Oh, how I love a modern product whose design riffs on a retro look! I spotted this adorable (and practical!) Melitta Heritage Series Pour-Over Coffeemaker at the recent IHA Show, and was instantly smitten: not only with its millennial Pink color, but also by the vintage glazed porcelain design! Wow!
It makes perfect sense that this design is from the brand’s new Heritage Collection. While Melitta is a well-known brand that many of us have grown up with, I didn’t know anything about the company’s engaging backstory! In 1908, German housewife Melitta Bentz invented the world’s first pour-over coffeemaker when she poked holes in the bottom of a brass cup and lined it with a sheet of her son’s blotting paper (the first coffee filter)! The pour-over method that we take for granted, which results in rich, flavorful handcrafted coffee, came to be because a smart lady came up with an on-the-fly solution to effortlessly make coffee more delicious!
Melitta’s Heritage Series Pour-Over Coffeemaker Set includes a porcelain Pour-Over cone and matching 20 once carafe. The design debuted at IHA and is available in stores now.
Trimcycle By Battle Creek is the name of this sculpture, which is comprised of a Pink Silicone Rubber House draped over a vintage Exercise Bicycle. It is part of the exhibit Bent, by artist Brian Tolle, from his group series known collectively as Levittown.
Here’s a bit more about the series from C24 Gallery:
A keen observer of domestic life and identity, Brian Tolle furthers his interest of politics of place in his Levittown sculptures. The sculptures are inspired by the planned housing community, Levittown: the historic town in Long Island, NY, which became the archetype of American suburban life in the early 1950s. Each of Tolle’s eleven sculptures is a precise scaled model of an original Levittown home — cast from the same mold, varying only in color and displaying the architectural details of the original structures.
The sculptural houses themselves resemble deflated or melting membranes, and are supported by various appropriated mementos of suburban life – found toys, tire swing, shopping cart, a plastic nativity set, and a recliner. These iconographic items rest underneath and inside silicone rubber skins of the houses, emphasizing a dialogue between sites and domestic artifacts. As the title of the exhibition suggests, the artworks presented in Bent provoke a re-reading, or discord between reality and fiction. The formal play that Tolle visually articulates between shapes and textures, private and public spaces presents a challenge to standard architectural, as well as behavioral conventions and norms.
Photographed at the C24 Gallery in Manhattan.
This quote by the late great David Bowie — “Tomorrow Belongs to Those Who Can Hear it Coming” — gets a vibrant new life when printed on the spines of horizontally stacked book that have been wrapped in pink paper or vinyl. According to this source, “Tomorrow belongs to those who can hear it coming” was the slogan David Bowie coined to promote Heroes, the second installment of his great Berlin album trilogy. It neatly captures one of his most important talents: to intuit the future and draw it forward into the popular culture of the present. Sometimes he would simply grasp the importance of a trend, as when he understood that the arrival of the internet would transform the economics of the music industry and the relationship between artists and audiences. But more often it was his artistry in self-reinvention that opened up new modes of cultural expression or brought shooting up to the surface deeper social trends. When he famously threw his arms round Mick Ronson’s shoulders on Top of the Pops, he was doing more than advertising his bisexuality. He was helping catalyze the liberation in the politics of sexual identity that would unfold in the 1970s.
Photographed at the New York Now Home Show at Javits Center in February of 2018.
I first started noticing the mysterious Pink Baby Doll Faces as they popped up here and there in my Instagram feed. When I realized there were quite a few scattered all over what is obviously NYC’s Chelsea Gallery District — because of course they are — Geoffrey and I went out on an Urban Art Safari.
A little bit of Googling revealed to me that the Pink Baby Doll Faces started showing up in Denver back in Spring of 2016. I couldn’t find any information on the artist. The origin of the Baby Doll Faces is truly a mystery!
They are fun to spot. Go exploring with friend and turn it into a game!
There are a few different faces, which appear to be made of cast Plaster of Paris and then painted pink (or sometimes violet). Some have hair and others do not.
I will add more to this post as I find them! Enjoy the hunt!
Look I found more!
26th Between 10th and 11th Avenues.
11th Avenue and 24th Street.
11th Avenue Between 22nd and 23rd Street.
Found This One on Saturday March 3rd, 2018:
On this Shady-Looking ATM on 24th Street just West of 10th Ave.
Updated March 9th, 2018: I saw these on Bowery in Various Locations Between Delancey and Stanton Streets:
On the Facade of the famous Germania Bank Building at 190 Bowery!
Alongside the Remnants of Storm Quinn at Bowery Near Stanton Street.
One of my favorite museums to visit when I am in L.A. is the Autry Museum of The American West, located in Griffith Park, which was co-founded by singing cowboy actor Gene Autry. Autry built the museum, which opened in 1988 (ten years before his death) to exhibit and interpret the heritage of the West and show how it influenced America and the world. It’s really a fantastic place with a huge collection of Old West memorabilia, movie props and costumes, western-inspired toys, Native American artworks and artifacts, galleries full of antique fire arms, and rotating exhibits that are both fun and educational. I cannot recommend it highly enough for any tourist, and if you live California, you simply must go.
Autry became a Sergeant in the US Airforce and served as a pilot and Flight Officer during World War II. While in the service, he continued to perform and wore this Pink Silk Shirt by Rodeo Ben Western Wear (circa 1940s) at U.S. Bond rallies and as a USO performer. It’s amazing that the shirt is so well preserved and is still in excellent condition nearly eighty years after its creation.