Amber Cowan is a sculptress who works exclusively with recycled vintage glass, and her art is just phenomenal for its intricate beauty and imaginative qualities, combined with an irresistible nostalgic pull. The above tableau is entitled Dance of The Pacific Coast Highway at Sunset (2019) — was part of an exhibit of her work at NYC’s Heller Gallery, which just closed this past weekend.
Amber’s work asks universal questions about rebirth, knowledge, desire and the transformative powers of labor and imagination. Her fantastical grotto-like assemblages are made of re-worked pressed glassware, once produced by some of the best known, but now-defunct, American glass factories. In her most recent, narrative wall sculptures, she creates intricate and exuberant settings for character-objects, which she has collected over years. Unabashedly showing her emotional investment in these objects, the artist pays spontaneous and spectacular homage to the history of US glass manufacturing.
She is currently working with a process which involves flameworking, blowing, and hot-sculpting recycled, up-cycled, and second-life glass that is usually American pressed glass from the 1940’s to the 1980’s. The glass used is generally sought through thrift stores, flea markets and post-production factory runs, the places where it is has been abandoned to the dust bins of American design.