Opus 951465 (2021): Painted Steel, Knotted Polylinear Cubic Lattice Path (All Photos By Gail)
The National Museum of Mathematics (aka MoMath) might not be a venue where one would expect to also find an art gallery, but they have one: and in the case of sculptor Anton Bakker, the venue is ideally suited.
Opus 951465 Digital Rendering
Bakker is a contemporary artist specializing in sculpture and its digital possibilities. He has been influenced by his life experiences in the Netherlands, France and now the US, where his artist practice has been based for more than ten years. Mo Math’s Composite Gallery is currently hosting Alternative Perspectives, an exciting exhibit of Bakker’s work — including several monumental pieces — that is complemented by the inclusion of nine rare works by the artist’s biggest influence, the legendary MC Escher.
Born in the United States, Isamu Noguchi (1904 – 1988) lived in Japan until he was 13 years old, and was deeply affected by Japanese art and culture. In 1930, the artist returned to Japan to study its sculptural traditions and ceramics
Miss Expanding Universe (1932) was the first sculpture Noguchi made upon his return to the United States in 1932. In this work, he combined machine-age streamlining with characteristics of ancient Japanese funerary sculpture (haniwa).
Later that same year, the artist transformed this flowing form into a sacklike costume for the pioneering dancer and choreographer Ruth Page and her ballet, Expanding Universe.
The New York Contemporary Art Scene’s very own Teen Idol, Jim McKenzie, will launch his first solo exhibit at Copro Gallery in Santa Monica on June 4th, and if you are anywhere near LA, you had better plan to be there! Lost Magic will feature a collection of Jim’s Pop Surrealist sculptures that must be seen to be believed. Jim’s creations for Lost Magic include seemingly fun and playful characters such as a Scarecrow with an ironic phobia of crows, a half-raccoon, half-unicorn appropriately named Raccoonicorn, as well as a variety of other brightly hued animal hybrids. Despite their candy-color coating, the pieces of Lost Magic were crafted with a darker undertone in mind. Jim explains, “I wanted to showcase the intersection where beauty and sadness intertwine within. I’ve chosen to create contrasting hybrids and, though they have these brilliant colors and seemingly majestic qualities, ultimately, they are all outcasts. This show is for those who’ve lost touch with the magic this world has to offer and for those who still want to see it.”
Watch Jim in the process of creating a few of the fantastic pieces that you will see in this show, in the theatrical trailer below:
Jim McKenzie’s Lost Magic will be on Exhibit from June 4th Through July 2nd, 2016, with the Opening Reception on Saturday June 4th from 8:00 – 11:30 PM. Copro Gallery is Located at 2525 Michigan Ave. T5, Santa Monica, CA 90404.
Felix Gonzalez-Torres (1957 – 1996) was an active member of the artist collective Group Material (1979 – 1996), which supported an agenda of feminism, civil rights and gay rights in a time of increasing political conservatism. His own understated installations consist of everyday materials such as light bulbs, newspapers, and candy, and address concerns both wholly personal and universal – impermanence, love, loss, and the cyclical nature of life. With Untitled (Toronto), 1992, Gonzalez-Torres has imbued light bulbs, common utilitarian objects, with poetic significant. The lifespan of each bulb, like that of a person, is of a particular duration and will ultimately burn out.
Photographed at the Museum of Modern Art in New York City.
His wife, Meryl Streep, may be one of the world’s most famous actresses, but American sculptor Don Gummer is taking his turn on Broadway right now, in the form of a major exhibition of his large-scale sculptures. Don Gummer on Broadway, the artist’s first outdoor public art exhibition in New York City, features nine aluminum and stainless steel sculptures placed along the Broadway malls, adjacent to subway stops, from Columbus Circle (8th Avenue at 59th Street) to 157th St.
Geoffrey and I were in Central Park last weekend and saw a couple of these fun sculptures, including the one above. Mondrian which is, of course, an homage to the famous painter, sits in the plaza at 64th Street and Broadway, across the street from Lincoln Center. It is made from painted aluminum and stained glass, and it’s absolutely gorgeous.
Mondrian is one of five examples of new work from Gummer’s Haiku series, created in 2014 and 2015, which were created especially for this exhibition. The four additional works included in the exhibition date from 2011 and 2012. The sculptures range in height from eight feet to fourteen feet.
“I first became interested in haiku poems because of the simplicity of their structure,” Gummer states in a press release. “Three lines stacked together containing 17 syllables. Five in the first line, seven in the middle, and five in the third line. I thought of substituting shapes for the syllables and instead of writing a poem with three sentences and 17 syllables, I made a sculpture with three vertical sections and 17 shapes, five in the bottom section, seven in the middle, and five in the top section. The three sections are separated by horizontal, linear flat rectangles, my version of lined paper.
The remaining four sculptures have similar stacked elements, and structurally relate to the others. This one, called 12-12-12, is on the north side of the Columbus Circle Plaza.
Don Gummer on Broadway will be up through October 31st, 2015. See the diagram below for the exact location of each sculpture. A cell phone tour, in English and Spanish, which includes the artist’s commentary, is funded by Con Edison.
If you enjoy looking at sculptures of dicks and phallus-shaped objects, then have I got an art exhibit for you! Sarah Lucas’s Nud Nob, up now at the Gladstone Gallery, features a series of large-scale bronze and cast-concrete sculptures displayed either on pedestals or installed directly on the gallery floor. Most of them look like penises. Just being serious.
The large sculpture of a gourd or squash, seen above, is perfectly innocent — I mean it’s obviously a vegetable — until you see it being placed in the context of a collection of phallic symbols. And then it just becomes a penis. Likewise, there is large photo on the rear wall of the gallery in which this squash sculpture is displayed that features a chicken carcase contextualized to look so much like a vagina that I couldn’t even bring myself to photograph it. So, maybe don’t bring the kids to this one, is what I’m saying.
Does this a sculpture depict two people having sex? You be the judge.
In this gallery you can see floor to ceiling photos of an attractive model enthusiastically eating a Banana. And, oh yeah, there’s a huge concrete Penis in the center of the room. Art!
Nud Nob by Sarah Lucas will be on Exhibit Through April 26, 2014 at Gladstone Gallery, Located at 515 West 24th Street, in the Chelsea Gallery District.
Mademoiselle Pogany II By Constantin Brancusi (All Photos By Gail)
Paul Kasmin Gallery’s current offering is Brancusi in New York 1913 – 2013, an exhibition of significant works from the Estate collection of Romanian-born sculptor Constantin Brancusi. The show celebrates Brancusi’s 100th Anniversary in New York following his debut at the Armory Show in 1913, where Brancusi exhibited five works that directed modern sculpture on a radical new path.
Housed at the 27th Street location of the Kasmin Gallery, Brancusi in New York includes five bronze masterpieces by Brancusi: Head, Mademoiselle Pogany II, The Newborn, Sleeping Muse II and Fish; all presented in a contemporary context as a testament to Brancusi’s continued relevance in today’s art world.
In the gallery’s rear room, there’s a beautiful collection of black and white photographs of several pieces you see in the exhibit. The photos’ monochromatic, matte finishes stand in striking contrast to the highly reflective surfaces of the bronze works. There are also a pair of inspirational quotes attributed to Brancusi painted directly on the gallery walls. This is a nice touch.
A fully illustrated catalogue, Brancusi in New York 1913 – 2013, published by Assouline, chronicles the sculptor’s success in New York City and his impact on its artistic social environment. The exhibition was produced in partnership with the Brancusi Estate and is curated by Jérôme Neutres, who is the catalogue’s author.
The Brancusi exhibit will be up into the beginning of January 2o14, so you have a decent amount of time to see it, but with the hectic pace of the holidays nearly upon us, don’t wait too long and risk missing what could be a once in lifetime treat!
Brancusi in New York 1913 – 2013 will be on Exhibit Through January 11, 2014 at the Paul Kasmin Gallery, located at 515 West 27th Street, Chelsea Gallery District, New York.