Katharina Fritsch makes meticulous reproductions of everyday objects, rendering them unfamiliar through extreme shifts in scale and either alluring or repellent color choices. Indeed, saturated and non reflective collators of color lend her sculptures a stones sense of otherworldliness.
“I always call the starting point [for a sculpture] a vision,” she has said. “I’ll be in a tram or driving a car and suddenly I get a picture in my mind. Something completely normal turns into a miracle — something I’ve never seen before. Simple things you see every day turn into something strange, something alien.”
Woman With Dog (2004) is clearly sealed up — enormously so — from from a small figurine made of seashells, as one might find in a beachside souvenir shop.
Having been employed as a department store janitor during his freshman year of college, Charles Ray (b. 1953) understands the unease that a mannequin — an inanimate object that one might readily mistake for a live human — can inspire. Ray’s work is also charged with purely sculptural tensions that exist between surface and interior, armature and appendage and / or size and scale. With Boy (1992), Ray created a particularly disquieting figure.
Museum Guard With Sense of Humor Poses With Boy
The sculpture stands just shy of six feet tall, the artist’s exact height, yet maintains the softness of youth in its rounded cheeks and limbs. The boy is clad in outdated garments, hovering ‘between baby and Hitler youth,” in the words of one critic. Additionally, the boy’s pose and gesture suggest a confrontational manner at odds with his neutral expression.