in a smoked chrome. This finish and the chair’s unique filigree backing gives it an automotive spirit!”

David Bowie Chair

This David Bowie chair is fit for a Rock Star, but priced at just $2500 (a steal), and Century will produce it on-demand for designers, hospitality, restaurants, etc. “We’re also getting requests from retailers to showcase the chair, based on our launch at BDNY,” Lenny added. Exciting! Visit Century on the web to inquire about the Bowie Chair at This Link!

Eye On Design: Nkondi Chair By Francis Assadi Design Studio

Nkondi Chair
Photos By Gail

The word Nkondi means “hunter,” and it’s also the name of an idol (made by the Kongo people in the Congo region in central Africa) that contains an aggressive spirit meant to hunt down and punish wrongdoers.

The Nkondi Chair, which consists of a No 16 Bentwood Chair by Michael Thonet and hundreds of single-use plastic straws, embodies both the spirit and the act of wrongdoing. In the US, 500 million plastic straws are used and thrown away every single day, and with its artful combinations of colorful plastic straws on the legs, backrest and seat, the Nkondi chair brings attention to the massive plastic pollution on our planet. It also references the artwork created with recycled materials in many countries throughout Africa.

Nkondi Chair Detail

Nkondi is part of the the Metamorphosis Series, where designer Francis Assadi takes the Thonet No. 16 chair and transforms it into a new and vibrant work of art and design.

Nkondi Chair

All of the Metamorphosis series chair are one-of-a-kind/collector’s pieces, handcrafted in New York. Find out more about the unique furniture of Francis Assadi Design Studio at This Link!​

Photographed at the ICFF 2019 in NYC!

Eye On Design: YOMI Inflatable Chair By Mojow

YOMI Chair
All Photos By Gail

Don’t think that I didn’t struggle with the decision of whether or not I should make the awesome YOMI chair a Pink Thing of The Day, because I did. But, ultimatlely, the design aspect won out. Because who doesn’t want to sit on an Inflatable Pink Chair? Plus it comes another colors.

YOMI Chair Front View

I’m a total sucker for inflatable furniture, because it reminds me of the sixties/pop aesthetic that I grew up loving and coveting, but which I was never able to embrace in my own home, because I was a a child and my parents were super square.  Plus, the inflatable home goods of that era were not so sturdy and maybe not as comfortable as they could be. But all that has changed thanks to the smart design approach of Mojow Furniture, makers of the YOMI chair.

YOMI Chair Cushion Detail

Check out the cushion detail above and you can see that the YOMI is compartmentalized so that each section inflates separately and fully, and thus creates a more secure and comfortable sitting experience. And unlike inflatables of the past, the YOMI rests on a sturdy frame.

YOMI Chair Top View

The Mojow YOMI chairs come in super trendy transparent or opaque colors, with a choice of black aluminum or wooden frame. Mojow furniture can be assembled and disassembled in a few minutes, then moved or stored easily. An electric pump is included with each chair. Mojow products are made of UV-treated PVC (thicker than a pool liner) and even have a rating for fire resistance!

YOMI Chair Box

Another cool aspect of the transparent YOMI is that you can personalize it by filling it with any solid objects you like, before inflating the cushions all the way. Feathers, glitter, branded items, little toys — you can totally create your own look! Make this chair a statement piece and design a room around it, or find the color that accents your existing decor.

Features
-Simple and fast assembly and disassembly with an electric pump
-Easy to clean
-Easy transportation and storage
-UV protection
-Manufacturing warranty 1 year

YOMI Chair Rear Side View

Priced at just $465, with Free Shipping available, you can find out more about the YOMI Chair, and order one for yourself, at Mojow USA Dot Com!

YOMI Chair

Eye On Design: Cane Side Chair By Marcel Breuer

Breuer Chair Installation View
Installation View with Eames Shelving Unit (All Photo By Gail)

This side char was the product of a team research project led by Marcel Breuer (19021981), a celebrated architect and émigré known for his tubular metal furniture, and designer of the original Whitney Museum Building on Madison Avenue in NYC. Collaborating with the US Forest Products Laboratory, he applied knowledge accumulated over fifteen years of experimentation, as well as new developments in high-frequency gluing, to plywood construction.

Breuer Chair

The team’s report boasted of the chair’s ability to carry a load of five hundred pounds, and the jury of MoMA’s International Competition for Low-Cost Furniture described the design ad “ingeniously articulated.”

Breuer Cane Chair

Photographed as Part of The Exhibit The Value of Good Design, on Through June 15th, 2019 at The Museum of Modern Art in NYC.

Breuer Cane Chair

Eye On Design: Landi Chair By Hans Corey

Landi Chair
All Photos By Gail

The Landi Chair (1938) was among the examples of international design in the exhibition Die Gute Form (Good Form), which the designer Max Bill curated  on behalf of the Swiss Werkbund — an organization established in 1913 to promote good design — and which travelled to venues in Switzerland, Austria, Germany and The Netherlands from 194151.

Landi Chair

Landi Chair was designed by Hans Corey and manufacured from bent and pressed aluminum.

Landi Chair Installation View
Landi Chair Installation View With Kitchen Clock (1953) and Sun Lamp By Max Bill (1951)

Landi Chair

“We’ve tried in this exhibition to dispense as much as possible with ‘appearance’ and focus instead on what is modest, true [and] even good,” Bill wrote in the exhibition catalogue.

Photographed as Part of the Exhibit, The Value of Good Design, on View at The Museum of Modern Art Through June 15th, 2019.

Pink Think of The Day: Pink Horn Chair Painting By Mara Minuzzo

Pink Horn Chair
Photo By Gail

Canadian designer and visual artist Mara Minuzzo painted this solitary Pink Horn Chair as part of a marvelous series of Midcentury Chairs, which were on exhibit, along with a selection of her more abstract paintings, in the Lustre Contemporary booth at the recent Affordable Art Fair NYC, Spring Edition. You can see the full series of chairs, and lots more fantastic contemporary Pop art, by clicking on that link!

Eye On Design: Royal Festival Hall Chair By Robin Day

Royal Festival Hall Chair
All Photos By Gail

Robin Day’s prizewinning design for the Royal Festival Hall chair, created for entry into MoMA’s 1948 International Low-Cost Furniture Competition, helped to launch his career as an industrial designer. Day enjoyed a long-term consultancy with Hille, the chair’s manufacturer, as well as the establishment of a studio with his future wife, Lucienne.

Royal Festival Hall Chair

Epitomizing  the contemporary style and technological innovation of the 1951 Festival of Britain, the chair was featured in the couple’s Home and Gardens pavilion as well as in the lounge of the new Royal Festival. The chair also appeared in that year’s Milan Triennale and was soon put into production for an international market. Robin Day’s radical molded plywood seating design appears on the point of taking flight, as if lifted off its slender steel legs by the surge of energy and hope also expressed in the Festival of Britain that year. The lemon-yellow upholstery and copper-plated legs add to the extraordinary visual vitality of this sculptural piece.

Royal Festival Hall Chair

The fabric hung in the background (left) is by Austrian-born textile designer Marian Mahler, a contemporary of Robin and Lucienne Day. The yellow textile on the right is a length of Lucienne’s 1958 design Mezzanine, which was presented to the Museum by Denver-based Lucienne Day collectors Jill A. Wiltse and Kirk H. Brown III.

Robin Day Chair

Photographed as Part of the Exhibit, The Value of Good Design, on View at The Museum of Modern Art Through June 15th, 2019.

Robin Day Chair

Eye On Design: Inflatable Chair By William H. Miller Jr.

Inflatable Chair
All Photos By Gail

Composed of Vinylite and manufactured by a chemical company (Gallowhur Chemical Corp. of Windsor, VT) this Inflatable Chair (1944) typifies the application of innovative materials and production techniques — heightened during wartime — to domestic products. Designer William H. Miller was an employee of Gallowhur Chemical.

Inflatable Chair

During World War II, Miller collaborated with a cousin of Franklin D. Roosevelt to design a pocket-sized water-desalination device that became standard equipment for Army and Navy Fliers.

Photographed as Part of the Exhibit The Value of Good Design, On View Through June 15th, 2019 at the Museum of Modern Art in NYC.

Inflatable Chair Installation View
Installation View

Eye On Design: Fredrikson Stallard, Armchair Species II

Species II Installation View
All Photos By Gail

This bright red armchair that looks like it was chiseled from a boulder is actually sculpted from polyurethane foam and upholstered in a brushed velvet-like polyester, making it quite a comfortable place to rest. This chair (Species II circa 2015) is part of the Species series by London-based design duo Fredrikson Stallard, following their study in evolution through the media of furniture design. The designers claim that the chair was “created with a brute force that is at odds with ideas of comfort or human contact, yet so inviting by the nature of its materials.” I think anyone can see what they are getting at.

Species II Armchair

The pieces are further described as “amorphous structures, elements of sculpted mass, chaotic energy, finished in shades of red, as for Fredrikson Stallard these are the colors of life and death. Something along the lines of – “It couldn’t happen here, but then it did.” This is very much furniture, but not as we know it.

Fredrikson Stallard, Armchair Species III

Fredrikson Stallard’s Armchair Species II (2015) was Photographed in the Booth for the David Gill Gallery (London) at the Salon Art and Design, NYC, in November of 2018. Limited Edition, Direct Inquiries to David Gill Gallery Dot Com.

Species II Installation View